Le verità negate

Predictable, moderately solid...

And it could have been much better if only the plot wasn't so drawn out...

There is a lot of idleness, some situations are unnecessarily emphasized, some are insufficiently emphasized, even the acting in some scenes looks dilettante...

Regardless, I don't regret watching this movie because I'm a huge fan of both Susan Sarandon and Emily Blunt... for whom it's not possible to see all the endless finesse of exceptional acting quality in this movie, but not every movie can or should be a masterpiece- work, which does not mean that it is automatically trash.

A movie for a rainy Sunday afternoon, under a blanket with a cup of tea...

I was pleasantly surprised by "Irresistible", which turned out to be a deftly made thriller with just enough twists and turns to keep the viewer guessing. Some were a bit more predictable than others, and others really came from left field and will likely be the dividing point on this one, but it was a surprisingly enjoyable view. What seems to begin as a genre piece leaning heavily on the excellent 1940's films "Gaslight" really mentally becomes three different parallel story lines. The questions that stick in your mind throughout much of the film and offer those three simultaneous scenarios are due to a first rate performance by Susan Sarandon. A lesser actress would have been a complete embarrassment in this film, but her no holds barred presence builds up what could have been a little throwaway flick.

Susan Sarandon goes "slumming" in Australia and comes up with a pretty nifty thriller, IRRESISTIBLE. She plays a mom and wife and professional artist who begins to imagine things. She hears voices after her mother dies. Doors open and close of their own accord. Family photos disappear. An elderly neighbor swears someone dressed like Sarandon has been going in and out of her house! Changing the locks doesn't appear to help, and hubby Sam Neill is less than sympathetic. The solution comes at us unexpectedly, but then the writer or director decides to take it for one more turn -- at which point I was crying, "Enough!" It comes to A LIFETIME-type conclusion. Sarandon makes the film. Without her edgy performance as the aging, distraught mother, IRRESISTIBLE would be absolutely nothing. Neil is just window dressing.

Emily Blunt makes a good showing this predictable suspense made out of Australia. Susan Sarandon plays a 40-something wife of an architect and mother of 2 small children.

Plagued by artist's block, obsessed with owls and haunted by missing toys, dresses and photos, this scatter-brained artist is convinced that her husband's co-worker has the make on him. Or does he?

Two hours later, you'll know the truth. My suggestion? Fast-forward to midway. You'll figure it out.

Soundtrack is annoying. The beginning sounds like there is moaning through out the house; and it's not the scary kind of moaning. The cinematography was good; direction good; production good; acting good; Susan's casting was just wrong. And screenplay was weak.

This film explores the darkness that exists in families because of secrets. It has a slow burn, but a deeply satisfying one. I really liked the way the ending was structured - it surprised and intrigued me. A lot of women will love this film and will find it resonates with their own lives, the tensions within it, the darkness and the light. The performances of the children are wonderful. And so are the performances of the rest of the cast. I was especially drawn to the Susan Sarandon character and loved the strength she displayed. It's wonderful to see a great actress in such a strong, central role. It's a stunning movie.