I sopravvissuti della catastrofe di Raccoon City viaggiano attraverso il deserto del Nevada, sperando di arrivare in Alaska. Alice si unisce alla carovana e la loro lotta contro la Umbrella ... Leggi tuttoI sopravvissuti della catastrofe di Raccoon City viaggiano attraverso il deserto del Nevada, sperando di arrivare in Alaska. Alice si unisce alla carovana e la loro lotta contro la Umbrella Corp.I sopravvissuti della catastrofe di Raccoon City viaggiano attraverso il deserto del Nevada, sperando di arrivare in Alaska. Alice si unisce alla carovana e la loro lotta contro la Umbrella Corp.
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- Sceneggiatura
- Star
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- 2 vittorie e 2 candidature totali
Recensioni in evidenza
After the second movie i was ready for this one to be cheap and boring... But this film totally proved me wrong. It contains The plot and suspense the first film had and the action the second film had. Perfect combo! The story is beyond amazing, Very creepy in a way yet totally awesome for the people in the theater watching it all play out. An apocalyptic world with few human survivors banding together, fighting, traveling etc. to try to find a place of safety from the infection and all the dangers that come with it. I'm guessing if your on this page you have read the plot so Anyways back to the review. The film was a pleasant surprise... though there was one setback, There wasn't much time for any info or background on important members of the convoy, all you know is they are there... Your not really given time to hear a little out each one and kind of get each one to have there own amount of screen time due to the lack of time the film was working with, I mean come on... Why not make it 2 hours and add a little more in? Anyways besides that i thought the movie was a blast to watch and i am definitely going back to the theater sometime this weekend to see it again...
60U
The storyline builds quite nicely in the 3rd installment and the addition of a few more known actresses and actors, helps move this film forward. Unfortunately the special effects are still very rudimentary.
Directed by Russell Mulcahy of the criminally underseen awesome creature feature Razorback. I've always really loved this chapter. Maybe its because it has that epic Mad Max feel mixed with the telekinesis of Friday the 13th 7 and although it can be a little silly it takes the franchises back to it's scarier roots with homages to the birds and day of the dead. This time around Alice is still on the run from the Umbrella corporation and the world has become a desert wasteland. She stumbles upon some old friends and some newbies like a teen girl named Kmart, the singer Ashanti playing a nurse and a bad ass Ali Larter as Claire Redfield from the games. This one is the goriest of the first three and features some great old fashioned practical effects. The movie is fun, scary and action packed leading up to a bad ass finale and one hell of a cliffhanger.
Budget: $45m Domestic Box Office: $51m Worldwide Box Office: $148m
4/5
Budget: $45m Domestic Box Office: $51m Worldwide Box Office: $148m
4/5
I think Resident Evil: Extinction elevates itself slightly higher than its two predecessors and slightly higher than I thought it would in general. On one hand, it is a series of bizarre and somewhat illogical events that transpire under the scenario of an apocalyptic event's aftermath but on the other, it is a pastiche of 'zombie' films gone by; a crude study of one man's obsession with his research and a somewhat guilty action film. I liked Resident Evil: Extinction a little more than others of its type because it gives us more of a sedate look at the situation rather than a mere exploitation of special effects, attractive heroines and needless gore. Yes, it's true to say that this film has action scenes of a silly nature but they do not seem as stupid as previous Resident Evil films in which the protagonist is able to use kung-fu on dogs and make impossible shots to defeat her foes.
The action scenes here are paced better and do not rely on the mere visualisation of actually seeing a Licker monster or Nemeses himself as the reason to keep watching. The enemies here are unspectacular and familiar and all the better for it; we get the feeling this is more of a survival film about the beasts and beings that would actually be out there rather than dumb scenes that try to impress us with a mentality: "Look, a Licker." or "Look, this is what Nemeses would look like in reality.". In the film, there is a scene in which several zombies come charging out of a metal crate. The scene works on the level of realism within the film because the film could so easily have substituted them for a larger, more visually impressive enemy that would've sufficed for the following action scene.
I mentioned the word 'realism' in that paragraph, perhaps crazily so. But Resident Evil: Extinction takes time to present its heroes, all of whom travel in a procession of large vehicles, with every day issues that would affect them. Things like 'how much fuel is left? Where is the nearest petrol station?'; 'Where is the next meal coming from?' and 'How can we bed down for the night safely and free from attack?' These sorts of questions were lost in the previous films and are empty from other recent post-apocalyptic horror/sci-fi films like Blade: Trinity. Additionally, when the film does reveal its particularly large scale monster for the film's climax it does so in an effective manner. This is because we have had the monster and the source for the monster presented to us on another plot line. We get a feeling that it may happen within the world of the film unlike when Nemeses popped up in the last film merely because he's had the injection and must now just keep destroying stuff until he meets the hero for the finale fight.
Although it takes on the matter of the pacing and the clarity of the action scenes, Resident Evil: Extinction is still guilty of one or two things. The film actually begins in a manner than had me dreading it would be as bad as the previous two. Alice (Jovovich) meets some human survivors but discovers them oddly unfriendly which acts more of a surprise than a dramatic twist. It's a scene in which implied prior victims have been conned, raped and then fed to the dogs; in this case infected dogs and sure enough Alice finds herself in the said situation a sequence of events that plays out in a daft manner that reminds you of the prior films. It had me thinking 'how do the renegade survivors lock the infected dogs up for next time once they've had their fun?' Then there was the rather careless scene in which Alice falls asleep in the middle of the desert, at night and with the fire still burning not smart considering the situation. The film is also disappointing in the sense that when the procession of vehicles housing the characters Alice, they are spread evenly in ethnicity and attitude meaning each individual 'type' could be killed off accordingly.
But for the best part, Resident Evil: Extinction is a surprisingly enjoyable film with an interesting set-up and I was really quite fond of the story running parallel involving Dr. Isaacs (Glen) and his research in developing the un-dead, albeit a clear reference to Dr. Logan in Day of the Dead. This plot line runs alongside the development of the convoy and the situations they must deal with, the thing I like here is that these people are not world savers; they will not go on a cause and effect fuelled story and make all the un-dead disappear, they are just there to survive and through Alice their goal is to make it to the icy regions of Alaska.
The bizarre thing about this latest Resident Evil instalment is just how good it might've been had it cut the action scenes down a little and tidied up the opening twenty or so minutes. It is disappointing that the convoy is made up of a Redneck (who's naturally good at sniping); an Aussie; two African-Americans; a Mexican and a wise-talking white American, all of whom exist for zombie fodder at the end of the day but this film instils me with hope that perhaps the films can be as good as the games in the games, ammunition was a very sacred thing and the tactic of running from enemies rather than shooting them was a good one. In the films, the producers are gradually realising this and the next film may well surprise a few people in terms of how watchable it actually is.
The action scenes here are paced better and do not rely on the mere visualisation of actually seeing a Licker monster or Nemeses himself as the reason to keep watching. The enemies here are unspectacular and familiar and all the better for it; we get the feeling this is more of a survival film about the beasts and beings that would actually be out there rather than dumb scenes that try to impress us with a mentality: "Look, a Licker." or "Look, this is what Nemeses would look like in reality.". In the film, there is a scene in which several zombies come charging out of a metal crate. The scene works on the level of realism within the film because the film could so easily have substituted them for a larger, more visually impressive enemy that would've sufficed for the following action scene.
I mentioned the word 'realism' in that paragraph, perhaps crazily so. But Resident Evil: Extinction takes time to present its heroes, all of whom travel in a procession of large vehicles, with every day issues that would affect them. Things like 'how much fuel is left? Where is the nearest petrol station?'; 'Where is the next meal coming from?' and 'How can we bed down for the night safely and free from attack?' These sorts of questions were lost in the previous films and are empty from other recent post-apocalyptic horror/sci-fi films like Blade: Trinity. Additionally, when the film does reveal its particularly large scale monster for the film's climax it does so in an effective manner. This is because we have had the monster and the source for the monster presented to us on another plot line. We get a feeling that it may happen within the world of the film unlike when Nemeses popped up in the last film merely because he's had the injection and must now just keep destroying stuff until he meets the hero for the finale fight.
Although it takes on the matter of the pacing and the clarity of the action scenes, Resident Evil: Extinction is still guilty of one or two things. The film actually begins in a manner than had me dreading it would be as bad as the previous two. Alice (Jovovich) meets some human survivors but discovers them oddly unfriendly which acts more of a surprise than a dramatic twist. It's a scene in which implied prior victims have been conned, raped and then fed to the dogs; in this case infected dogs and sure enough Alice finds herself in the said situation a sequence of events that plays out in a daft manner that reminds you of the prior films. It had me thinking 'how do the renegade survivors lock the infected dogs up for next time once they've had their fun?' Then there was the rather careless scene in which Alice falls asleep in the middle of the desert, at night and with the fire still burning not smart considering the situation. The film is also disappointing in the sense that when the procession of vehicles housing the characters Alice, they are spread evenly in ethnicity and attitude meaning each individual 'type' could be killed off accordingly.
But for the best part, Resident Evil: Extinction is a surprisingly enjoyable film with an interesting set-up and I was really quite fond of the story running parallel involving Dr. Isaacs (Glen) and his research in developing the un-dead, albeit a clear reference to Dr. Logan in Day of the Dead. This plot line runs alongside the development of the convoy and the situations they must deal with, the thing I like here is that these people are not world savers; they will not go on a cause and effect fuelled story and make all the un-dead disappear, they are just there to survive and through Alice their goal is to make it to the icy regions of Alaska.
The bizarre thing about this latest Resident Evil instalment is just how good it might've been had it cut the action scenes down a little and tidied up the opening twenty or so minutes. It is disappointing that the convoy is made up of a Redneck (who's naturally good at sniping); an Aussie; two African-Americans; a Mexican and a wise-talking white American, all of whom exist for zombie fodder at the end of the day but this film instils me with hope that perhaps the films can be as good as the games in the games, ammunition was a very sacred thing and the tactic of running from enemies rather than shooting them was a good one. In the films, the producers are gradually realising this and the next film may well surprise a few people in terms of how watchable it actually is.
The deadly virus has decimated the world, exception a little zone in Alaska where live people no-infected . Years later , one time Racoon was destroyed , the Umbrella corporation led by ambitious Dr. Isaacs(Iain Glen) continues his weird experiments with the deadly T-virus. But the Zombies spread the epidemic and those exposed to cruel bite suffer a complete transformation turning into meat-eating sickos. Alice(Milla Jovovich)is attempting to survive , and she finds new survivors(Ali Larter, Ashanti along with Oded Fehr and Mike Epps who repeat characters) traveling throughout Nevada desert . They must confront carnivorous crows, hordes of zombies starving of human flesh and an evil corporation chief who creates the most horrifying creatures ever made .The survivor group are surrounded , facing the world destruction by deadly epidemic.
This exciting picture contains thrills, chills, action-filled with fierce combats and lots of gore and guts.The horror and action moments are fast moving and compactly realized. The film turns out to be a crossover between 'the nuclear apocalypse of Mad Max 2', the 'George A Romero's Zombies' and genetic experiments from 'Sigourney Wever-Ripley in Alien saga '. Of course, the film takes ideas from former parts as 'Resident evil'(2002, Paul W. Anderson, here also producer and screenwriter) and 'Resident Evil: Apocalypse'(2004,Alexander Witt)resulting to be a nice following. The creepy images of wide range from the genuinely fantastic to the bizarre along with an eerie and amazing frames. It's predictable but we have seen the previous chapters but also its predictability is redeemed in part by the charismatic acting from the action-women, Milla Jovovich and Ali Larter. The flesh-eating mutants appearance deliver the goods, plenty of screams, shocks and tension. The make-up assistants create a truly horrible zombie cannibals. Horrifying and astonishing images about apocalyptic events with deserted and destroyed cities, such as the creepy scenarios in Las Vegas without people, totally uninhabited and covered of sand. Cool,luminous cinematography using steadicam by David Johnson and haunting musical score by Charles Clouser.The motion picture is surprisingly directed with startling visual style by Russell Mulcahy(Razorback,Highlander, Resurrection).
This exciting picture contains thrills, chills, action-filled with fierce combats and lots of gore and guts.The horror and action moments are fast moving and compactly realized. The film turns out to be a crossover between 'the nuclear apocalypse of Mad Max 2', the 'George A Romero's Zombies' and genetic experiments from 'Sigourney Wever-Ripley in Alien saga '. Of course, the film takes ideas from former parts as 'Resident evil'(2002, Paul W. Anderson, here also producer and screenwriter) and 'Resident Evil: Apocalypse'(2004,Alexander Witt)resulting to be a nice following. The creepy images of wide range from the genuinely fantastic to the bizarre along with an eerie and amazing frames. It's predictable but we have seen the previous chapters but also its predictability is redeemed in part by the charismatic acting from the action-women, Milla Jovovich and Ali Larter. The flesh-eating mutants appearance deliver the goods, plenty of screams, shocks and tension. The make-up assistants create a truly horrible zombie cannibals. Horrifying and astonishing images about apocalyptic events with deserted and destroyed cities, such as the creepy scenarios in Las Vegas without people, totally uninhabited and covered of sand. Cool,luminous cinematography using steadicam by David Johnson and haunting musical score by Charles Clouser.The motion picture is surprisingly directed with startling visual style by Russell Mulcahy(Razorback,Highlander, Resurrection).
Lo sapevi?
- QuizThere were unused scenes from the original script where Alice manages to hack into the files of Umbrella. It is revealed that her real name is not Alice Abernathy but Janus Prospero. This was previously alluded to in the merchandise for the previous film Resident Evil: Apocalypse (2004), where a fake newspaper clipping was released that contained details on Alice, such as that her family started a search for her after she disappeared, and that Alice was simply her code name.
- BlooperThe man that is thrown off the flamethrower and killed by the infected birds walks past Claire and the others when they discuss journeying to Alaska.
- Curiosità sui creditiAt the end of the credits, Alice's voice is heard to say "You're just... another asshole".
- ConnessioniFeatured in The Evolution of 'Resident Evil': Bridge to Extinction (2007)
- Colonne sonoreIn-A-Gadda-Da-Vida
Written by Doug Ingle (as Douglas Ingle)
Performed by Iron Butterfly
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
[plays as Claire and her convoy appear for the first time]
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Resident evil 3: La extinción
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 50.648.679 USD
- Fine settimana di apertura Stati Uniti e Canada
- 23.678.580 USD
- 23 set 2007
- Lordo in tutto il mondo
- 147.717.833 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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