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Submission: Part I

  • Cortometraggio per la TV
  • 2004
  • 12min
VALUTAZIONE IMDb
6,7/10
1684
LA TUA VALUTAZIONE
Submission: Part I (2004)
BreveDrammaUn documentario

Aggiungi una trama nella tua linguaShort film on the mistreatment of women in the Islam. It shows abused women, with Koran texts on their bodies that validate their mistreatment.Short film on the mistreatment of women in the Islam. It shows abused women, with Koran texts on their bodies that validate their mistreatment.Short film on the mistreatment of women in the Islam. It shows abused women, with Koran texts on their bodies that validate their mistreatment.

  • Regia
    • Theo van Gogh
  • Sceneggiatura
    • Ayaan Hirsi Ali
    • Theo van Gogh
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    1684
    LA TUA VALUTAZIONE
    • Regia
      • Theo van Gogh
    • Sceneggiatura
      • Ayaan Hirsi Ali
      • Theo van Gogh
    • 40Recensioni degli utenti
    • 2Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto

    Recensioni degli utenti40

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    Recensioni in evidenza

    8lastliberal

    I feel the strength of my husband's fist upon my face at least once a week.

    Submission is a 10-minute film in English directed by Theo van Gogh and written by Ayaan Hirsi Ali (a former member of the Dutch House of Representatives for the People's Party for Freedom and Democracy); it was shown on the Dutch public broadcasting network (available on YouTube). The film's title is a direct translation of the word "Islam".

    The film tells the story of four fictional characters played by a single actress wearing a veil, but clad in a see-through chador, her naked body painted with verses from the Koran. The characters are Muslim women who have been abused in various ways. The film contains monologues of these women and dramatically highlights three verses of the Quran,(4:34 2:222 and 24:2) that authorize mistreatment of women, by showing them painted on women's bodies.

    It is a political statement and indictment of those countries that allow honor killing to go on despite laws against them.
    8tvalstar99

    Understand and then speak

    A lot of muslims were offended by this movie. But it is not about the Islam in general. Van Gogh was not a Islam hater or a racist. Read his books. He was a provoker and he was an atheist with a sharp tongue and a advocate for freedom of speech but that was it. He was a clown but he sometimes overdid his act so a lot of people were offended. He did offend people, don't get me wrong. But I found a lot of his pieces amusing and I think he wanted people to see the relativity in things.

    In this movie is not show how bad the Islam is, but how men can use the Islam as an excuse for their deeds. That is what Ali en Van Gogh were fighting for and don't give me that crap about the somalic background of Ali. It still surprises me how many people just don't see this and still think they wanted to offend a complete religion. It is just like how Ali said herself. She said something like that no matter how you formulate, when it comes to Islam (or any religion) they will always find it offensive.
    9wwydf

    the majesty of art

    I think many of you are confused as to why Ayan Hirsi Ali decided to write this film and what she believed it would do for Muslim women. It is no secret that all religions seem to have a flaw within them. They also have a tendency to leave women out and treat them as unequal. I happen to be married to a practicing Muslim man who lived in Egypt until he was 10 years of age. We are newly weds and currently live in the united states while I finish school. I can truly say that many Muslim men don't beat, and abuse their wives. In fact a large portion love them to death. However, Don't TELL me that Islam doesn't condone honor killings.

    Ayan Hirisi Ali's point was that honor killings are occurring in nations where police forces and governing bodies are at large. They are taking place in overly tolerant nations that have become morally blind. This I believe is a misplaced respect. You should not be allowed to shoot your daughter or slit her throat because she's wearing eye shadow and talked to a Christian boy. Progressive western nations such as Holland, Germany and the UK weren't punishing these "honor killers". In many cases they even received reduced sentencing for things that the nation deems unacceptable behavior. Ayan Hirsi Ali wanted to put a stop to that.

    what better way than a film. Film is one of the most powerful ways of evoking a response out of a group of people. Once initial shock is over action hopefully takes place. Thats what Ms Hiris Ali desired. Now All of these western civilizations are scrambling for an answer. London is cracking down on their police force and training them to deal with honor killings. Holland is implementing legislation on protection of Muslim women, and Germany is discussing new integration laws.

    The point is she opened this topic up before the world through the majesty of film. The power of art, written word and human voice combined. She had been fighting for this cause for awhile however before the film submission little had been done.

    I read one comment earlier and this is my response to them - I don't believe Ayan Hirsi Ali wrongly executed her quest for better treatment of Muslim women by seeking out Van Gogh. Politically it was a brilliant choice. She was not trying to evoke a response from Holland's male Muslim population she was trying to reach the rest of Holland. So by having the controversial Van Gogh direct was a great idea. ( If You think she was actually going to change a conservative Muslim's opinion on honor killings through a 12 minute film than your being naive. Van Gogh was respected and admired by thousands. She wasn't trying to change Islams views. She was trying to awaken the rest of western europe. Think about it. It was well thought out.

    My thanks for posting my comment and I hope everyone finds something they can draw out of it. I really have enjoyed the comments from all.
    9markvanderwal

    courage

    It is hard to speak about the state of women in Islam without being told to keep quite,sometime the ultimate price has to be paid.That is the nature of this film. It may not make for friends but it gets things in the open so that changes can take place so human rights can be respected. There have been very few films about Islam as a religion.I do not know of any about the human right tragedy in the Sudan.I wish to see more films about Islam but am afraid that filmmakers will be leery after this.That is why I hope that filmmakers will not be afraid of death threats,because information about Islam is needed especially since 911.WE must realize that the Dutch are very tolerant and that this atheist filmmaker did have a right to make films that is the bottom line.I hope that the film will energize Islamic men to correct abuses as much as they can.
    shotbyshot100

    Respect

    For most of us, the worst thing that could happen after making a movie is complete commercial and critical failure. For Ayyan Hirsi Ali, it is death. And after her director and co-producer, Theo Van Gogh, was murdered late last year, this is a very real possibility. Their courage and conviction to be heard (no matter how controversial the opinion) is an inspiration to me. That being said, I'll attempt to defend controversial films on a more general level: I have never seen a movie that has literal changed my lifestyle, and don't think it is even possible. We are bombarded with too much information for something as short and singular (no matter how visceral) as a movie. But what they can do is begin the process of thinking, and evaluating our own lives. So regardless of whether or not you agree with a film, if it gets you thinking about a particular issue, then you should consider it a success. Thank you for your time. Take care.

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    • Quiz
      The film created controversy in the Netherlands and director Theo van Gogh was ultimately killed because of it. On 2 November 2004, Van Gogh was assassinated in Amsterdam in public by Mohammed Bouyeri, a Dutch-Moroccan Muslim with a Dutch passport. First he shot Van Gogh, then he cut his throat and finally he affixed a letter to Van Gogh's body with a dagger. In the text he linked the murder to Van Gogh's film and his views regarding Islam.
    • Connessioni
      Featured in Zomergasten: Episodio #17.6 (2004)

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    • Data di uscita
      • 29 agosto 2004 (Paesi Bassi)
    • Paese di origine
      • Paesi Bassi
    • Lingua
      • Inglese
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