VALUTAZIONE IMDb
5,7/10
6819
LA TUA VALUTAZIONE
Una moglie e madre, è consumata dal pensiero che la giovane collega del suo marito stia cercando di strapparlo a lei e alla loro famiglia.Una moglie e madre, è consumata dal pensiero che la giovane collega del suo marito stia cercando di strapparlo a lei e alla loro famiglia.Una moglie e madre, è consumata dal pensiero che la giovane collega del suo marito stia cercando di strapparlo a lei e alla loro famiglia.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Charles 'Bud' Tingwell
- Sam
- (as Bud Tingwell)
Recensioni in evidenza
Susan Sarandon goes "slumming" in Australia and comes up with a pretty nifty thriller, IRRESISTIBLE. She plays a mom and wife and professional artist who begins to imagine things. She hears voices after her mother dies. Doors open and close of their own accord. Family photos disappear. An elderly neighbor swears someone dressed like Sarandon has been going in and out of her house! Changing the locks doesn't appear to help, and hubby Sam Neill is less than sympathetic. The solution comes at us unexpectedly, but then the writer or director decides to take it for one more turn -- at which point I was crying, "Enough!" It comes to A LIFETIME-type conclusion. Sarandon makes the film. Without her edgy performance as the aging, distraught mother, IRRESISTIBLE would be absolutely nothing. Neil is just window dressing.
Predictable, moderately solid...
And it could have been much better if only the plot wasn't so drawn out...
There is a lot of idleness, some situations are unnecessarily emphasized, some are insufficiently emphasized, even the acting in some scenes looks dilettante...
Regardless, I don't regret watching this movie because I'm a huge fan of both Susan Sarandon and Emily Blunt... for whom it's not possible to see all the endless finesse of exceptional acting quality in this movie, but not every movie can or should be a masterpiece- work, which does not mean that it is automatically trash.
A movie for a rainy Sunday afternoon, under a blanket with a cup of tea...
And it could have been much better if only the plot wasn't so drawn out...
There is a lot of idleness, some situations are unnecessarily emphasized, some are insufficiently emphasized, even the acting in some scenes looks dilettante...
Regardless, I don't regret watching this movie because I'm a huge fan of both Susan Sarandon and Emily Blunt... for whom it's not possible to see all the endless finesse of exceptional acting quality in this movie, but not every movie can or should be a masterpiece- work, which does not mean that it is automatically trash.
A movie for a rainy Sunday afternoon, under a blanket with a cup of tea...
Once you start watching this film you have to see it through to the end. It draws you in with a very strange tale which twists and turns and keeps you routed to the screen.
The acting from the 3 main characters is superb. Emily Blunt's performance is absolutely stunning as the suspected source of Susan Sarandon's character's concerns and Sam Neill's character's attention.
No spoilers!
Watch and see. My ideal rating would be 6.5/10
Watch and see. My ideal rating would be 6.5/10
With a messy script and quite tedious pacing, this film doesn't really work. Sam Neill and Susan Sarandon do their best with desperately underwritten parts and Emily Blunt feels at times wasted in the role and at other times very miscast. The whole adds up to a waste of your time if you take the risk of watching it. You have been warned.
Emily Blunt makes a good showing this predictable suspense made out of Australia. Susan Sarandon plays a 40-something wife of an architect and mother of 2 small children.
Plagued by artist's block, obsessed with owls and haunted by missing toys, dresses and photos, this scatter-brained artist is convinced that her husband's co-worker has the make on him. Or does he?
Two hours later, you'll know the truth. My suggestion? Fast-forward to midway. You'll figure it out.
Soundtrack is annoying. The beginning sounds like there is moaning through out the house; and it's not the scary kind of moaning. The cinematography was good; direction good; production good; acting good; Susan's casting was just wrong. And screenplay was weak.
Plagued by artist's block, obsessed with owls and haunted by missing toys, dresses and photos, this scatter-brained artist is convinced that her husband's co-worker has the make on him. Or does he?
Two hours later, you'll know the truth. My suggestion? Fast-forward to midway. You'll figure it out.
Soundtrack is annoying. The beginning sounds like there is moaning through out the house; and it's not the scary kind of moaning. The cinematography was good; direction good; production good; acting good; Susan's casting was just wrong. And screenplay was weak.
Lo sapevi?
- QuizSusan Sarandon worked on the script with writer/director Ann Turner for six months before principal photography began in Australia (from early March 2005 through late April 2005).
- BlooperAt the beginning of the film where Sophie is in the Kitchen cooking, she picks up a pepper grinder and shakes it into the pot from the wrong end.
- ConnessioniReferences La ragazza della porta accanto (1993)
- Colonne sonoreTime After Time
(Rob Hyman / Cyndi Lauper (as Cindi Lauper))
(c) Dub Notes and Rellla Music Corp
(By Kind Permission of Warner/Chappell Music Australia)
Sony/ATV Music Publishing
Performed by Bernadette Robinson
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Irresistible
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 43min(103 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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