Civic Duty

Peter Krause plays Terry Allen, a laid-off accountant with time on his hands. As he updates his resume he becomes obsessed with the new tenant who has moved into an apartment across the courtyard, a man of Middle Eastern origin, whose behavior seems suspicious to Allen. Of course, Allen is one of these people who never learned that there is nothing more deceptive than superficial appearances.

The real basis of Allen's obsession is television "news", which he constantly has on, blaring out scary headlines and hints of "terror". Allen's wife Marla (well played by Kari Matchett) tries to be the voice of reason. But she is no match for the nonstop fear message coming from the boob tube. And the more Allen connects the TV message to the suspicious stranger, the more paranoid and irrational Allen becomes.

It's a highly relevant story, one wherein Allen represents many gullible Americans who take at face value everything they hear on TV. In the real world, most people have psychological brakes that prevent them from acting on their fears. Allen does not have those brakes, and he reacts accordingly.

"Civic Duty" is mostly a visual film; dialogue is fairly minimal. However, some of the lines convey the film's theme. In one confrontation Terry tells Marla: "We all have to be the eyes and ears now (for the FBI)". To which Marla responds: "If you weren't up here all day long spying on our neighbors like some paranoid right-wing whack ..."; Terry retorts: "Just because they're paranoid doesn't mean they're wrong ...".

The film's pace in the first half is fine; the plot moves along at a good clip. In the second half, the pace slows, as viewers must endure a tedious police standoff. A chase sequence in the second half is unnecessary filler. The lack of inquisitive neighbors provides the basis for an obvious plot hole, particularly as we approach the film's climax.

Cinematography is adequate; the emphasis is on close up shots, even extreme close-ups. Lighting trends toward low level. Overall acting is slightly above average. Richard Schiff, as the low-key, laconic FBI agent, gives an especially good performance. Background music is fairly creepy, and when combined with the dark visuals and minimal dialogue, creates a fair amount of suspense.

The real "message" of this film is the dreadful effect that television "news" has on many Americans. In effect, "Civic Duty" is the cinematic expression of media critic Marshall McLuhan's famous line, some forty years ago: "The medium is the message".

i am no expert, i just like watching movies and i liked this one. it has a good story and good actors to sustain it. there isn't much development in the characters, but then this is not this kind of a story - its just like a window has opened to us, the viewers, into the world of a family, that has its dreams and problems, but now and then we get fragments of the bigger picture and then suddenly it all goes wrong and crazy...

as a kind of bottom line - when men forget about the love and start playing their 'games', its always the innocent who pay the price for it

its a good movie - don't be afraid to watch it, you'll enjoy it

peace

The topic is very interesting, and somewhat important in the face of the post-9/11 terrorist attack, resulting in a backlash of suspicion by many US citizens toward people of middle-eastern descent or culture.

This paranoid-episode focuses on a down and out man, and the suspicions he experiences when a new neighbor of apparent middle-eastern background moves into a nearby apartment. Various pre-existing marital tensions in his marriage contribute to fuel his determination.

All of the acting is well-done. Most everything is well-done. But it's just plain depressing and down-mood, from beginning to end, so don't plan on watching it for weekend escape-entertainment.

If you were hoping for action, there's almost none of it here. Even on suspense, there's very little. It's more of a drama with a slight edge at a few points in the latter third of the movie. The last minute or two of the movie's ending left me unclear on what had happened and what was implied. I felt that it could be interpreted at least two different ways.

Overall, it's a worthwhile movie with food for thought. But I wouldn't think of it as invigorating or thought-provoking-- it was more frustrating, from my point of view.

"Civic Duty" is like "Rear Window" for the post-9/11 age. Terry Allen is a recently laid-off accountant who, thanks in large part to an ubiquitous, sensation-seeking news media, has become increasingly obsessed with the "terrorist threat" plaguing the Western world. When a young Middle Eastern man moves into an apartment across the way, Terry immediately goes into surveillance mode, spying on his every move, following him around town, breaking into his home, and even reporting him to what Terry quickly learns, much to his dismay, is a decidedly uninterested and unconcerned FBI. Soon, his life and marriage are falling apart as he plunges ever deeper into his paranoia-driven madness.

"Civic Duty" starts off as a reasonably compelling psychological thriller, but the longer the movie goes on the more far-fetched and heavy-handed it becomes. Peter Krause, who was so subtle and effective as the star of "Six Feet Under," is forced to go so over-the-top in his performance here that we begin to fear he'll burst a blood vessel long before the movie is over. The underlining doesn't stop there, however, for Jeff Renfroe"s direction is filled with any number of hokey touches, including panning wildly or having the camera do virtual somersaults anytime anything even remotely sinister or suspenseful is about to take place.

The movie first points out how the media, obsessed with profits and ratings, finds it necessary to bombard us with a steady stream of potential terror threats, both real and manufactured, on an around-the-clock basis - and then questions what kind of effect such sensory overload might have on an already unstable personality. And, beyond that, might the media and the political class it serves be turning all of us, to some degree or another, into raging paranoiacs, ready to pry into our neighbors' private business in the cause of national security? Unfortunately, this provocative theme gets buried under a truckload of paranoid-thriller clichés.

Kari Matchett, Khaled Abol Naga and Richard Schiff ("The West Wing") do well in their various roles, but the movie, well intentioned though it is, falls far short of its potential.

I saw this movie, and I was surprised. The performances were reasonable, not that bad, and the plot was a very interesting reflection. This movie sends a message and a social critic to America, about terrorism, and it reflects on the uncomfortable way of life, of an American, Terry Allen (played by Peter Krause, good performance here) that is certain that is neighbor, Gabe Hassan (Khaled Abol Naga, that is a revelation here), is a terrorist. This is an interesting film, because it reflects on a man that is disturbed and filled with plenty of media stuff in is head. This is an excellent critic to the American society, post 9/11, and also a movie that poses on the theory of conspiration. Get to see it if you can. Interesting - 7/10.