VALUTAZIONE IMDb
6,0/10
11.755
LA TUA VALUTAZIONE
Una giornalista indaga su una serie di omicidi vicino a fabbriche di proprietà americana al confine tra le città di Juarez ed El Paso.Una giornalista indaga su una serie di omicidi vicino a fabbriche di proprietà americana al confine tra le città di Juarez ed El Paso.Una giornalista indaga su una serie di omicidi vicino a fabbriche di proprietà americana al confine tra le città di Juarez ed El Paso.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Rene Raymond Rivera
- Aris Rodriguez
- (as a different name)
Gonzalo Mauro Montiel Aguirre
- Curandero
- (as Gonzalo Mauro Montiel)
Zaide Silvia Gutiérrez
- Lourdes Jimenez
- (as Zaide Sylvia Gutierrez)
Ruben G. Rojas
- Eduardo's Man
- (as Ruben Rojas)
J.D. Garfield
- Doctor Herrera
- (as JD Garfield)
Recensioni in evidenza
After hearing this movie would not be released on the big screen I had doubts about whether I wanted to see it. I'm glad my curiosity won out over the bad press. This movie was compelling, suspenseful, and well acted. J-lo is believable in her role and gives an impressive performance.
I was uncomfortable through nearly the entire movie; one of the marks of an excellent suspense/drama. The importance of the topic of this movie should be enough to encourage people to see it but it is not for the faint of heart. Put the kids to bed early before starting the movie!!
I was uncomfortable through nearly the entire movie; one of the marks of an excellent suspense/drama. The importance of the topic of this movie should be enough to encourage people to see it but it is not for the faint of heart. Put the kids to bed early before starting the movie!!
Reading the negative reviews of this movie was kind of shocking, really. This heartbreaking story was one that needed to be told, and with all the meaningless crap that is peddled out of Hollywood, this was like a breath of fresh air. Perhaps "Bordertown" won't get 10 Oscar nominations or whatever, but I enjoyed watching Jennifer Lopez unravel the mystery of what happened to Eva, the young girl attacked, left for dead, and miraculously survived. I thought the performances were courageous and not overdone, and the direction and cinematography was great. The price we pay in our humanity to get lower prices on electronics and other goods, and to line the pockets of corruption wherever it is found, is much too high. I wish more movies like "Bordertown" were being made...it is quite sad to me that movies like this (also Erin Brokovich, North Country, Silkwood, as well as others) go straight to DVD and so many other movies with no message, just a grandiose budget and special effects, are more important than those with something to say.
"It isn't free trade; it's slave trade; it's a ... scam", yells investigative reporter Lauren Adrian (Jennifer Lopez), to her newspaper boss George Morgan (Martin Sheen). They're arguing about the North American Free Trade Agreement (NAFTA), the villain in this film about the injustices of NAFTA border factories toward their women workers, and in particular about the border town of Juarez, on the Rio Grande, across from El Paso, Texas.
The script's characters and plot are fictional. But they are set against a backdrop of a real-life situation that has been going on for years. Poorly paid young Mexican women are raped and killed in these NAFTA border towns. Nobody really cares, least of all the cold corporations that employ the women.
In "Bordertown", George Morgan sends Lauren to Juarez to get a story. She does. But what she finds is that the real killers are more powerful and shadowy than she imagined. It's a situation not unlike what Karen Silkwood faced when she tried to investigate a nuclear plant.
The film is thus highly political. Its message overpowers the story. Most viewers will sympathize with the message. But what about the story? The characters are not entirely believable. For example, the young Mexican woman whom Lauren befriends can't seem to speak English when they first meet. And Lauren says she can't speak Spanish. Yet later, the young woman and Lauren chat up a storm both in English and Spanish, a dialogue necessity, no doubt, to placate viewers. The plot's climax is Hollywood sensationalized, which detracts from the authenticity of the message.
Color cinematography is very high contrast, which works well, given the good vs. evil theme. Prod design and costumes are quite realistic. The filming in Mexico gives credibility to the story, though filming entirely in Juarez was not possible owing to the physical danger. Acting is acceptable. Lopez does a fine job.
My impression is that "Bordertown" was not given a proper theatrical release here in the U.S. because of its tough political message, which speaks volumes, if true. But despite some imperfections in its script, the film deserves to be seen by viewers, and specifically because of that potent underlying message.
The script's characters and plot are fictional. But they are set against a backdrop of a real-life situation that has been going on for years. Poorly paid young Mexican women are raped and killed in these NAFTA border towns. Nobody really cares, least of all the cold corporations that employ the women.
In "Bordertown", George Morgan sends Lauren to Juarez to get a story. She does. But what she finds is that the real killers are more powerful and shadowy than she imagined. It's a situation not unlike what Karen Silkwood faced when she tried to investigate a nuclear plant.
The film is thus highly political. Its message overpowers the story. Most viewers will sympathize with the message. But what about the story? The characters are not entirely believable. For example, the young Mexican woman whom Lauren befriends can't seem to speak English when they first meet. And Lauren says she can't speak Spanish. Yet later, the young woman and Lauren chat up a storm both in English and Spanish, a dialogue necessity, no doubt, to placate viewers. The plot's climax is Hollywood sensationalized, which detracts from the authenticity of the message.
Color cinematography is very high contrast, which works well, given the good vs. evil theme. Prod design and costumes are quite realistic. The filming in Mexico gives credibility to the story, though filming entirely in Juarez was not possible owing to the physical danger. Acting is acceptable. Lopez does a fine job.
My impression is that "Bordertown" was not given a proper theatrical release here in the U.S. because of its tough political message, which speaks volumes, if true. But despite some imperfections in its script, the film deserves to be seen by viewers, and specifically because of that potent underlying message.
BORDERTOWN is more than a suspenseful film about a tragic reality that has been terrifying Juarez, Mexico for years. This film, written and directed by Gregory Nava ('Mi Familia', 'El Norte', 'Selena', etc), approaches a public service campaign on the part of Nava and the rest of his cast and crew - especially producer/star Jennifer Lopez. After the stunning effect of the film, the viewer is encouraged to watch the several excellent featurettes on the DVD - and then try to remain uninvolved.
Chicago Sentinel editor George Morgan (Martin Sheen) convinces the reluctant reporter Lauren Adrian (Jennifer Lopez) to fly to Juarez, Mexico to cover a combustible story about the ongoing rapes and murders of women who work the factories along the border for little pay. Lauren would prefer becoming a foreign correspondent and extracts a promise that if she takes on this ugly assignment ('I don't speak Spanish and I don't know anything about Mexico'), Morgan will grant that request. When the beautiful blond Lauren arrives in Juarez she is shocked by the reality: a very young factory worker girl Eva (the fine young actress Maya Zapata) has managed to survive a rape and attempted murder, literally climbing out of her grave and escaping. Lauren and Eva bond and Lauren realizes that her story about the 5000 victims of this heinous serial killing may just rest with the information Eva holds: she can identify her assailants. With the aid of anxious newspaper owner Alfonso Diaz (Antonio Banderas) the three begin the dangerous struggle to unveil the truths about the cover-up of the deaths: the police and government corruption in Mexico are matched by similar deeds in the USA in order to protect the NAFTA arrangement which apparently holds the profit of the mega-factories of more importance then the mere lives of thousands of Mexican women. How the trio infiltrates the corruption (and the buried secret realities of Lauren's humble beginnings) provide the remainder of the film.
Nava elects to shoot this film in garish light and emphasizes the tragic filth and mire of the living conditions of the peasants along the border - each hoping to escape the life situations by crossing into the US. He manages to maintain a coarse cinematic effect that enhances the story. Not only Is Lopez in top form, but also she is assisted by a fine cast of fellow actors including Sonia Braga, Juan Diego Botto, Zaide Silvia Gutiérrez, Rene Rivera among others. Yes, the story has been told before, but that only means there are many people who want this contemporary tragedy to end. In one of the features on the DVD we are given addresses and names to contact to help stop this horrendous 'feminicide'. Take serious note. Grady Harp
Chicago Sentinel editor George Morgan (Martin Sheen) convinces the reluctant reporter Lauren Adrian (Jennifer Lopez) to fly to Juarez, Mexico to cover a combustible story about the ongoing rapes and murders of women who work the factories along the border for little pay. Lauren would prefer becoming a foreign correspondent and extracts a promise that if she takes on this ugly assignment ('I don't speak Spanish and I don't know anything about Mexico'), Morgan will grant that request. When the beautiful blond Lauren arrives in Juarez she is shocked by the reality: a very young factory worker girl Eva (the fine young actress Maya Zapata) has managed to survive a rape and attempted murder, literally climbing out of her grave and escaping. Lauren and Eva bond and Lauren realizes that her story about the 5000 victims of this heinous serial killing may just rest with the information Eva holds: she can identify her assailants. With the aid of anxious newspaper owner Alfonso Diaz (Antonio Banderas) the three begin the dangerous struggle to unveil the truths about the cover-up of the deaths: the police and government corruption in Mexico are matched by similar deeds in the USA in order to protect the NAFTA arrangement which apparently holds the profit of the mega-factories of more importance then the mere lives of thousands of Mexican women. How the trio infiltrates the corruption (and the buried secret realities of Lauren's humble beginnings) provide the remainder of the film.
Nava elects to shoot this film in garish light and emphasizes the tragic filth and mire of the living conditions of the peasants along the border - each hoping to escape the life situations by crossing into the US. He manages to maintain a coarse cinematic effect that enhances the story. Not only Is Lopez in top form, but also she is assisted by a fine cast of fellow actors including Sonia Braga, Juan Diego Botto, Zaide Silvia Gutiérrez, Rene Rivera among others. Yes, the story has been told before, but that only means there are many people who want this contemporary tragedy to end. In one of the features on the DVD we are given addresses and names to contact to help stop this horrendous 'feminicide'. Take serious note. Grady Harp
Lauren Adrian (Jennifer Lopez) is a reporter for the Chicago Sentinel. She is forced by her boss (Martin Sheen) to go to Juarez to do a story about a series of mysterious murders of young factory women who are attracted to the new jobs at the maquiladoras. She doesn't speak much Spanish and reconnects with independent reporter Alfonso Diaz (Antonio Banderas). The police is corrupt and trying to cover up the murders. Eva Jimenez (Maya Zapata) is a young woman who was taken by a bus driver to the dump where him and another man raped her and left her for dead. The only person she trust is Diaz. She goes to his newspaper but the police is close behind. Diaz is taken in by the police leaving Eva and Lauren alone together.
Writer/director Gregory Nava got a couple of A-list stars to do small roles in this but it's Lopez that's asked to carry this thing on her shoulders. She needs help as an actress to keep this movie moving. Banderas is good but he's not in this enough. The movie keeps separating them which is a mistake in my opinion. The story is ripped from the headlines with some action added in. Nava isn't good at the action scenes. This is generally a weak construction. There isn't much of a mystery since everything is laid out right in front of us. It struggles to be a thriller or a mystery. Nava doesn't have the skills and the tension is very low. Then Lopez goes undercover and all the logic goes out the window. I don't know why she has to work in the factory since they know it's the bus driver. Also I don't know why she doesn't have somebody follow the bus. It's a bus and isn't that hard to follow. But the movie isn't done and it keeps going down the rabbit hole.
Writer/director Gregory Nava got a couple of A-list stars to do small roles in this but it's Lopez that's asked to carry this thing on her shoulders. She needs help as an actress to keep this movie moving. Banderas is good but he's not in this enough. The movie keeps separating them which is a mistake in my opinion. The story is ripped from the headlines with some action added in. Nava isn't good at the action scenes. This is generally a weak construction. There isn't much of a mystery since everything is laid out right in front of us. It struggles to be a thriller or a mystery. Nava doesn't have the skills and the tension is very low. Then Lopez goes undercover and all the logic goes out the window. I don't know why she has to work in the factory since they know it's the bus driver. Also I don't know why she doesn't have somebody follow the bus. It's a bus and isn't that hard to follow. But the movie isn't done and it keeps going down the rabbit hole.
Lo sapevi?
- QuizLoosely based on a series of unsolved murders in Ciudad Juárez, Mexico, an industrial border town near El Paso, Texas. Although estimates conflict, innumerable young women have been kidnapped, tortured and murdered since 1993.
- Citazioni
Lauren Adrian: It isn't free trade! It's slave trade! It's a goddamn scam, and everybody is making too much money to give a shit about these women!
- Curiosità sui creditiBefore end credits: "Dedicated to the missing and the murdered women of Juárez."
- Colonne sonorePorque La Vida Es Asi
Written by Marc Anthony and Víctor Manuelle
Performed by Jennifer Lopez
Courtesy of Sony Music/ATV and KIYAVI Music Corp./Peer LTD
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Bordertown?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ciudad al límite
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo in tutto il mondo
- 8.332.427 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Bordertown (2007) officially released in India in English?
Rispondi