VALUTAZIONE IMDb
6,7/10
4855
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA family in financial crisis is forced to sell Lassie, their beloved dog. Hundreds of miles away from her true family, Lassie escapes and sets out on a journey home.A family in financial crisis is forced to sell Lassie, their beloved dog. Hundreds of miles away from her true family, Lassie escapes and sets out on a journey home.A family in financial crisis is forced to sell Lassie, their beloved dog. Hundreds of miles away from her true family, Lassie escapes and sets out on a journey home.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Recensioni in evidenza
Intelligent, well made family feature from the original novel, bearing little resemblance to the now campy-seeming US TV series.
Beautifully shot, well scored, and featuring a first-rate adult cast (Peter O'Toole, Samantha Morton, John Lynch, Peter Dinkage) along with some very endearing child actors, this manages to be sweet without being saccharine, sentimental without being cloying.
It even has a nice layer of social commentary about the English class system – the story involves the beloved pet being bought away from a near-starving family who can't afford to say 'no' when a lord offers them cash for their son's faithful companion.
I appreciated that Lassie is treated as a real dog, and not some kind of super-mutt. A great, wonderful dog to be sure, but her behaviors all stay within the realm of real-life dog abilities.
A very good film for kids and tweens, and a not at all bad one for grown ups who might watch with them. While it might not have quite the deep emotional power and/or wild humor of the truly classic family films, it's certainly well crafted and worth watching.
Beautifully shot, well scored, and featuring a first-rate adult cast (Peter O'Toole, Samantha Morton, John Lynch, Peter Dinkage) along with some very endearing child actors, this manages to be sweet without being saccharine, sentimental without being cloying.
It even has a nice layer of social commentary about the English class system – the story involves the beloved pet being bought away from a near-starving family who can't afford to say 'no' when a lord offers them cash for their son's faithful companion.
I appreciated that Lassie is treated as a real dog, and not some kind of super-mutt. A great, wonderful dog to be sure, but her behaviors all stay within the realm of real-life dog abilities.
A very good film for kids and tweens, and a not at all bad one for grown ups who might watch with them. While it might not have quite the deep emotional power and/or wild humor of the truly classic family films, it's certainly well crafted and worth watching.
This is a near-perfect film for what it is--a richly imagined, finely-acted, lavishly produced family film, and one faithful to the source; this Lassie is not a dumbed-down version where the dog does stupid pet tricks, but instead the film stresses the importance of the relationship between the dog and her pal, a young lad living in a coal town.
Lassie, by the way is amazingly expressive and simply beautiful. The essential story is probably familiar to anyone over twenty who speaks English, but the film is enriched with cameos from major actors, including Peter O'Toole, James Fox, and Peter Dinklage, and with the lush, verdant vistas of Ireland standing in for Scotland.
While not as emotionally elemental as the classic Roddy McDowell version, this modern retelling also has a strong underlying foundation; the implied criticism of the class system will not be an obvious statement to young eyes, but adults will easily pick-up the points made concerning the privilege of the rich; children of all ages should enjoy this sweet, universal fable.
Lassie, by the way is amazingly expressive and simply beautiful. The essential story is probably familiar to anyone over twenty who speaks English, but the film is enriched with cameos from major actors, including Peter O'Toole, James Fox, and Peter Dinklage, and with the lush, verdant vistas of Ireland standing in for Scotland.
While not as emotionally elemental as the classic Roddy McDowell version, this modern retelling also has a strong underlying foundation; the implied criticism of the class system will not be an obvious statement to young eyes, but adults will easily pick-up the points made concerning the privilege of the rich; children of all ages should enjoy this sweet, universal fable.
OK so am I the only one who never realized Lassie was set firstly in 1939 and secondly in Yorkshire? I grew up believing in gingham tablecloths, dusty gold mines, skunks in prairies and dangerous rattle snakes all of which our furry heroine, pined at, climbed from, lifted to safety and made friends with, yes and all without being stung, bitten
or even pooped on. Well move aside Nantucket because the real bitch is back and Charles Sturridge has done Eric Knight's beautiful story proud.
The film looks beautiful, set very convincingly in the 1930s English depression. The sets, camera work and locations provide us a time that makes much more sense of a dog returning home to his young master than 1960's America. Lassie's impossible journey deals with issues of loyalty, generosity, determination and good old Britishness all of which must have been useful propaganda tools for a country heading into war in 1939. So that's why it was written back then, so why remake it now? Because, those same basic issues and emotions are just as useful to remind ourselves of now as then but unfortunately for us modern family films have become lost in a sea of CGI and comuterized, sickly nothingness that has no relevance to anything but thrill. Truthfully? It's just plain nice to sit with your family in a cinema, cry your heart out and remember what's important in life. (And it doesn't have to be 40 feet tall and eat bananas!)
The boy is wonderful as indeed is the dog(s). The support from Morton, Lynch, O Toole, Drinkage is perfectly judged and I defy you not to blub a dub during the emotional Christmas homecoming. This is a beautiful film, a joy to watch and a credit to its makers.
Go Lass go.....
or even pooped on. Well move aside Nantucket because the real bitch is back and Charles Sturridge has done Eric Knight's beautiful story proud.
The film looks beautiful, set very convincingly in the 1930s English depression. The sets, camera work and locations provide us a time that makes much more sense of a dog returning home to his young master than 1960's America. Lassie's impossible journey deals with issues of loyalty, generosity, determination and good old Britishness all of which must have been useful propaganda tools for a country heading into war in 1939. So that's why it was written back then, so why remake it now? Because, those same basic issues and emotions are just as useful to remind ourselves of now as then but unfortunately for us modern family films have become lost in a sea of CGI and comuterized, sickly nothingness that has no relevance to anything but thrill. Truthfully? It's just plain nice to sit with your family in a cinema, cry your heart out and remember what's important in life. (And it doesn't have to be 40 feet tall and eat bananas!)
The boy is wonderful as indeed is the dog(s). The support from Morton, Lynch, O Toole, Drinkage is perfectly judged and I defy you not to blub a dub during the emotional Christmas homecoming. This is a beautiful film, a joy to watch and a credit to its makers.
Go Lass go.....
10jyogis
The worst thing that can be said about this excellent film is that it is a "family movie" as that term may turn off many cinema buffs from seeing a film that is first rate from practically all aspects. It is brilliantly directed by Charles Sturridge ("Brideshead Revisited") and features several cream of the crop actors starting with the marvelous Peter O'Toole. It is also a superb adaptation of Eric Knight's wartime novel, "Lassie Come Home." (Unfortunately, the viewer would not know this until the end of the credits.) The photography is absolutely breathtaking with scenes of the Scottish Highlands that I haven't seen equaled. There is also a grittiness and realism to the film that was impossible to capture in a 1943 version filmed on the back lots of MGM. Rather than a mere remake, this film is classic in its own right and deserves a wider audience than I suspect it has found thus far. High fives all the way.
10Scoval71
Wonderous, wonderful, charming, excellent, sad and happy. I really enjoyed this movie. So will most people except for one moron on this review board. What a lovely movie--the direction, the acting--animal and human---the photography, all superb. A lovely story of a dog's courageous return to the family he loves. Set in the days before WWII, this version of Lassie, to me, is far superior than the 1994 version by a wide margin. Don't miss Lassie. The theater was packed where I went and that says a lot. Reviews for Lassie echo my sentiments. It is a truly heartwarming and tender story. Lovely film that tells a sad story with a happy ending. Great photography. I have nothing but praise.
Lo sapevi?
- QuizPeter Dinklage (Rowlie) says the line "Winter is coming" twice, six years before it became the theme of Game of Thrones (2011) in which he appeared.
- BlooperThe steam train has a British Railways logo on the tender, but British Railways didn't come into existence until after the war, certainly not before or during the war, the period in which the film is set.
- Curiosità sui creditiThere are no credits at the beginning of the film, not even the film's title. All that is seen is the logo of the production company.
- ConnessioniFeatured in Troldspejlet: Episodio #34.13 (2006)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Лессі
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 652.163 USD
- Fine settimana di apertura Stati Uniti e Canada
- 254.420 USD
- 3 set 2006
- Lordo in tutto il mondo
- 6.442.854 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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