VALUTAZIONE IMDb
5,1/10
52.785
LA TUA VALUTAZIONE
Tre storie intrecciate su una terribile maledizione. Una giovane donna incontra una forza soprannaturale malevola mentre cerca la sorella scomparsa a Tokyo.Tre storie intrecciate su una terribile maledizione. Una giovane donna incontra una forza soprannaturale malevola mentre cerca la sorella scomparsa a Tokyo.Tre storie intrecciate su una terribile maledizione. Una giovane donna incontra una forza soprannaturale malevola mentre cerca la sorella scomparsa a Tokyo.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Ohga Tanaka
- Toshio
- (as Oga Tanaka)
Yuya Ozeki
- Toshio
- (filmato d'archivio)
Recensioni in evidenza
I was very excited about seeing this, as I love the original series, I didn't think the first remake was that bad, Takashi Shimizu directed it, and I have gradually become a fan of Amber Tamblyn. Unfortunately, it was nowhere near as good as I had hoped. Of course, given the genre, and the fact that it was a sequel to a remake and not really a remake of a sequel, it was exactly what I expected. (Yes, I have high hopes, but realistic expectations.)
I prepped myself for this by watching the unrated DVD of the previous film just a few short hours before heading to the theater, which, in hindsight, was probably a mistake. While the first film relied heavily on cheap scares and "gotcha" moments, the second toned it down a little and aimed at being a little more suspenseful. The end result is a chaotic mess with a convoluted storyline that weaves through time without ever indicating it (slightly confusing at the start, as there is a two year difference between the events we see throughout the film, but I will refrain from spoilers).
The attempts at building suspense fall flat, as every significant event is telegraphed and, therefore, incredibly predictable even when you're not trying to think ahead of the film's pace. The kills themselves are far from satisfying, as they are simply more of the same that we saw the first time around. I'm sorry, but even if you have never watched the Asian originals, the creepy girl with the hair in her face and the hitch in her step fails to frighten after two Ring films, Dark Water, Pulse, and, of course, the previous Grudge film.
I had seriously hoped that Takashi Shimizu would bring some of his style to the film. Alas, we are the real victims here, not those portrayed on the screen, as we have to pay hard-earned dollars to witness (yet another) American Cinema (read: Hollywood) bastardization of a quality film. When will they learn that the true appeal of Asian cinema lies not with the creepy girl and the cheap scare, but with the overall feel of the film? The "boo!" moments may work for the casual viewer (and the target PG-13 audience), but it is the oppressive aura that haunts the viewer and keeps them awake at night.
I prepped myself for this by watching the unrated DVD of the previous film just a few short hours before heading to the theater, which, in hindsight, was probably a mistake. While the first film relied heavily on cheap scares and "gotcha" moments, the second toned it down a little and aimed at being a little more suspenseful. The end result is a chaotic mess with a convoluted storyline that weaves through time without ever indicating it (slightly confusing at the start, as there is a two year difference between the events we see throughout the film, but I will refrain from spoilers).
The attempts at building suspense fall flat, as every significant event is telegraphed and, therefore, incredibly predictable even when you're not trying to think ahead of the film's pace. The kills themselves are far from satisfying, as they are simply more of the same that we saw the first time around. I'm sorry, but even if you have never watched the Asian originals, the creepy girl with the hair in her face and the hitch in her step fails to frighten after two Ring films, Dark Water, Pulse, and, of course, the previous Grudge film.
I had seriously hoped that Takashi Shimizu would bring some of his style to the film. Alas, we are the real victims here, not those portrayed on the screen, as we have to pay hard-earned dollars to witness (yet another) American Cinema (read: Hollywood) bastardization of a quality film. When will they learn that the true appeal of Asian cinema lies not with the creepy girl and the cheap scare, but with the overall feel of the film? The "boo!" moments may work for the casual viewer (and the target PG-13 audience), but it is the oppressive aura that haunts the viewer and keeps them awake at night.
Shoot me if you must. Shun me if necessary. But I actually really liked this movie. It kept me entertained for 102 minutes and provided some great scares. I never keep my hopes up for sequels and this movie was no different. This was atmospheric and despite what some people say, it did have a plot, although it was all over the place (so it's kind of hard to explain). The acting was good from all. Takashi Shimizu is a great director, he knows how to create suspense and keep it for the duration of the movie. He also knows how to keep an "all over the place plot" very easy to follow. I'm also glad he introduced some new elements into the plot which made it much more interesting. (Can't wait until the final installment)! And finally, the curse (Kayako and Toshio) is still as scary and creepy as ever. There were many scenes that had me very creeped out.
3½/5.
3½/5.
Being a huge fan of the original Ju-On movies, as well as the original American remake, I was looking forward to this one. But my excitement dwindled right from the opening scene, as The Grudge 2 quickly became a predictable and mundane sequel. A typical American-ized sequel that sadly didn't follow the unique plot of Ju-On 2.
After Sarah Michelle Gellar's cameo, the movie focuses on her sister, but gives her nothing to do. What seems like a totally separate storyline inside an apartment building is more distracting than involving. The scares become very routine and there are so many characters here, that the viewer cannot become attached to any of them.
The movie does, however, kick it up in the final twenty minutes or so. And the ending is a lot darker and much more mean spirited than the original, and for that, it has to earn some points for not taking the safe way out.
The Grudge 2 is not a complete loss, but it could have been so much better.
After Sarah Michelle Gellar's cameo, the movie focuses on her sister, but gives her nothing to do. What seems like a totally separate storyline inside an apartment building is more distracting than involving. The scares become very routine and there are so many characters here, that the viewer cannot become attached to any of them.
The movie does, however, kick it up in the final twenty minutes or so. And the ending is a lot darker and much more mean spirited than the original, and for that, it has to earn some points for not taking the safe way out.
The Grudge 2 is not a complete loss, but it could have been so much better.
"The Grudge 2" is one of the most scariest ghost/horror movie sequels I have ever seen. Set two year after the events of "The Grudge" left off, Aubrey Davis (Amber Tamblyn) goes to Tokyo to bring her sister Karen Davis (Sarah Michelle Gellar) back to the United States. However, this leads to Aubrey exposing to the same ghost that has plagued Karen. Meanwhile in Tokyo, high school students Allison, Vanessa and Miyuki visit the haunted house and are also chased by the ghost, and in Chicago, Trish (Jennifer Beals) moves into the apartment of her boyfriend Bill (Christopher Cousins), where paranormal events take place at their next-door neighbor's.
This movie starts out with Aubrey visiting Tokyo to find her sister Karen and discover what troubling her, where we get a taste of suspense that quickly captures the thrills and horror of the first movie. The tension builds when Aubrey also encounters the mysterious events in the house Karen was a caretaker in and, what follows, are one creepy moment one after the other as main ghosts Kayako (Takako Fuji) and Toshiro (Yuya Ozeki) take center stage, terrorizing not only Aubrey but two groups of people, three high school students and a Chicago family.
Takashi Shimizu did a great job directing this sequel, which grabs the audience's attention with bone-chilling scenes and with moments that make you jump. Like the first movie, this sequel has disturbing and creepy images that will stick in your mind after the movie is over. The mysterious yet dramatic atmosphere of the movie created an eerie feeling of the ongoing horror and the built-up suspense, which are contributed by the cast members' dramatic acting. However, I do feel that the separate story lines involving the different character groups is a distraction to the film and makes it difficult for the viewers to concentrate on a single character. This takes away from the character development and the flow of the plot.
Overall, this is a movie with the right balance of horror and drama, but doesn't surpass its prequel.
Grade B-
This movie starts out with Aubrey visiting Tokyo to find her sister Karen and discover what troubling her, where we get a taste of suspense that quickly captures the thrills and horror of the first movie. The tension builds when Aubrey also encounters the mysterious events in the house Karen was a caretaker in and, what follows, are one creepy moment one after the other as main ghosts Kayako (Takako Fuji) and Toshiro (Yuya Ozeki) take center stage, terrorizing not only Aubrey but two groups of people, three high school students and a Chicago family.
Takashi Shimizu did a great job directing this sequel, which grabs the audience's attention with bone-chilling scenes and with moments that make you jump. Like the first movie, this sequel has disturbing and creepy images that will stick in your mind after the movie is over. The mysterious yet dramatic atmosphere of the movie created an eerie feeling of the ongoing horror and the built-up suspense, which are contributed by the cast members' dramatic acting. However, I do feel that the separate story lines involving the different character groups is a distraction to the film and makes it difficult for the viewers to concentrate on a single character. This takes away from the character development and the flow of the plot.
Overall, this is a movie with the right balance of horror and drama, but doesn't surpass its prequel.
Grade B-
Including two shorts, the Japanese original Ju-on, its sequel, the American remake and now its follow-up, Takashi Shimizu has directed six films about the grudge curse. Shimizu has grown fond of his ghosts and in The Grudge 2, this fondness is apparent. He puts them everywhere - in cupboards, under covers, behind mirrors, under desks and rather inexplicably, lurking within the hoods of sweaters. It was a good, pretty scary movie, but the first like i said was way scarier and better! I would watch the first one five times then watch this again, like it was OK, but i wouldn't buy it, maybe give it a chance and rent it!
Lo sapevi?
- QuizSony Pictures greenlit this sequel just three days after The Grudge (2004) was theatrically released. The first film had already recouped its budget and made profit on its opening weekend alone, guaranteeing a sequel.
- Blooper(at around 26 mins) When Trish enters Jake's room, the floor in front of him is empty, and the camera turns to face Trish. When it's put back on Jake there is some kind of sport equipment on the floor.
- Curiosità sui creditiThe Torch Lady in the Columbia Pictures logo gets possessed by Kayako, causing the logo to flicker (during which the film title briefly appears) and go dark.
- Versioni alternativeIn the US, there is a PG-13 rated version of the film which was shown in theaters, and Takashi Shimizu's unrated director's cut of the film which was released on DVD, along with the PG-13 rated one.
- Colonne sonoreWhen Sorrow Sang
Written by Hansi Kürsch
Performed by Blind Guardian
Courtesy of Virgin Records
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Lời Nguyền 2
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 39.143.839 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.825.300 USD
- 15 ott 2006
- Lordo in tutto il mondo
- 70.711.175 USD
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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