Scott Pilgrim deve sconfiggere i sette ex perfidi della sua nuova fidanzata per conquistare il suo cuore.Scott Pilgrim deve sconfiggere i sette ex perfidi della sua nuova fidanzata per conquistare il suo cuore.Scott Pilgrim deve sconfiggere i sette ex perfidi della sua nuova fidanzata per conquistare il suo cuore.
- Regia
- Sceneggiatura
- Star
- Premi
- 18 vittorie e 66 candidature totali
Will Bowes
- Party Goer
- (as Will Seatle Bowes)
Keita Saitô
- Kyle Katayanagi
- (as Keita Saito)
Riepilogo
Reviewers say 'Scott Pilgrim vs. the World' is a visually imaginative film blending video games, comic books, and pop culture. Praised for its unique style, fast-paced editing, and quirky humor, the film offers creative storytelling and an energetic soundtrack. However, some find the plot repetitive and characters unlikable. Its niche appeal caters mainly to geek culture fans, though many appreciate its originality and entertainment value despite mixed opinions.
Recensioni in evidenza
I came to this films with no preconceptions of it as a movie and I have to say I am glad. I guess I was expecting another Michael Cera movie about some dopey kid in love. And thats what it is ... but done in a unusually great way. For anyone under 25 brought up on gaming (I am 30 and not) this will be just brilliant. The style of the movie with its "end of level baddies", game-play set-up and visuals are a welcome and refreshing twist on what could have been a hum-drum movie. The music rocked, the comedy was fast, slick and laugh out loud ... I'd definitely recommend this to my friends looking for something that little bit special.
Scott Pilgrim (Michael Cera) is a twenty-something slacker living in Toronto, who basically leeches off his friends. Despite being in a "relationship" with Knives Chau (Ellen Wong), he keeps dreaming about another girl. He quickly finds out this dream girl, Ramona Flowers (Mary Elizabeth Winstead), is actually quite real, and decides to pursue her. But before they can truly become the couple Scott hopes for, he has to defeat her seven evil exes.
I did not think it was possible, but Edgar Wright has fairly successfully brought Bryan Lee O'Malley's epic graphic novel series to the big screen in the most uniquely entertaining way possible. It is his first adapted work, but it feels every bit as fresh (I use that word very loosely) as Shaun of the Dead and Hot Fuzz did upon their initial releases. It deviates from the books a bit (much like Matthew Vaughn's excellent adaptation of Kick-Ass earlier this year), but the majority of the film stays true to the series and gives the fans everything they might expect from a Scott Pilgrim film. Right after the film opening with an 8-bit Universal logo and score, you know you are in for a treat.
What propels Wright's epic and inspired vision is the editing style. All of the little idiosyncrasies, background/foreground items and ideas, everything that made O'Malley's books so revered in the graphic novel community are all in full force here. Some shots in the trailers suggest the comic book-style feel of the film, with the sounds of the actions appearing as words on-screen and the video game-related pop-ups appearing the same way they would in the game. But that is only the start. The entire film is filled with them, and with references to numerous pop culture entities (specifically video games), to the point that it looks and sounds like a ridiculously enhanced motion comic or game. Add to that the quick cuts and multiple panel style of the format, and you have the closest film representation of a comic since Robert Rodriguez attacked Frank Miller's Sin City.
Even with all the nods and references to the original work, Wright's film still feels very much his own work. He makes Scott Pilgrim's epic quest to defeat Ramona's exes into an understated work you will likely not see replicated too soon. After seeing Christopher Nolan's Inception just under a week ago, I did not think that mainstream Hollywood would release something so blazingly original and something so astonishly unique so close together. Scott Pilgrim vs. The World is not nearly as strong a film as Nolan's masterpiece is, but Wright has clearly given it his all here. He has sidestepped away from following the lead of other comic book/graphic novel-style films, and has created something he can truly be proud of. The visuals on display are simply remarkable, and are worth the price of a ticket all on their own. The musical choices are even better. If you have seen the trailers, you are merely only getting a hint for what Wright has in store for you here.
If I do have an issue, it is that the film is a little too exposition-heavy in the first half, and way too jumpy in the second. It never loses its tone or its style, but it becomes all too blatantly obvious where the books stop and the deviation begins. The pacing here is also a touch off, and on further research, thoroughly suggests there is material missing or altered from the final cut of the film. I understand that Wright and his co-writer Michael Bacall wanted to set-up the story and where it plans on going for the few who venture into the film without having read a single issue, but there is too much detail given in those early scenes, and not enough to pivotal moments later in the film.
Another gripe, although it is one I hope will be less bothersome on repeat viewings, is that a good chunk of the characters feel incredibly underused. The books are stacked to the brim with an eclectic mix of supporting characters, who are present in the film, but they feel very stunted and get absolutely no development. Kim Pine (Alison Pill) is a very important character in the books, but she merely appears in the background here and delivers some of the best dialogue. Wallace Wells (the absolutely incredible scene-stealer Kieran Culkin) is the moral centre and source of an incredible amount of exposition, but he is barely in the film after the first half. Envy Adams (Brie Larson) almost feels like an extended cameo as opposed to an indispensible figure in Scott's character development. But then, Chris Evans, Brandon Routh and especially Jason Schwartzman all deliver stunning performances as three of Ramona's exes, despite the lack of time on-screen.
Cera on the other hand, is perfect as Pilgrim. The character plays a little too close to his stereotypical neurotic and off-centre archetype, but it works out beautifully here. He makes the character real, and brings a depth to Scott Pilgrim that no other young actor could. He has the right look and the right sound down pat. It was a little weird to see him get so physical in some sequences, but this is a vintage fit for Cera. Although they are downplayed more than I liked, Winstead and Wong are great as Ramona and Knives. They both have a certain edge throughout the film, and even at its most ridiculous, deliver strong performances. It helps too that they have insanely good chemistry with Cera.
I jumped at the idea of an advanced screening of Scott Pilgrim vs. The World, and I do not regret seeing the film in the slightest. It is a bit of a niche movie, but it is one that is lovingly made through and through.
8/10.
(An extended review also appeared on http://www.geekspeakmagazine.com).
I did not think it was possible, but Edgar Wright has fairly successfully brought Bryan Lee O'Malley's epic graphic novel series to the big screen in the most uniquely entertaining way possible. It is his first adapted work, but it feels every bit as fresh (I use that word very loosely) as Shaun of the Dead and Hot Fuzz did upon their initial releases. It deviates from the books a bit (much like Matthew Vaughn's excellent adaptation of Kick-Ass earlier this year), but the majority of the film stays true to the series and gives the fans everything they might expect from a Scott Pilgrim film. Right after the film opening with an 8-bit Universal logo and score, you know you are in for a treat.
What propels Wright's epic and inspired vision is the editing style. All of the little idiosyncrasies, background/foreground items and ideas, everything that made O'Malley's books so revered in the graphic novel community are all in full force here. Some shots in the trailers suggest the comic book-style feel of the film, with the sounds of the actions appearing as words on-screen and the video game-related pop-ups appearing the same way they would in the game. But that is only the start. The entire film is filled with them, and with references to numerous pop culture entities (specifically video games), to the point that it looks and sounds like a ridiculously enhanced motion comic or game. Add to that the quick cuts and multiple panel style of the format, and you have the closest film representation of a comic since Robert Rodriguez attacked Frank Miller's Sin City.
Even with all the nods and references to the original work, Wright's film still feels very much his own work. He makes Scott Pilgrim's epic quest to defeat Ramona's exes into an understated work you will likely not see replicated too soon. After seeing Christopher Nolan's Inception just under a week ago, I did not think that mainstream Hollywood would release something so blazingly original and something so astonishly unique so close together. Scott Pilgrim vs. The World is not nearly as strong a film as Nolan's masterpiece is, but Wright has clearly given it his all here. He has sidestepped away from following the lead of other comic book/graphic novel-style films, and has created something he can truly be proud of. The visuals on display are simply remarkable, and are worth the price of a ticket all on their own. The musical choices are even better. If you have seen the trailers, you are merely only getting a hint for what Wright has in store for you here.
If I do have an issue, it is that the film is a little too exposition-heavy in the first half, and way too jumpy in the second. It never loses its tone or its style, but it becomes all too blatantly obvious where the books stop and the deviation begins. The pacing here is also a touch off, and on further research, thoroughly suggests there is material missing or altered from the final cut of the film. I understand that Wright and his co-writer Michael Bacall wanted to set-up the story and where it plans on going for the few who venture into the film without having read a single issue, but there is too much detail given in those early scenes, and not enough to pivotal moments later in the film.
Another gripe, although it is one I hope will be less bothersome on repeat viewings, is that a good chunk of the characters feel incredibly underused. The books are stacked to the brim with an eclectic mix of supporting characters, who are present in the film, but they feel very stunted and get absolutely no development. Kim Pine (Alison Pill) is a very important character in the books, but she merely appears in the background here and delivers some of the best dialogue. Wallace Wells (the absolutely incredible scene-stealer Kieran Culkin) is the moral centre and source of an incredible amount of exposition, but he is barely in the film after the first half. Envy Adams (Brie Larson) almost feels like an extended cameo as opposed to an indispensible figure in Scott's character development. But then, Chris Evans, Brandon Routh and especially Jason Schwartzman all deliver stunning performances as three of Ramona's exes, despite the lack of time on-screen.
Cera on the other hand, is perfect as Pilgrim. The character plays a little too close to his stereotypical neurotic and off-centre archetype, but it works out beautifully here. He makes the character real, and brings a depth to Scott Pilgrim that no other young actor could. He has the right look and the right sound down pat. It was a little weird to see him get so physical in some sequences, but this is a vintage fit for Cera. Although they are downplayed more than I liked, Winstead and Wong are great as Ramona and Knives. They both have a certain edge throughout the film, and even at its most ridiculous, deliver strong performances. It helps too that they have insanely good chemistry with Cera.
I jumped at the idea of an advanced screening of Scott Pilgrim vs. The World, and I do not regret seeing the film in the slightest. It is a bit of a niche movie, but it is one that is lovingly made through and through.
8/10.
(An extended review also appeared on http://www.geekspeakmagazine.com).
Scott Pilgrim vs. the World is probably as close as we'll come to having an experimental film released in theaters nationwide. This is one of the most innovative, original movies to come out in years. It's unlike anything I'd seen before. And yes, it is good, very good. I could not stop laughing the whole time.
Onto the plot. Scott is something of a loser. He's socially awkward. He shares a mattress in a bunker-like apartment in Toronto with a sarcastic gossip king. He's in a band called the Sex Bob-Ombs, but they're really not that great. He also has a clinging, hyperactive girlfriend, "Knives" who's only 17- kind of a big deal when he's 22. All this changes when he dreams of a purple haired girl on roller blades. The very next day he finds out that she's real; that her name is Ramona flowers and she's the cool new girl in town. His first attempt to hook up fails miserably. His second attempt, although even more lamed brained, actually works, and they're soon an item. But now comes the bad news; to win her love, Scott must defeat her seven evil ex's. He also has an evil ex of his own. Plus, there's the matter of breaking up with Knives, and the battle of the bands is coming up!
That's the setup, what follows is a hilarious romantic comedy punctuated by a series of completely over-the-top video game style fight scenes. Stylistically, I'd have to call them a cross between Sin City, Street Fighter and Viewtiful Joe. Each of the ex's has their own unique fighting style and their own super powers, such as vegan-powered telekinesis or summoning an army of stunt doubles. Often you hear martial arts movies criticized because the action is obviously computer aided. Here, that's the whole point.
The movie's humor comes not only from the sheer ridiculousness of the situations, but also from the characters' reactions to them. After one of the ex's has flown in through a brick wall and battled Scott in the middle of a concert, everyone is just kind of weirded out. They don't act like nothing has happened, which would make it hard for the audience to suspend their disbelief, nor do they run screaming for the police, which would only complicate matters.
Comedic effect is also generated through the use of deadpan dialog. For instance, when Knives confesses that she's never kissed a boy before, Scott replies, with a straight face "It's okay, neither have I." Or the band's self-introduction, "We're the Sex Bob-Ombs and we're here to make you all sad and depressed and stuff.
The movie also pokes gentle fun at hipster subculture with the way that Ramona has thirty plus flavors of tea, or how Scott's roommate is always texting. There are also quirky touches like one girl who can bleep herself out, much to Scott's amazement, and a scene when the intro from Seinfeld plays after the characters enter the apartment, and canned laughter follows every line.
The editing and structure are highly non-traditional, with heavy use of dreams, daydreams, montages, animated flashbacks and asides, and chapter titles introducing segments. The visuals are impressive and very imaginative, such as the way that flashes of color accompany the playing of any musical instrument, allowing you to see the sound. Speaking of which, the sound is another high point, not only the energetic, rock fueled sound track, but also the sound effects taken from classic games like Mario and Zelda.
Scott Pilgrim vs. the World succeeds in telling an offbeat story, providing interesting characters, and in producing lots of laughs. Other than a couple of too-obvious puns, I honestly can't think of anything wrong with this movie. I would highly recommend it to anyone in their teens or twenties. Four stars.
Onto the plot. Scott is something of a loser. He's socially awkward. He shares a mattress in a bunker-like apartment in Toronto with a sarcastic gossip king. He's in a band called the Sex Bob-Ombs, but they're really not that great. He also has a clinging, hyperactive girlfriend, "Knives" who's only 17- kind of a big deal when he's 22. All this changes when he dreams of a purple haired girl on roller blades. The very next day he finds out that she's real; that her name is Ramona flowers and she's the cool new girl in town. His first attempt to hook up fails miserably. His second attempt, although even more lamed brained, actually works, and they're soon an item. But now comes the bad news; to win her love, Scott must defeat her seven evil ex's. He also has an evil ex of his own. Plus, there's the matter of breaking up with Knives, and the battle of the bands is coming up!
That's the setup, what follows is a hilarious romantic comedy punctuated by a series of completely over-the-top video game style fight scenes. Stylistically, I'd have to call them a cross between Sin City, Street Fighter and Viewtiful Joe. Each of the ex's has their own unique fighting style and their own super powers, such as vegan-powered telekinesis or summoning an army of stunt doubles. Often you hear martial arts movies criticized because the action is obviously computer aided. Here, that's the whole point.
The movie's humor comes not only from the sheer ridiculousness of the situations, but also from the characters' reactions to them. After one of the ex's has flown in through a brick wall and battled Scott in the middle of a concert, everyone is just kind of weirded out. They don't act like nothing has happened, which would make it hard for the audience to suspend their disbelief, nor do they run screaming for the police, which would only complicate matters.
Comedic effect is also generated through the use of deadpan dialog. For instance, when Knives confesses that she's never kissed a boy before, Scott replies, with a straight face "It's okay, neither have I." Or the band's self-introduction, "We're the Sex Bob-Ombs and we're here to make you all sad and depressed and stuff.
The movie also pokes gentle fun at hipster subculture with the way that Ramona has thirty plus flavors of tea, or how Scott's roommate is always texting. There are also quirky touches like one girl who can bleep herself out, much to Scott's amazement, and a scene when the intro from Seinfeld plays after the characters enter the apartment, and canned laughter follows every line.
The editing and structure are highly non-traditional, with heavy use of dreams, daydreams, montages, animated flashbacks and asides, and chapter titles introducing segments. The visuals are impressive and very imaginative, such as the way that flashes of color accompany the playing of any musical instrument, allowing you to see the sound. Speaking of which, the sound is another high point, not only the energetic, rock fueled sound track, but also the sound effects taken from classic games like Mario and Zelda.
Scott Pilgrim vs. the World succeeds in telling an offbeat story, providing interesting characters, and in producing lots of laughs. Other than a couple of too-obvious puns, I honestly can't think of anything wrong with this movie. I would highly recommend it to anyone in their teens or twenties. Four stars.
I heard many good things about this movie before I went to see it. Even so, I didn't go in with too many expectations
I wasn't disappointed. This was probably the most enjoyable movie I've seen so far this year. I walked out of the cinema with a smile on my face and there was even a spring in my step as I went over the preceding 112 minutes in my mind.
Scott Pilgrim is a 22 year-old living in Toronto, Canada with his gay flatmate, Wallace Wells. Scott plays bass in a band called Sex Bob-Omb which consists of Scott (of course), Kim Pine on drums, Stephen Stills on lead vocals and guitar and Young Neil as hanger-on. The band has ambitions to be famous and so have a gig coming up at a Battle of the Bands show. At the start of the film he is dating a seventeen year old schoolgirl called Knives Chau. Things seem to be going along quite well until Scott has a vision of a girl called Ramona Flowers. He becomes besotted by her and they end up hanging out together and eventually dating. Unfortunately Scott soon learns that if he wants to date Ramona he must first defeat her seven evil exe's! Can Scott defeat these evil exe's and win Ramona? What will Knives think of his infidelity? All these questions and many more remain to be answered until you've seen the film of course.
As I said at the beginning, this was probably the most enjoyable film I've watched so far this year. I found the quirky mix of live action with comic book elements quite refreshing and it gave the film an interesting look and feel that I liked a lot! Great performances all round, especially from Michael Cera as Scott Pilgrim, Mary Elizabeth Winstead as Ramona Flowers, Kieran Culkin as Wallace Wells, Mark Webber as Stephen Stills, Alison Pill as Kim Pine and Ellen Wong as Knives Chau.
This will most certainly feature in my best of the year awards in December. It did start to lose me a bit towards the end, but I won't hold that against it. A really well made film which deserves the praise it has got (IMO). Well worth the entrance fee and very highly recommended.
My score: 8.3/10
Scott Pilgrim is a 22 year-old living in Toronto, Canada with his gay flatmate, Wallace Wells. Scott plays bass in a band called Sex Bob-Omb which consists of Scott (of course), Kim Pine on drums, Stephen Stills on lead vocals and guitar and Young Neil as hanger-on. The band has ambitions to be famous and so have a gig coming up at a Battle of the Bands show. At the start of the film he is dating a seventeen year old schoolgirl called Knives Chau. Things seem to be going along quite well until Scott has a vision of a girl called Ramona Flowers. He becomes besotted by her and they end up hanging out together and eventually dating. Unfortunately Scott soon learns that if he wants to date Ramona he must first defeat her seven evil exe's! Can Scott defeat these evil exe's and win Ramona? What will Knives think of his infidelity? All these questions and many more remain to be answered until you've seen the film of course.
As I said at the beginning, this was probably the most enjoyable film I've watched so far this year. I found the quirky mix of live action with comic book elements quite refreshing and it gave the film an interesting look and feel that I liked a lot! Great performances all round, especially from Michael Cera as Scott Pilgrim, Mary Elizabeth Winstead as Ramona Flowers, Kieran Culkin as Wallace Wells, Mark Webber as Stephen Stills, Alison Pill as Kim Pine and Ellen Wong as Knives Chau.
This will most certainly feature in my best of the year awards in December. It did start to lose me a bit towards the end, but I won't hold that against it. A really well made film which deserves the praise it has got (IMO). Well worth the entrance fee and very highly recommended.
My score: 8.3/10
I was lucky enough too see this film during a test preview to an audience that weren't told what we were about too see. I was honestly expecting some odd film that really needed a lot of help but i was pleasantly surprised with how great this movie was.
The movie had everyone laughing, and i mean everyone, I've been too almost every Wright film and somehow the audience wasn't as amused as i was, but this time everyone loved it. I've never heard so much laughter in one cinema.
The jokes were fast and although silly, they weren't stupid which made for quite an enjoyable film. Wright's trademark quick cuts, and simple comedy made this film, i personally think if it were directed by anyone else it wouldn't have had the same effect.
The characters were well written and performed, every individual character fitted perfectly. The film had many scenes that were quite pointless but still quite funny for example the Seinfeld scene.
Apparently its based on a comic book series? I've never heard of them before but i certainly will look out for them now. If you're a fan of Edgar Wrights films or just good silly humour you will love this film.
Great comedy, definitely the best of 2010 8/10 Morgan
The movie had everyone laughing, and i mean everyone, I've been too almost every Wright film and somehow the audience wasn't as amused as i was, but this time everyone loved it. I've never heard so much laughter in one cinema.
The jokes were fast and although silly, they weren't stupid which made for quite an enjoyable film. Wright's trademark quick cuts, and simple comedy made this film, i personally think if it were directed by anyone else it wouldn't have had the same effect.
The characters were well written and performed, every individual character fitted perfectly. The film had many scenes that were quite pointless but still quite funny for example the Seinfeld scene.
Apparently its based on a comic book series? I've never heard of them before but i certainly will look out for them now. If you're a fan of Edgar Wrights films or just good silly humour you will love this film.
Great comedy, definitely the best of 2010 8/10 Morgan
Lo sapevi?
- QuizThe four cast members that made up the band "Sex Bob-Omb" spent several weeks learning how to play together as a band. Mark Webber, Alison Pill, and Johnny Simmons all had to learn their instruments from scratch, while Michael Cera had to "dumb down" his bass playing in order to not outshine his band mates.
- BlooperFainaru fantajî IV (1991) was released as Final Fantasy 4 in Japan but re-titled as Final Fantasy 2 in the United States and Canada, so Scott got the number right.
- Citazioni
Scott Pilgrim: When I'm around you, I kind of feel like I'm on drugs. Not that I do drugs. Unless you do drugs, in which case I do them all the time. All of them.
- Curiosità sui creditiWhen the cast is listed during the opening credits, the drawings in the background display little motifs related to the characters they play in the movie:
- Chris Evans: Lucas Lee's skateboards and the logo for his company
- Anna Kendrick: Coffee stains and wet mug marks (Stacey Pilgrim works at a coffee shop)
- Alison Pill: The words "one! two! three! four! (which Kim Pine typically yells to signal the start of a Sex Bob-Omb song) and the Sex-Bob-Omb logo
- Aubrey Plaza: Black squares (which are used to obscure Julie Powers' mouth whenever she curses)
- Brandon Routh: Bass guitars (Todd Ingram defeats Scott Pilgrim in a bass duel) and the number 3
- Jason Schwartzman: The three triangle symbol of Gideon Graves' company and a pair of glasses
- Ellen Wong: A pair of knives similar to those which Knives Chau uses in the final fight.
- Kieran Culkin: A cell phone status bar (Wallace Wells can text while sleeping)
- Johnny Simmons: Rectangles mimicking the design on Young Neil's shirt and his Nintendo DS
- Michael Cera: Scott Pilgrim's bass strings
- Mary Elizabeth Winstead: Three different shades of hair, denoting how many times Ramona changes hair color
- Brie Larson: Broken hearts denoting Envy Adams' cruelty to Scott
- Mark Webber: Stephen Stills' acoustic guitar.
- Mae Whitman: Four X's denoting Roxie Richter's position as evil ex number 4 and a razor blade denoting her razor whip
- Versioni alternativeThe test screening showed at the end Scott getting back together with Knives Chau while Ramona continues to walk away. Scott and Knives walk away into the snow.
- ConnessioniEdited into The Clash at Demonhead: Black Sheep (2010)
- Colonne sonoreWe Are Sex Bob-Omb
Written by Beck (as Beck Hansen)
Performed by Michael Cera, Alison Pill, Mark Webber, Beck, Brian LeBarton
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Scott Pilgrim vs. los ex de la chica de sus sueños
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 33.525.605 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.609.795 USD
- 15 ago 2010
- Lordo in tutto il mondo
- 51.824.861 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti