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6,6/10
11.143
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA coming of age story about a shy teenage boy trying to escape from the influence of his domineering mother. His world changes when he begins to work for a retired actress.A coming of age story about a shy teenage boy trying to escape from the influence of his domineering mother. His world changes when he begins to work for a retired actress.A coming of age story about a shy teenage boy trying to escape from the influence of his domineering mother. His world changes when he begins to work for a retired actress.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 5 candidature totali
Rupert Holliday-Evans
- Store Manager
- (as Rupert Holiday Evans)
Recensioni in evidenza
The film stars Rupert Grint and Julie Walters, both late of the Harry Potter franchise.
This movie has been called a comedy, and has been likened to Harold and Maude. Well, it wasn't exactly a ha-ha-ha kind of movie, although it had some whimsical touches, and it certainly wasn't anything like Harold and Maude, save for the fact that the protagonists are a 17 year old boy and an elderly woman (Walters, who played Grint's mother in the Harry Potter movies, here plays a much older woman, complete with dowager's hump).
Grint plays a shy and inexperienced teen who goes to work as the assistant of an eccentric, elderly former actress. The writer/director, Jeremy Brock, based the film on his experiences working as a gofer for Dame Peggy Ashcroft. The actress, of course, shows him how to "live." Grint's mother, played by Laura Linney with an English accent, is the wife of a minister, who overprotects her son and tries to instill her own overbearing "righteousness" in him, which he resists. The movie is very gentle, and nothing over the top happens (save for the boy having a very discreet one night stand with a girl he meets in Scotland while accompanying his employer), but the acting is fine and the story moves along very entertainingly.
I liked young Grint, although he may have overdone the male ingenue a bit in the beginning. However, as he comes out of himself, the character shows signs of the makings of a forceful young man inside the boy. Grint is a very attractive screen presence, nice and interesting-looking without being beautiful, and shows, I think, some real potential as an actor. He held his own very well in the company of such seasoned players.
This movie has been called a comedy, and has been likened to Harold and Maude. Well, it wasn't exactly a ha-ha-ha kind of movie, although it had some whimsical touches, and it certainly wasn't anything like Harold and Maude, save for the fact that the protagonists are a 17 year old boy and an elderly woman (Walters, who played Grint's mother in the Harry Potter movies, here plays a much older woman, complete with dowager's hump).
Grint plays a shy and inexperienced teen who goes to work as the assistant of an eccentric, elderly former actress. The writer/director, Jeremy Brock, based the film on his experiences working as a gofer for Dame Peggy Ashcroft. The actress, of course, shows him how to "live." Grint's mother, played by Laura Linney with an English accent, is the wife of a minister, who overprotects her son and tries to instill her own overbearing "righteousness" in him, which he resists. The movie is very gentle, and nothing over the top happens (save for the boy having a very discreet one night stand with a girl he meets in Scotland while accompanying his employer), but the acting is fine and the story moves along very entertainingly.
I liked young Grint, although he may have overdone the male ingenue a bit in the beginning. However, as he comes out of himself, the character shows signs of the makings of a forceful young man inside the boy. Grint is a very attractive screen presence, nice and interesting-looking without being beautiful, and shows, I think, some real potential as an actor. He held his own very well in the company of such seasoned players.
A British twist on Harold and Maude, Driving Lessons features a reined-in Rupert Grint and an over-the-top Julie Walters. While it is true that Grint is stone-faced like a redheaded Benjamin Braddock for the first half of the movie, it does not deter from the quirky family film--there are things going on that are out of his character's experience that would create a shell-shocked reaction. The chemistry between Walters and Grint carries the film, though Laura Linney's hard work to make her written stereotype human is also notable. These performances combined with a fun poppy soundtrack with artists like Sufjan Stevens, John Renbourn and Salsa Celtica make this kids popcorn flick worth a Saturday afternoon.
I saw this tonight with moderate expectations - if Tartan Films have picked up on something and are releasing it the that's generally a good sign, however I'm not normally a fan of Julie Walters, generally disliking her comedy roles (sorry to any fans, but it's a personal thing - I just don't find her funny in comedy).
This was magnificent though - a great performance by all, but Grint and Walters are exceptional! Plenty of laughs, plenty of pathos, great timing and a wonderfully paced film - such a coming of age film wouldn't normally be something I'd expect to like so much but I can't recommend this highly enough - and watch Rupert Grint as he matures into a fine fine actor.
This was magnificent though - a great performance by all, but Grint and Walters are exceptional! Plenty of laughs, plenty of pathos, great timing and a wonderfully paced film - such a coming of age film wouldn't normally be something I'd expect to like so much but I can't recommend this highly enough - and watch Rupert Grint as he matures into a fine fine actor.
Growing up is maybe a bit like learning to drive: lots of things you're not meant to do - at least when those in authority are watching. Staying on the straight and narrow can be difficult, especially if your teachers are awful.
Rupert Grint (Ron Weasley from the Harry Potter series) has had the misfortune to be born into a family with a preacher as a dad and a self-righteously over-bearing mother (Laura Linney). He breaks out of his imposed cocoon with the help of a retired actress (Julie Waters) and achieves his rite of passage. Driving Lessons is highly polished mainstream comedy that will keep you snickering under your breath all the way through your bible class. A large amount of f-words (and a UK 15 certificate) sadly prevent any 14yr-olds that haven't learnt to bluff effectively from seeing it. . . . oh, and there's a nice bit of sex, courtesy a good Scottish lass.
Ben answers an advert for a young man to help a retired actress in the house and garden. The eccentric Evie (Julie Walters) has soon whisked him off camping, and then taken him to Scotland where he Become A Man. He has to get rid of what Evie describes as the 'social autism' inculcated by his religious upbringing. His mum has been determinedly teaching Ben to drive (he fails his test) and things are not good in the parental marriage (but they are God's ambassadors and must show the world a smiling face). Ben learns that, "When the sh*t hits the fan, get a tent," although the road is long and sometimes hard. He also learns, through the power of impromptu drama and hard choices of conscience, that there is more to being a man than following the rules.
The road to and from Scotland is apparently a single track road that passes through such unlikely places Holyrood Park (which also just happens to have one of the best views of the city). But hey! The boy could have got lost! The whole movie has such lovable pacing and unpretentious detail that it is easy to forgive such quirks. The glimpse of the Edinburgh Festival, which is the biggest arts festival in the world, is achieved with remarkable panache. Evie and Ben arrive at the Caledonian Hotel and the Book Festival contact soon has him off to a nightclub and then her bed in the true spirit of Scottish hospitality. The soundtrack concocts a heady blend of Scottish folk, Salsa Celtica, Richard Thompson, Nick Drake and Chopin's First Nocturne in B flat Minor. Loosely based on the director's own experiences growing up as a vicar's son and working for Dame Peggy Ashcroft, his portrait of middle class London suburbia hits all the right notes: perfectly correct on the outside, and full of abnormally screwed up people behind the net curtains. He pokes fun at religion without ever causing offence and is supported by superb actors and a talented crew.
This is such a good movie that it is hard to say anything bad about it. Sadly the only flaw lies in the undeveloped substance of its central theme, meaning that Driving Lessons will be enjoyed to the hilt today, but too easily forgotten when its ideas are already second nature.
Rupert Grint (Ron Weasley from the Harry Potter series) has had the misfortune to be born into a family with a preacher as a dad and a self-righteously over-bearing mother (Laura Linney). He breaks out of his imposed cocoon with the help of a retired actress (Julie Waters) and achieves his rite of passage. Driving Lessons is highly polished mainstream comedy that will keep you snickering under your breath all the way through your bible class. A large amount of f-words (and a UK 15 certificate) sadly prevent any 14yr-olds that haven't learnt to bluff effectively from seeing it. . . . oh, and there's a nice bit of sex, courtesy a good Scottish lass.
Ben answers an advert for a young man to help a retired actress in the house and garden. The eccentric Evie (Julie Walters) has soon whisked him off camping, and then taken him to Scotland where he Become A Man. He has to get rid of what Evie describes as the 'social autism' inculcated by his religious upbringing. His mum has been determinedly teaching Ben to drive (he fails his test) and things are not good in the parental marriage (but they are God's ambassadors and must show the world a smiling face). Ben learns that, "When the sh*t hits the fan, get a tent," although the road is long and sometimes hard. He also learns, through the power of impromptu drama and hard choices of conscience, that there is more to being a man than following the rules.
The road to and from Scotland is apparently a single track road that passes through such unlikely places Holyrood Park (which also just happens to have one of the best views of the city). But hey! The boy could have got lost! The whole movie has such lovable pacing and unpretentious detail that it is easy to forgive such quirks. The glimpse of the Edinburgh Festival, which is the biggest arts festival in the world, is achieved with remarkable panache. Evie and Ben arrive at the Caledonian Hotel and the Book Festival contact soon has him off to a nightclub and then her bed in the true spirit of Scottish hospitality. The soundtrack concocts a heady blend of Scottish folk, Salsa Celtica, Richard Thompson, Nick Drake and Chopin's First Nocturne in B flat Minor. Loosely based on the director's own experiences growing up as a vicar's son and working for Dame Peggy Ashcroft, his portrait of middle class London suburbia hits all the right notes: perfectly correct on the outside, and full of abnormally screwed up people behind the net curtains. He pokes fun at religion without ever causing offence and is supported by superb actors and a talented crew.
This is such a good movie that it is hard to say anything bad about it. Sadly the only flaw lies in the undeveloped substance of its central theme, meaning that Driving Lessons will be enjoyed to the hilt today, but too easily forgotten when its ideas are already second nature.
I only heard about Driving Lessons through the ITV adverts, and to be honest, I didn't know how much I would like it. I switched on the TV last night and was totally surprised. Driving Lessons is a modest, simple film which draws you in right from the start. Rupert Grint plays the part of socially awkward teenager Ben brilliantly. He's definitely one to look out for in the future. Dame Eve Walton is played by the fabulous Julie Walters. I loved the simple plot and the way the actors portrayed their characters with great sensitivity. The highlight of the film, for me was Evie's rather colourful poem. It shows how friendships can form between the most unlikely pairs. In my opinion, watching Driving Lessons is a great way to spend 2 hours. The scenery was also striking, especially the countryside. Anyone who can call this sparkling comedy forgettable, I strongly disagree with
Lo sapevi?
- QuizWriter and Director Jeremy Brock chose Rupert Grint for the lead role because he felt that he had been underused in the third and fourth installments of the Harry Potter film franchise.
- BlooperWhen Evie and Ben are looking at the lake it is flat calm. When the camera looks at them the lake behind has waves.
- Curiosità sui creditiIn the opening titles, the names of the main cast and crew are arranged around a map as if they were street names.
- Versioni alternativeThe UK version is the director's cut where in the US version many scenes had to be cut in order to retain a PG-13 rating along with dubbing some F words to "Sod."
- ConnessioniFeatured in WatchMojoUK: Top 10 Other Roles by Hogwarts Students (2017)
- Colonne sonoreThe Tallest Man, The Broadest Shoulders Part 1: The Great Frontier
Written and Performed by Sufjan Stevens
Published by New Jerusalem Music (ASCAP)
Courtesy of Asthmatic Kitty
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Driving Lessons
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 239.962 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.603 USD
- 15 ott 2006
- Lordo in tutto il mondo
- 1.297.553 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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