Pathfinder - La leggenda del guerriero vichingo

Nipsel and company basically hybridized the structure of Dances with Wolves with a not-quite-historical fiction (more like radical speculation) plot about interactions between Norsemen and Native Americans during the 12th century A.D.

Ghost (Karl Urban) is a Norse boy left behind aboard a wrecked ship. He is adopted by the Clan of the Dog (the dogs who cohabitate with this tribe are historically inaccurate, but that's just one of many historical transgressions). As he grows up, Ghost's obvious difference and his history become something of a stumbling block for him, but he works hard to overcome them in order to be accepted by his adoptive people. Eventually, it seems, he must confront the demons of his past, and unfortunately, so must the Clan of the Dog.

Pathfinder is played well by Russell Means, and Ghost's love interest - Starfire - is nicely portrayed by Moon Bloodgood. Urban has great physical talent, but this story did not lend itself to testing his ability to create drama and mood, so there isn't much to say about his performance. Likewise, most of the Norse characters were so under-developed and one-dimensional that it is impossible to comment on the performances involved.

Although the story relies on stereotypes to develop both its Norse and Native American characters, since so little is actually known about the Norse colonies, this seems forgivable. What is not really forgivable, in my opinion, is the reiteration of the trope established in Dances with Wolves and other similar works which suggests that it takes a European to effectively fight off Europeans. Although the characterizations of the protagonists in both films are adequate to explain their behavior, the character and behavior of the Native Americans attached to them is less well developed, and there is a lingering, inaccurate and disturbing shadow of inferiority implied in their apparent inability to strategize and effectively lead in combat.

However, Pathfinder refuses to touch reality with any length of pole, so, sit back and enjoy the action, costumes and sets.

The film contains a lot of violence, most of which is convincingly shot. The costuming is excellent, and the sets are lovely. if you can get past the problems - which are several - you may just enjoy it.

A little boy is left in a strange land and he's adopted by an Indian family. But a merciless, ambitious and cruel barbarians(Clancy Brown, Ralf Moeller, among them) suddenly appear and they are cruelly murdered . The starring(Karl Urban) observes the massacre from a distance and he manages to flee these murderers and reaches a village with other Natives whose inhabitants are worried if he has been able to hide his leads. Afraid of the violent savage warriors ,they decide to flee. Meanwhile the protagonist falls in love with a charming Native(Bloodgood). The young stays alone to revenge his families killers but he gets captured by the Vikings. Unfortunately , they get him before he can do anything and force him to lead them to the other Indians. He guides them and agrees to lead to the hiding place of his fellow villagers but he has a scheme to destroy the cutthroats barbarians before reach the camp.

It's the second version based on ancient folk-tale from Lapland, the first and classic version was directed by Nils Gaup in 1988, winning several prizes. This new adaptation is an exciting picture plenty of action, thrills, chills, roller-coaster ride, violence and breathtaking fights. The brutal Vikings with horned helmets deliver the goods, their appearance is spectacular and creepy, including the majestic horses doing pirouettes. Furthermore the astonishing killings are gruesome executed and grisly graphic. Special mention to Russell Means , he was born Lakota Sioux, a good actor Native American, he along with Graham Greene, Rodney A Grant, Tantoo cardinal, Eric Schweitz and Wes Studi appear in all movies about Indian themes. The evil Vikings are characterized in similar style to the classic 'Conan' by John Milius, as when at the beginning appeared James Earl Jones in an unforgettable scenes . The sombre photography by Daniel Pearl with a sort of never-ending dawn and dusk time is truly awesome. It's a kind of light mingled in a moody and foggy atmosphere. Many frames including the combats and cliffs scenes are made in a ¨300¨ style adding computer generator backgrounds. Stirring and evocative musical score by Jonathan Elias. Stunning and gripping realization by Marcus Nispel. He's a video hits director and expert on terror genre such as he proved ¨ Friday the 13th, Frankestein, Texas chainsaw massacre¨ but none of his movies have been based on original plot.

This movie was gorgeous and everything I ever wanted in a "Viking" lands on North America film. I thought this film was very underrated and with the Judd Apatow dreck that gets called film-making these days this really stands up in beauty and depth of story. The cinematography of the Northwest coast was amazing and incorporating the dense forests and lush environments into the shooting process was simply amazing.

The acting was perfect and at times understated in wonderfully blocked scenes between the characters. I thought the action is unmatched by many films pretending to be the action blockbusters they are often sold as. I often marveled at the length in which the filmmakers brought the setting to us no matter how difficult the set-ups seemed.

I hope he keeps making films for years to come! Beautiful!

I wasn't expecting much when I started watching this, but that quickly changed thanks to the brilliantly lit scenes and grainy, pensive mood of filming. The acting, as well as the violence was well above average in quality and brutality respectively, and the story was refreshingly original.

I believe three things could have elevated this movie to brilliance: 1. A more sweeping, bold orchestral soundtrack. 2. More sweeping, cinematic shots to give us short escapes from what, at times, became a claustrophobic atmosphere. 3. Authentic native language with subtitles, as was given the Vikings. I realize the choice not to do so (point #3) was probably based on perceived audience appeal, or perhaps even on the psychological identification with the "good guys", but it would still have added an element of greatness.

Overall I give Pathfinder 8 out of 10 stars for originality, brooding (amazingly refreshing) filming, and an authentic truthfulness in telling what was a simple but bloody tale of revenge. I also appreciated the fact that the film took itself seriously, and did not toss in a heap of "humorous" moments that so many current action movies seem to rely on. This movie was relentless in its pursuit of telling a dark and bloody tale and, for the most part, succeeded in providing an excellent couple hours of escape.

What a waste.

The only redeeming feature of this movie were the well made action scenes (not all were good, but overall there were more enjoyable fight sequences than boring ones).

The story is clichéd and predictable. The acting is terrible (the main role is so horribly sketched out that you can barely blame the actor, the supporting roles all make a mark for their blandness). The main couple have no chemistry, the dialog is UN-enjoyably bad and the editing looks like it was done by a blind man. Scenes start and end with absolutely no flow. One scene was particularly bad (I wont spoil it for you, suffice to say its the one where the Indians charge into battle against the hero's wishes). That is the only scene when I laughed in the movie, and its supposed to be a sad/rousing scene.

The trailer of this film looked really pretty, but then again the consisted of mostly the fight scenes so I'm not surprised at all. The director seems to have had a good eye for visuals, but his effort has ended there.

Pathfinder = 5/10 Five for the fight scenes.

I was trying to find a path out of the theater at many times during the movie.