Aggiungi una trama nella tua linguaA romance that plays out in the splashy, sensational world of British tabloids. Over the course of one week, the journalists of tabloid newspaper 'The Rag' uncover and manufacture as much sc... Leggi tuttoA romance that plays out in the splashy, sensational world of British tabloids. Over the course of one week, the journalists of tabloid newspaper 'The Rag' uncover and manufacture as much scandal as they can get their hands on.A romance that plays out in the splashy, sensational world of British tabloids. Over the course of one week, the journalists of tabloid newspaper 'The Rag' uncover and manufacture as much scandal as they can get their hands on.
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- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Recensioni in evidenza
Here is an all star UK, USA cast all at sea with a great fun idea ruined due to the fact that the camera can't keep still and a director who does not rely on a witty script and the good actors she has.The other problem is that films that deal with that days new's forget that very shortly afterwards or in my case 5 years later, it was bought in a boot sale, very few will remember any of the names and news of that time. A subplot of the editor screwing the chairman's wife is fun but does not go anywhere so one is left with very little. This, despite it's star cast, failed to do any box office here in the UK and most of it would be lost on a USA audience. An all round sad flop that could of been really fun.
There is hardly a shot in this film that lasts longer than 2 seconds. MTV style plus plus. A formal choice made to stress the hectic and crazy world of tabloid journalism. The cast is good, but when people get so much visually fragmented and reduced to mere short visual and aural stimuli it's difficult to care at all for them. Foul language is omnipresent and the ending is ludicrous. At least some of the film is funny as absurd headlines for tomorrow's edition of the "Rag" are discussed and a battle for power and control between the chief editor and management breaks out. A big headache is more likely what you take home from this experience than insight, concernment or merely a good time. Textbook example of style over substance.
It's sad that directors with no talent use odd cinematographic techniques in an attempt to disguise the film's inadequacies. What's worse though, is the stupid sheep-like gullibility of some of the viewing public who interpret such "novelty" as daring and mold-breaking. Mary McGuckian is plainly a person devoid of talent, vision or taste. Do I hear you say "But it's refreshing to see a director explore new ideas"? Yes, it is refreshing but this no-talent director has simply exhibited pretension and stupidity - any fool can do that. Mary McGuckian is not going to be part of cinema's future. - She'll just slink into the shadows of obscurity and those few who remember her so-called efforts will regard the experience with revulsion. I would have rather been able to sum up Rag Tale as MINUS 10 but 1 out of 10 was the lowest I could award. 1 out of 10 is clearly undeserved praise and might (horror of horrors) encourage this egregious blight on cinema to direct another movie. - I (as I'm sure most other people will) shudder at the thought.
Somehow, I imagine this breathtakingly inadequate director could even mess up sweeping the streets, so I won't suggest she takes this up as a profession. - If she did, walking around her home town would be a whole lot harder than it is now.
Ed Wood's movies were so mind-bogglingly superior (even at their worst) to this woman's pathetic offerings that I feel embarrassed at those who awarded Ed Wood the soubriquet as "worst director ever". At least we could watch his films and laugh at how amateurish they were. In Mary McGuckian's case, we can't even do that. There's nothing in Rag Tale to raise a smile - not even a smile of poignant sadness. What in heaven's name was the producer thinking about to allow this claptrap to be released? He should be jailed for inflicting cruel and unusual punishment on the audience. Don't watch this film within 5 hours of eating food - it'll come right back in your lap.
Somehow, I imagine this breathtakingly inadequate director could even mess up sweeping the streets, so I won't suggest she takes this up as a profession. - If she did, walking around her home town would be a whole lot harder than it is now.
Ed Wood's movies were so mind-bogglingly superior (even at their worst) to this woman's pathetic offerings that I feel embarrassed at those who awarded Ed Wood the soubriquet as "worst director ever". At least we could watch his films and laugh at how amateurish they were. In Mary McGuckian's case, we can't even do that. There's nothing in Rag Tale to raise a smile - not even a smile of poignant sadness. What in heaven's name was the producer thinking about to allow this claptrap to be released? He should be jailed for inflicting cruel and unusual punishment on the audience. Don't watch this film within 5 hours of eating food - it'll come right back in your lap.
This had to be turned off after about 15 minutes. It is easily the worst shot thing ever. If you want a masterclass in generation tension without moving the camera, check out The Collingswood Story. If you want a masterclass in HOW NOT TO MAKE A FILM, watch this sh*t. Rupert Graves is pathetic as some sort of Pier Morgan character - about as intimidating as a dead moth. Truly poor, feeble effort. The director should be shot, and so should everyone else involved for not telling her this was a bad style to adopt. I purchased this dung from Blockbutser for 1.99. It wasn't worth 0.01p. You want to see this sort of thing done well - improvised script, floating camera, and so on - see Festival or One for the Road. This joins Confetti in the 'bin' list. Get lost, the lot of you
This movie can only be viewed as some sort of "what not to do when shooting a movie". The constant cutting and shifting leaves one feeling physically ill. I watched this movie with another person and we both experienced the same symptoms. A headache, strained eyes and eventually a strong urge to throw up.
The pity was that this movie was kinda promising. There is probably a big market out there for a satire of this kind demonstrating the type of spin that goes into publishing a red-top. However the director doesn't seem to want to do that and the end product is a 100 minute music video.
The acting was also pretty dire, having wondered "whatever happened to Jennifer Jason Leigh" for the first few minutes of this movie, I soon realised why i hadn't missed her.
The final nail in the coffin though had to be the resolution. Absolutely awful, I have never seen such and obvious attempt at a directorial get out of jail card.
The pity was that this movie was kinda promising. There is probably a big market out there for a satire of this kind demonstrating the type of spin that goes into publishing a red-top. However the director doesn't seem to want to do that and the end product is a 100 minute music video.
The acting was also pretty dire, having wondered "whatever happened to Jennifer Jason Leigh" for the first few minutes of this movie, I soon realised why i hadn't missed her.
The final nail in the coffin though had to be the resolution. Absolutely awful, I have never seen such and obvious attempt at a directorial get out of jail card.
Lo sapevi?
- Colonne sonoreHot
Produced by Nicky Shaw (as Misschief)
Performed by Nicky Shaw (as Misschief) featuring Robyn Sykes
Written by Nicky Shaw/Joleen Belle/Rob Sykes
Vocal Production Joleen Belle
Published by Signia Songs Limited
Sony/ATV Music Publishing (UK) Ltd
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Dettagli
- Tempo di esecuzione
- 2h 3min(123 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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