Il matrimonio è un affare di famiglia

This film meanders around for too long. It isn't funny enough or moving enough to overcome it's clichéd nature. It's a standard coming of age affair with some romance thrown in. There are a few laughs, but not enough to keep the film afloat. The leads are all reasonable, but in the end the banal material and predictable climax overcomes the qualities of the actors. Surely the Australian Film Finance Corporation can do better than this? Perhaps it looked better on paper. On the plus side Richard Wilson does a stand out job as a retarded young man. The two young romantic leads are both very attractive and have a few good moments together, but again, not enough to bring the mediocre script to life.

This film is about a middle aged woman, who goes through life changes in her career and her family structure.

"Clubland" can hardly be described as a comedy. I did not find it a tiny bit funny. Not even the deliberate and contrived plot of Jeannie being a comedian could save it. It's simply not fun to watch Jeannie making everyone's lives miserable. The ending is rather bad, as Jeannie makes a complete change of heart for no apparent reason.

I must say Brenda Blethyn is good, and Emma Booth is really beautiful. However, these strengths are not enough to save "Clubland" from being a complete bore.

This is a very annoying film. It could have been excellent but instead it is just adequate. There's a lot to like about it, the major plus being Brenda Blethyn's performance. Always a joy to watch as the woman on the edge of a nervous breakdown, she steals the show once again with her quivering bottom lip and comic timing, but we have seen a very similar performance from her in Secrets & Lies, albeit with less variation. Be careful Brenda! You're at risk of getting typecast. The biggest problems with the film relate to the script (underdeveloped, meandering, loose ends) and the two young leads whose performances are uneven, and that's being especially kind to Khan Chittenden who is no leading man. The other problem is this is formulaic in the Sundance way - family drama, quirky characters, conflict, joy, sadness and humor - not traits that are in themselves bad at all, but in this cinematic combination they come together and make it seem contrived, overly constructed and quite predictable. Is it still a decent film? Yes, if you can get past the first half hour which is very unpromising, but it's a wasted opportunity too.

In Australia, Jeannie Dwight (Brenda Blethyn) is a cafeteria worker by day and a struggling comedian by night. Her quiet son Tim Maitland (Khan Chittenden) tries to keep everything together. They have his mildy mentally handicap brother Mark. Then he meets Jill (Emma Booth) on one of his moving jobs.

Jill and Tim has a charming awkward romance despite the unreal insecurities of the supermodel. If anything, I want more Blethyn. She's the big name and holds the potential to blow up this movie. The family dysfunction isn't that well prepared and the pretty couple manufactures some fake conflicts. Blethyn isn't really a standup comedian. Nevertheless, this has its moments and the characters have their charms.

Thank God somebody has made a film here that deals with something other than drug-ravaged Westie kids or face-pulling outback clowns. This is a lovely, intelligent, and thought-provoking examination of dreams big and small, and the dignity of aspirations, no matter what they might be. Brenda Blethyn and her ex husband Frankie J Holden are both wonderful in depicting the bittersweet lives of the never-quite-made-it entertainers. Their lives consist of fading theatre posters and anecdotes of past triumphs, as they now lead lives of unimaginable drudgery, she working in a canteen, and he as a security guard in a K Mart. That's the setup. Emma Booth appears, a life force of sexual energy and optimism, which fascinates their son and turns all their lives upside down. Without telling any more about the actual story, suffice it to say this is a film that works on every level. Emma Booth is a great new talent--at times beautiful and drop dead sexy, at other times as plain and unremarkable as any checkout chick--in other words, like a real girl from that background. Highly recommended.