In viaggio con Evie

The film stars Rupert Grint and Julie Walters, both late of the Harry Potter franchise.

This movie has been called a comedy, and has been likened to Harold and Maude. Well, it wasn't exactly a ha-ha-ha kind of movie, although it had some whimsical touches, and it certainly wasn't anything like Harold and Maude, save for the fact that the protagonists are a 17 year old boy and an elderly woman (Walters, who played Grint's mother in the Harry Potter movies, here plays a much older woman, complete with dowager's hump).

Grint plays a shy and inexperienced teen who goes to work as the assistant of an eccentric, elderly former actress. The writer/director, Jeremy Brock, based the film on his experiences working as a gofer for Dame Peggy Ashcroft. The actress, of course, shows him how to "live." Grint's mother, played by Laura Linney with an English accent, is the wife of a minister, who overprotects her son and tries to instill her own overbearing "righteousness" in him, which he resists. The movie is very gentle, and nothing over the top happens (save for the boy having a very discreet one night stand with a girl he meets in Scotland while accompanying his employer), but the acting is fine and the story moves along very entertainingly.

I liked young Grint, although he may have overdone the male ingenue a bit in the beginning. However, as he comes out of himself, the character shows signs of the makings of a forceful young man inside the boy. Grint is a very attractive screen presence, nice and interesting-looking without being beautiful, and shows, I think, some real potential as an actor. He held his own very well in the company of such seasoned players.

Growing up is maybe a bit like learning to drive: lots of things you're not meant to do - at least when those in authority are watching. Staying on the straight and narrow can be difficult, especially if your teachers are awful.

Rupert Grint (Ron Weasley from the Harry Potter series) has had the misfortune to be born into a family with a preacher as a dad and a self-righteously over-bearing mother (Laura Linney). He breaks out of his imposed cocoon with the help of a retired actress (Julie Waters) and achieves his rite of passage. Driving Lessons is highly polished mainstream comedy that will keep you snickering under your breath all the way through your bible class. A large amount of f-words (and a UK 15 certificate) sadly prevent any 14yr-olds that haven't learnt to bluff effectively from seeing it. . . . oh, and there's a nice bit of sex, courtesy a good Scottish lass.

Ben answers an advert for a young man to help a retired actress in the house and garden. The eccentric Evie (Julie Walters) has soon whisked him off camping, and then taken him to Scotland where he Become A Man. He has to get rid of what Evie describes as the 'social autism' inculcated by his religious upbringing. His mum has been determinedly teaching Ben to drive (he fails his test) and things are not good in the parental marriage (but they are God's ambassadors and must show the world a smiling face). Ben learns that, "When the sh*t hits the fan, get a tent," although the road is long and sometimes hard. He also learns, through the power of impromptu drama and hard choices of conscience, that there is more to being a man than following the rules.

The road to and from Scotland is apparently a single track road that passes through such unlikely places Holyrood Park (which also just happens to have one of the best views of the city). But hey! The boy could have got lost! The whole movie has such lovable pacing and unpretentious detail that it is easy to forgive such quirks. The glimpse of the Edinburgh Festival, which is the biggest arts festival in the world, is achieved with remarkable panache. Evie and Ben arrive at the Caledonian Hotel and the Book Festival contact soon has him off to a nightclub and then her bed in the true spirit of Scottish hospitality. The soundtrack concocts a heady blend of Scottish folk, Salsa Celtica, Richard Thompson, Nick Drake and Chopin's First Nocturne in B flat Minor. Loosely based on the director's own experiences growing up as a vicar's son and working for Dame Peggy Ashcroft, his portrait of middle class London suburbia hits all the right notes: perfectly correct on the outside, and full of abnormally screwed up people behind the net curtains. He pokes fun at religion without ever causing offence and is supported by superb actors and a talented crew.

This is such a good movie that it is hard to say anything bad about it. Sadly the only flaw lies in the undeveloped substance of its central theme, meaning that Driving Lessons will be enjoyed to the hilt today, but too easily forgotten when its ideas are already second nature.

Loved this movie, what a hoot. Rupert and Julie are great together with Rupert being almost poker faced against Julie's animation, which worked well. Laura did a good job as the overbearing mother.Julie of course is marvellous as usual. While this movie will keep you laughing most of the time it also has a poignant side to it as it unravels the secrets in the lives of the main characters. Interesting that it was entitled Driving Lessons as this might lead you to believe this is the main feature of the movie which directly it is not though it certainly could be seen as "Ben" finally being in the driving seat in his own life. Like most things that are funny in life there is always the sad side and there are some moving moments in this movie. Very enjoyable movie and well worth watching.

"Driving Lessons" sees two middle class quintessential British families meet head on, when Grint's character comes into contact with Evee, (Walters), a slightly deranged out-of-touch actress with an ego. Grint betrays his overpowering, and over-Christian mother, (Linney), and goes off travelling with Evee to Scotland, to accompany her on a trip to participate in a Poetry reading, something she claims could be her last, due to an illness.

Grint's portrayal of a caged youngster, brainwashed by an overbearing, and even hypocritical mother, is the masterpiece of this film. His portrayal of a downtrodden teen in search of his true morals, and happiness, is captivating to watch unfold throughout. The film is sharply shot, and well paced, with very few moments leaving you tired, an achievement, particularly considering the nature of the plot. Walters really grabs hold of her character with both hands, and successfully brings the audience to her side of things, emphasising Linney's ironic immorality throughout. Her role in "Driving Lessons" is enjoyable and memorable in every sense.

The plot develops nicely, leaving the audience cheering on Grint as he chases back to Evee's place during his lunch break during his stint at a local bookshop to apologise for his wrongdoings. The values in the piece are continued and brought out thoroughly up until the final drag, in a very consistent way. The overbearing, (and relieving), main idea being that religion doesn't lead to happiness, and certainly doesn't lead to morality.

The audience are left sympathising with the radical but lovable Evee, with her and Grint making an irresistible partnership on the big screen, transferred directly from their debut in the "Harry Potter" series. Charismatic and beautiful acting together with a tight and fact paced script make this a must-see this Christmas.

A British twist on Harold and Maude, Driving Lessons features a reined-in Rupert Grint and an over-the-top Julie Walters. While it is true that Grint is stone-faced like a redheaded Benjamin Braddock for the first half of the movie, it does not deter from the quirky family film--there are things going on that are out of his character's experience that would create a shell-shocked reaction. The chemistry between Walters and Grint carries the film, though Laura Linney's hard work to make her written stereotype human is also notable. These performances combined with a fun poppy soundtrack with artists like Sufjan Stevens, John Renbourn and Salsa Celtica make this kids popcorn flick worth a Saturday afternoon.