Shadow Man - Il triangolo del terrore

Before I start I would like to say that I already know Seagal isn't known for his acting but for his fight scenes. Exit Wounds was a fun thriller where Seagal actually put effort in his acting. Into the Sun wasn't that bad of a film either which had a decent plot. This film just had nothing.

What can I say, Steven Seagal keeps throwing films at us. They are completely rushed. Segal plays Jack where his daughter gets kidnapped and all he does is watch and with no emotion as his daughter is taken away from her. Throughout the movie Jack never does show anytime of emotion. I know that Seagal plays a tough guy throughout his movies but this was so over the top.

The directing and the editing also credits for this mess as plot holes developed quickly. Such examples included that Seagal would trust people to quickly than all the sudden he would become best friends.

If you are a Seagal fan than this movie wouldn't bother you. It doesn't compare to Exit Wounds but I can say, this film was better than his previous three (Submerged, Today You Die, and Black Dawn). That really isn't saying much. I will admit I enjoy watching Seagal films even though I usually disappointed.

Overall this film gets a 2 for directing, 2 for editing, 2 for acting, 2 for plot, and 6 for the stunts.

The former CIA agent Jack Foster (Steven Seagal) travels to Bucharest with his daughter Amanda (Skye Bennett) and his father-in-law George (Michael Elwyn) to spend vacations in Romania. In the airport of Bucharest, Jack sees his daughter being kidnapped by the taxi driver Anya (Eva Pope) and the limousine of George exploding. He chases the taxi with the CIA agent Harry (Vincent Riotta) and he finds that different groups believe George gave him the research of a lethal virus. While trying to rescue his daughter, Jack is entwined in a network of traitors and criminals that are disputing the powerful biological weapon and he has to fight to survive.

"Shadow Man" is another messy and noisy movie of Steven Seagal. The screenplay is terrible with an awful development of the characters and the situation, and along the first fifteen, twenty minutes, the viewer does not know what is happening. The cast is above average, highlighting the awarded Imelda Staunton and Eva Pope, but unfortunately the story is not good. I found funny to see the character of Steven Seagal with a girlfriend (with a wonderful body) and having a romance with Anya, since it is unusual in his movies this type of situation. The locations in Bucharest are very beautiful and with a better screenplay, this film could have worked. My vote is three.

Title (Brazil): "O Homem Sombra" ("The Shadow Man")

The last time I saw Seagal, was in Exit Wounds. He'd really packed on the pounds since his glory days, but then I watched this film, during an action man rampage (Icidentally, Dolph Lundgren's The Russian Specialist was my clear winner) and boy was Seagal looking fat, old and horribly sweaty.

Shadow Man has no plot to speak of, it's just a bunch of guys who turn up to get beaten up by Steven Seagal. The film is poor. Seagal as well is half asleep, he's awful here. It was actually saddening to see once one of my idol's (I took up Aikido cause of him) looking so unwell. It's my estimation that he's probably done a few too many films past his prime, a bit like Brando, without the talent.

Shadow Man has in its favour some nifty, and violent action, but not nearly enough of it, to overcome the boredom elsewhere.

The film concerns about a shadowy CIA ex-agent (Steven Seagal) , he goes to Bucarest (Romania) and at airport his daughter is kidnapped after an explosion . A Romanian cabbie (Eva Pope) carries to the small girl and being pursued by Seagal . Later on , he contacts with the American Ambassador (Imelda Staunton : Vera Drake). The film expands an exciting suspense about world of espionage blending with lethal virus intrigue and a kidnapping.

The picture contains numerous gunshots , blown up , bloody killings and great lots of violence when struggles and murders happen . Interesting scenes when Seagal is locked into room and he similarly to ¨McGiver¨ uses items for creating weapons confronting nasties ; besides , some cars chase are quite thrilling . Here appears the prestigious British actress Imelda Staunton , she shot for two days, but Seagal did not film any reverse angles with her . All the scenes where her character speaks with Seagal's character were done with the help of a stand-in . Imelda Staunton was quite vocal about her displeasure with the film with several online publications , she went on to say that the picture was a disorganized, under-funded mess . The film is produced by veteran French producer Pierre Spengler and Joe Halpin , usual financiers of Seagal films and shot at Castel Studios in Bucarest where have filmed his last movies .

The picture belongs the last period of Seagal career when he's making middling and low budget films , directly to video and many of them are considered semi-turkeys stinkers . These film are directed by B-directors as Don E. Fauntleroy (Mercenary for Justice) , Michael Oblowitz (Foreigner) , Anthony Hickox (Submerged) , Alexander Gruszynski (Black down) and this one , Michael Keusch (Attack force , Flight of fury) who directed him in three films . Following the tendency to oriental action cinema , Seagal hired Asian directors as Mink (Into the sun) , Leong (out the reach) , Ching (Belly of the beast) . These movies aren't on the level from previous successful and big budget Seagal films just like : ¨Glimmer man¨ , ¨Under Siege I,II¨ , ¨Exit wounds¨ , ¨The patriot¨ , ¨Fire down below¨ and others .

I mights add upfront, that i am no Steven Seagal fan.

The movie is similar to all Steven Seagal movies. So if you don't mind that you never see "stevens" head/face in any stunt ( which includes anything with more action that jogging or crouching) nor worse effects then a 1950 movie "high speed" chase, then you might enjoy this movie.

if you hate to see slowly moving vehicles through a shaking camera (which somehow is supposed to make it look more action/speed loaded...) i suggest not to waste your time with it. If you hate flat dialogs (there a re a few "good" ones, but Steven manages to spoil them by reading them with no emotions nor ambition) then again, this movie should probably not to waste your time.

summery: Steven, if you are a good guy, which i hope, then you wont take this personal: please stop trying to be an actor. you are wasting peoples lifetime.