Storm

Don't get me wrong. This is an important film (for Sweden especially as it's so rare to see a Swedish sci-fi that actually lives up to it's title) and the visual style takes influences from a bunch of ground-braking classics; OldBoy, Fight Club, Se7en, The Terminator, 28 Days Later and many more (though these references feel more like homages rather than bad rip-offs and so it just goes to show that the film was made by people who really just like movies in general).

Anyway, on with the show. The film follows DD - a hip guy hanging with all the right people and living the trendy life of a Stockholm-journalist - who suddenly has his path crossed by Lova, who seems more like a superhero than an actual Swedish girl (and yeah, I know what Swedish girls look like in general). She disappears as fast as she arrived and DD goes home to his bachelor pad.

Later on she shows up at his door, giving him an address to visit if things start to go bad. And eventually, they do (of course). When trying to find Lova again he comes across a strange box and is forced to flee the scene of a shoot-out. Now, on the run from the cops, and also from the people originally chasing Lova, he must figure out the secret of the box and manage to open it before it's to late.

This was an interesting plot to say the least and I really enjoyed the work that these directors did in the past. Unfortunetely, the wonderful visual styles used here don't quite make up for the fact that the story ends up with too many loose ends.

It could have been a brilliant film but, in the end, the final answer to what's happened during this hour-and-a-half (or whatever) just leave a whirlwind of new questions stirred up in the backwaters of the credits.

Sorry guys, I really wanted this to work as something more than just eye-candy :(

First of all the actors. Sasha Becker, who I have never seen before, does an excellent job. He holds the movie together nicely and goes through a variety of moods flawlessly. Now for the rest of the cast... Jonas Karlsson, an actor who I normally respect, is horribly cast for this movie and the role as the "bad guy". With or without a scar (hah) by his right eye. Eva Röse is not only poorly casted in her role but does a terrible job, overacting every single line she does.

Another major problem with this movie is that it tries to much. It's like they added comic-book / matrix / fight club / anime / computer game references and scenes in the end just to be the flavor of the month and it totally destroys this movie! If all of that was removed and the tempo was actually slower the movie would benefit greatly. I mean come on,.. jumping over laser scenes and random running with ninjas hunting you in the midst of a otherwise good movie. Granted, the script steals a hell of a lot of influences (ripping of?) from other movies (butterfly effect / hell raiser / matrix etc) but it's core is good. Sadly this is like watching 3 movies in one with only one being good and them pulling different ways and you almost feel like jamming a fork into your leg every time you see a scene that apparently "has to be there" with no intent but to show that the movie is hip.

Cudos has to go to the art department and the Cinematography guy in charge Linus Sandgren cause *that* work is totally flawless. I left with a bitter taste of what this movie could have been LIKE and what a waste of talent of the cinematography and lead actor it had been.

I saw this movie at its World premiere at Stockholm's Film Festival. From the get go, this movie proves to be like nothing that has ever come out of the Swedish movie business before. At first, I though that was a good thing. Then I thought it wasn't that good. Then I thought what I really thought wasn't that good was the movie, while the IDEA that the movie tried something that was new to Swedish movie production, was good. Now I just hope that the people who fund Swedish movies don't see this one as a failure - because Storm, if successful despite its flaws, might give all the aspiring Swedish action directors (that I'm sure are hiding out there) a chance, and start a wave of awesome Swedish action/adventure/Sci-Fi/contemporary-fantasy movies. Something better than the movie itself might come out of "Storm".

In Storm's Matrix-esquire introduction sequence, we see two characters running and fighting through dark culverts to get away from bald goons. It all looked very good, and Eva Röse proved to be a really convincing action heroine, which all really got my hopes up. "Are they trying to do it the Hollywood way?" I thought to myself - knowing that that would be tricky considering the history of and budgets for Swedish films don't allow a lot of the necessary stunts and special effects. Swedish films, in my mind, are mainly dramas about dysfunctional, broken people - movies that only make me feel bad. Even Swedish comedy doesn't go far outside that framework.

Well, after the introduction sequence, things change quite a bit. Immediately, a narration with comic ambitions wipes the Matrix-esquire atmosphere clean off. The first thing I thought was "Oh, so now they're showing everyone that they're indeed NOT making an attempt to 'do a Hollywood all the way', by stepping off that vibe in the harshest possible way". I was very disappointed, but on the other hand, I hardly think they, as any Swedish filmmaker, would be able to pull off a "Hollywood". Look at "Rancid".

Soon, influences from all kinds of weird places start to show up. As the movie continues, the viewer is required to digest a multitude of different story telling techniques and movie references - all in all not giving a very solid impression. There's the narrator talking directly to the audience. There's the comical flashback sequence. There's the emotional flashback sequence. There's blood squirting out of someone's neck, then there's the funny taxi driver. There's the Swedish countryside, then there's the Cuban beach. There are more something-moves-in-the-foreground-with-a-sudden-horror-music-cue scenes than I can remember. There are unintentionally comical cartoon sequences. There's the raising of the question "What is real, what is fantasy?" which has been made popular lately by movies such as "The Matrix" and "Vanilla Sky". The end leaves the viewer with some philosophical thinking to do, as the movie makers don't give you all the answers. At least some of those answers, I would like to have served.

When it all comes together, these things don't blend all that well. It feels like the filmmakers thought "Wow, we don't know when's the next time we'll have THIS much money to make a movie - we'd better squeeze all those movie ideas we've had for the last ten years into this one production!".

Nevertheless, the film becomes quite absorbing at times. The acting is good - especially Jonas Karlsson was great in his role - the camera work is superb, the production style sleek. It's amusing to see how much they make the old city of Stockholm look like "steel and glass".

This all makes me hopeful. I encourage everyone who has the chance to go see this movie when it hits the cinemas, or rent it when it's released on DVD - because if this movie makes enough money we might see more, better films like this coming out of Sweden. I know know what I have long suspected - the will and skill is out there. "Storm" is not the hit - but it might give birth to the hit. I'm crossing my fingers.

I just got home from the world premiere of this movie, and this is the first time I have seen a Swedish action movie with sci-fi elements that does not come off as quaint or just outright bad. This is a very smart movie that, while all you see is not fully explained, the right things are, and it manages to weave different parts of the story together quite nicely.

There is realism and depth (and pain!) in the psychological side of the movie, and I particularly like how the characters evolve over time - the storytelling technique works very well.

I also like Jonas Karlsson's acting - his character could easily have become cliché or cheesy (there is something with Swedish that just isn't as cool as English, when doing this type of movie), but he avoids these traps and pulls it off with class. In general the acting, in its genre, is better than most Swedish movies that try to be this cool. Because Storm is cool.

I heard this movie being put forward as a "Swedish Matrix", and while the two movies differ quite a lot, and the Matrix obviously had a much bigger budget, the comparison is not completely unwarranted since they both tell parallel stories in clever ways and play with our perception of what a normal life is. Storm tells its tale on a much more personal scale, and it does it excellently.

Anyone who really dislikes Swedish movies should really see this movie, especially if you are from Sweden. It really stands out as one of those films that shows our potential. We can make other sorts of films than those that are corny, depicting of Swedish scenery and habits, police movies, and migration movies that deal with racism.

Bcos what you actually expect when you see a Swedish film is some sort of story about love and family and at least one penis shot. Storm really breaks your expectations without becoming a bad Hollywood alike-make of some tacky action movie - we make a lot of those also (e.g. livvakterna, tredje vågen).

Treat your self to something unexpected and non-typical Swedish. 7 out of 10 is on a international scale, 10/10 if it is compared to other Swedish films.