Ti piace Hitchcock?

Make no mistake, this is a made-for-TV movie so don't expect the usual Argento-gore and a lot of stylized violence. If that's what you're looking for, look somewhere else!

It also shows sometimes that he is working in another medium (television), style-wise. But apart from that, this is a playful and lightweight homage to Alfred Hitchcock, that works fairly well within the constrains of the medium.

It has a sympathetic lead in Elio Germano (but the female are more formulaic) and most actors are a lot better that what is common in an Argento-movie. The beginning of the movie is very well set-up when you get a peak into several apartments a la "Rear window". The script is full of references to different Hitchcock-movies, but there are also nods towards Brian dePalma and...Dario Argento himself! There are scenes that seems to have been lifted more or less intact from his other creations like "Deep red", "Opera" and "Inferno". But this is not necessarily a negative thing since all this is mostly woven into the plot with a lot of skill. There is only one murder (but two death scenes), but it is quite violent and the scene leading up to it is very suspenseful. The final 10 minutes are also edge-of-your-seat material.

Also worth mentioning is the nice cinematography by Fasano (especially the shots at night are very nice to look at). And the score by Pino Dinaggio is absolutely top-notch! It's certainly a lot better than the anonymous music he put together for Dario in "Trauma" and might remind you of his work for Brian de Palma.

But some things don't work, for instance the scene where our "hero" breaks his leg. It is too drawn out even though it's suspenseful in the beginning. The pace flags occasionally and is generally erratic. And even if the climax is exciting, I cannot shake of a feeling that it could have been even better with a tighter script. It seems that Argento/Ferrini lost interest somehow in their intriguing little tale of terror. And finally, the usual quibble when it comes to an Argento film...the dubbing is sometimes truly bad, at best it's acceptable. And note that I saw the Italian version! God only knows why italians often prefer to dub instead of using the original sound?!

But all in all, a very decent outing by Mr Argento. It certainly doesn't top "Suspiria", "Inferno", "Deep red" or his other masterpieces (it doesn't even top the underrated "Trauma" which is resembles sometimes), but it is absolutely one of the best things he's done since "Opera".

I think this is a pretty good movie. There is not much gore in it, and sometimes the humor gets a bit too silly, but I still enjoyed it. There's more to Argento than just gory murder scenes. It's actually slightly more suspenseful as a whole than most Argento flicks, in a lighthearted and cheerful kind of way, and it's still has some pretty nice visuals. For being a made for TV movie, it's got a lot of style, with some nice camera work, and like the old Hitchcock movies, it has a lot of humor in it, and a lot of references to a lot of Hitchcock's films. After all, the movie is a homage to the old master of suspense, Sir Alfred Hitchcock. The movie is more like an old fashioned thriller with some of Argentos own unusual style. It was shot on 35 mm film. Sometimes it has the look of a TV movie, but with a lot of cinematic flair still there, and I was surprised of how much of the old Argnto trademarks that was still left in. Surprisingly, the picture's got a lot of mild nudity. The plot resembles a lot of Hitchcock's Rear Window and is about a film student who is a Peeping Tom who cant restrain himself from spying on his sexy neighbor and he gets in a lot of trouble for it.

I thought it was a nice change to this time see Argento experiment with a different kind of a movie, and the script moves forward in a much more straightforward manner than any film he's done before.

If you can live without the excessive gore, and are up for an unusually lighthearted Argento movie, mixed with some of his old visual style, then it's definitely worth a watch.

Argento's made-for-television "Ti piace Hitchcock?" is an entertaining giallo which pays tribute to the works of the old master.

A "Rear Window" for the noughties, Argento's offering delivers some great moments and there are fleeting glimpses of the genius behind such classics as "Deep Red" and "Tenebrae".

Elio Germano is excellent as the geeky voyeur who's nosiness leads him into no end of trouble. His performance is believable and his character is both likable and sympathetic.

While the violence has been toned down for this production, it's still a very watchable tale.

Most enjoyable and suspenseful tale, featuring in the main elements of 'Strangers On A Train' and 'Rear Window', but also making reference to many of Hitchcock's movies. Much fun can be had spotting all the amusing/effective references without the ongoing tale being spoiled. There are at least two excellent sequences, one involving a moped and the other a bath, but although the pace may be a little erratic, the dialogue rather strange and the dubbing diabolical, this is as much fun for us as it must have been for Mr Argento. I'm not one of those that will talk of a 'return to form' because I'm just happy to enjoy what I enjoy without harping back, but I don't think any fan of Argento or Hitchcock should miss this.

I had pretty high expectations from this movie as it is a tribute from the great Dario Argento to the great Alfred Hitchcock.Dario Argento is one of the living directors i have the greatest respect for, and one of my personal favorite directors of all-time, and there is probably no true cineaste around to doubt that Alfred Hitchcock is one of THE most influential and greatest directors in the history of motion pictures.

That being said, I was slightly disappointed with "Ti Piace Hitchcock?" aka "Do You Like Hitchcock?" of 2005. Not because it's not nearly as gory and brutal as Argento's ultra-violent masterpieces from the 70s and 80s - I expected it to be mild for Argento standards, since it's a made-for-TV tribute from a genius director, Dario Argento, to another genius director, Alfred Hitchcock, and this doesn't call for the extreme violence of films like Suspiria or Opera. What I did expect, however, was the suspense, that Argento usually delivers, and I was therefore a bit disappointed, as I found all the parts of the movie that were meant to surprise way too predictable. There is a lot of tension, and the movie highly entertains, no doubt about that but the plot-twists are quite lame and it is simply not nearly as suspenseful as we're used to from Argento, especially after he delivered another great and highly suspenseful Giallo, "Non Ho Sonno" aka "Sleepless" in 2001.

The performances are great, Elio Germano delivers a solid leading performances and all three leading actresses - Elisabetta Roncchetti, Christina Brondo and Chiara Conti are both sexy and excellent in their roles, especially Roncchetti is drop-dead gorgeous and delivers a great performance in a great femme-fatale role. The score by Pino Donaggio is very good, but then again it is not nearly as brilliant as the scores by Progressive Rock band Goblin and their genius keyboard-player/composer Claudio Simonetti.

Over-all, the movie delivers suspense, atmosphere and good entertainment. It is just not very good for what it is (or could have been), a Hitchcock-tribute from Argento. Argento fans like myself run risk of being a little disappointed, but it is definitely worth the time.