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Miami Vice

  • 2006
  • T
  • 2h 12min
VALUTAZIONE IMDb
6,1/10
127.873
LA TUA VALUTAZIONE
POPOLARITÀ
3272
624
Jamie Foxx and Colin Farrell in Miami Vice (2006)
Guarda Official Trailer
Riproduci trailer0: 57
14 video
99+ foto
Drug CrimeActionCrimeDramaThriller

Basato sulla serie TV degli anni ottanta, il film segue le vicende dei detective Crockett e Tubbs quando le loro vite personali e professionali si intrecciano pericolosamente.Basato sulla serie TV degli anni ottanta, il film segue le vicende dei detective Crockett e Tubbs quando le loro vite personali e professionali si intrecciano pericolosamente.Basato sulla serie TV degli anni ottanta, il film segue le vicende dei detective Crockett e Tubbs quando le loro vite personali e professionali si intrecciano pericolosamente.

  • Regia
    • Michael Mann
  • Sceneggiatura
    • Michael Mann
    • Anthony Yerkovich
  • Star
    • Colin Farrell
    • Jamie Foxx
    • Gong Li
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    127.873
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3272
    624
    • Regia
      • Michael Mann
    • Sceneggiatura
      • Michael Mann
      • Anthony Yerkovich
    • Star
      • Colin Farrell
      • Jamie Foxx
      • Gong Li
    • 1KRecensioni degli utenti
    • 251Recensioni della critica
    • 66Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 9 candidature totali

    Video14

    Official Trailer
    Trailer 0:57
    Official Trailer
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?
    Miami Vice (2006)
    Clip 0:53
    Miami Vice (2006)
    Miami Vice (2006)
    Clip 0:55
    Miami Vice (2006)
    Miami Vice (2006)
    Clip 0:31
    Miami Vice (2006)
    Miami Vice Scene: Crockett Asks Isabella To Go Get A Drink
    Clip 0:57
    Miami Vice Scene: Crockett Asks Isabella To Go Get A Drink

    Foto179

    Visualizza poster
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    + 172
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    Interpreti principali99+

    Modifica
    Colin Farrell
    Colin Farrell
    • Sonny Crockett
    Jamie Foxx
    Jamie Foxx
    • Ricardo Tubbs
    Gong Li
    Gong Li
    • Isabella
    Naomie Harris
    Naomie Harris
    • Trudy Joplin
    Ciarán Hinds
    Ciarán Hinds
    • FBI Agent Fujima
    Justin Theroux
    Justin Theroux
    • Detective Larry Zito
    Barry Shabaka Henley
    Barry Shabaka Henley
    • Castillo
    Luis Tosar
    Luis Tosar
    • Montoya
    John Ortiz
    John Ortiz
    • Jose Yero
    Elizabeth Rodriguez
    Elizabeth Rodriguez
    • Gina Calabrese
    Domenick Lombardozzi
    Domenick Lombardozzi
    • Detective Stan Switek
    Eddie Marsan
    Eddie Marsan
    • Nicholas
    Isaach De Bankolé
    Isaach De Bankolé
    • Neptune
    • (as Isaach De Bankole)
    John Hawkes
    John Hawkes
    • Alonzo Stevens
    Tom Towles
    Tom Towles
    • Coleman
    Mario Ernesto Sánchez
    Mario Ernesto Sánchez
    • El Tiburon
    • (as Mario Ernesto Sanchez)
    Frankie J. Allison
    Frankie J. Allison
    • Deep-Chested Aryan Brother
    • (as Frankie Jay Allison)
    Tony Curran
    Tony Curran
    • Aryan Brother
    • (as Anthony Curran)
    • Regia
      • Michael Mann
    • Sceneggiatura
      • Michael Mann
      • Anthony Yerkovich
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti1K

    6,1127.8K
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    Recensioni in evidenza

    7ma-cortes

    Cinematic adaptation from classic TV with action, suspense and violence

    This is a story about being undercover, and what happens when you go deep undercover.Particularly if you're doing an operation in a foreign country, where your badge doesn't count and where you can't have SWAT team surveillance you, and people are not in contact, you really are out on the edge. It's the allure of doing that undercover work and what happens to you when you're deep in that role of that fabricated identity. These roles protagonists(Colin Farrell,Jamie Foxx as Sonny Crockett and Tubbs) are filled by real deal. This is a cool film directed by Michael Mann. He tells that his ambitions with a picture like that was to really go exploring into some of diverse areas. It's shot in location Scout, South America. One of the exciting things about Michael Mann is the choosing real location all the time. We're dealing with environment that can often surprise us. Whether it's the light, whether it's dramatic moment with the sky, or some interior or some sort of background action that would not have happened in a controlled backlog situation. Michael gets this slickness, finding places, that, you know , that aren't even on the map.He makes as real as he possibly can. He's all about, why fake it, when you can do it for real? . The cameraman Dion Beebe gets a maximum chromatic saturation. The shooting in these places like Ciudad del Este is incredibly stimulating and exciting.It's a Tri-border area where Paraguay, Brazil and Argentina meet. It's such a unique part of the world. This town have people who are from Middle East, Lebanese and Syrians, a lot of ethnic Chinese and the country speaks Guarani, which is the indigenous language. These people were extras and director got to be pretty determined to get a crew to these places. Also was shot a lot of stuff in the Dominican Republic and in some areas, it took a lot of social engineering to be able to bring a film company in and shoot responsibly and shoot safely. The main shooting is Miami, it's kind of globalized city with a huge population and a lot of money, and lot of people from Haiti, Brazil, Venezuela Columbia. In the movie Miami seems to have elevated itself, up into the most sensual which is up into the air.It's reflected the storm systems, the clouds, the dramatic weather and nature in a very, almost tactile way. Filming in really swank, fantastic places, and the girls are still beautiful(Gong Li, Naomie Harris,Elizabeth Rodriguez) and the cars are still fast but doesn't pull any punches when it comes to the underbelly of Miami.The city is photographed with alluring, it's very attractive, very engaging , sensual and also very dangerous and things that we can see around the images; furthermore an atmospheric music score by John Murphy. The motion picture is well realized by the successful director Michael Mann.
    Special-K88

    confusing and unsatisfactory

    From director Michael Mann and based on the 1980s television series comes this flashy, but overlong and unfocused Miami action flick about Vice detectives Sonny Crockett (Farrell) and Ricardo Tubbs (Foxx) who must go deep undercover and throw their personal lives into disarray in order to stop an international drug trafficking scheme. Pulls you in with its stylish direction and flamboyant visuals, but the two leads have poor chemistry, character development is almost nonexistent, and the film drags on from one convoluted plot twist to the next. Action scenes provide a spark every once in a while, but overall the film is frustrating and never provides one single reason to care about any of its characters! A disappointment considering the cast and crew involved. **
    7derek-a-charette100

    Underrated and closer to real than people think...

    I've owned this movie for so long and I haven't watched it for almost 11 years, as my DVD's are in boxes in the basement. I'm glad I went to dig it out. It was very nostalgic and dreamy, just as I remember. The visuals are amazing, and the music is really good.

    The first review I read is saying that Li Gong's character is married. To that person, I say, go back and watch the movie, genius. They are NOT MARRIED.

    The younger people think it's boring because they have an attention span of a mosquito and if it's not full of bright and shiny things, nudity, and bad CGI, they won't like it,

    The older people think it's not 'hip' and 'stylish' like the TV series. To those people, I say, cool story, the cold war was over a long time ago.

    For everyone else that understands this movie, cheers!

    Nothing needs to be said about it. Mann delivers a good movie. Nothing more, nothing less.
    6webontheweb75

    Not the MV I was expecting..

    I thought the movie was slick and stylish, yet Mann gave absolutely no nods towards one of the biggest t.v shows of all time, aside from the characters having the same names and residing in Miami.

    Where was the boat? The alligator? The ex-wife? The kid? Where was Miami? The scenes shot there could have pretty much been anywhere on the coastline of the States. Mann reportedly said a few years back that Miami isn't an interesting place to him anymore. Well he made that quite apparent with his new version of Miami Vice.

    I, against popular opinion, actually thought he made a good choice in Farell. I don't really like the guy but he seems to be convincing in most of his roles, and who's better to play a party hard, rough around the edges renegade than a party hard, rough around the edges, erm, renegade.. ahem. But as it's been stated over and over, Farell and Foxx had no chemistry whatsoever. They barely even looked at each other. In fact, Foxx's role could have pretty much been played as well by most African American actors, given the amount of screen time the guy had.

    I came out of the movie feeling like I wanted to hit a club, drink mojito's and pick up a model. Which I did, almost.

    Miami Vice was a slick cop story with a shaky plot and cool visuals. But if you're looking for any references to the series then forget it, aside from a crap cover version of In The Air tonight thrown on during the end credits (originally sung by Phil Collins in the series pilot).

    What was great about the series was the style, the attitude, the music. The film got one out of three of those right.
    7gav_mcf

    Miami Vice emerges as a very good grown-up thriller despite it's flaws.

    I'm a huge fan of Michael Mann, Collateral and Heat are brilliant and this unfortunately doesn't live up to those two. Having said that it's a tense and scarily realistic film. I mean, there's no way cop life is like how it's portrayed in films like Bad Boys and the Rush Hour series.

    Foxx and Farrell are solid as the focused partners, although it would have better to see more interaction between the two, they barely say two words to each other the whole film. The acting overall is very good, with Gong Li and Naomie Harris being the stand-outs.

    There's no doubt the main feature of Mann's movies is his visual style. The night time atmosphere of Collateral is brilliant and he makes no exception here, providing plenty of great cityscapes and night shots. The soundtrack is also brilliant and bonds with the movie well, the highlight being the excellent "Auto Rock" by Mogwai thumping in the emotional finale.

    I think the storyline is a weak point in Miami Vice and could have been stronger. I didn't have too much of an idea of what was going on half the time, but this again is part of the realistic cop scenario and avoids having an elaborate plot. I like the opening sequence when you're thrown straight into a heavy-hitting club scene, not sure whats happening and given no clues.

    I admit Mann's thriller will not be for everyone and like most of his films, it may take multiple viewings to take everything in. It is clear though if you are looking for a non-stop action movie definitely avoid this. However, if you want a grown-up, intelligent, realistic thriller I would be happy to recommend it.

    Altri elementi simili

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    Nemico pubblico - Public Enemies
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    The Kingdom
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    S.W.A.T. - Squadra speciale anticrimine
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    La regola del sospetto
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    L'ultimo dei Mohicani
    7,6
    L'ultimo dei Mohicani

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Michael Mann had his actors train with real-life undercover law enforcement officers. Both Jamie Foxx and Colin Farrell observed undercover operations from a safe distance. Farrell was told he'd learned so much, he was welcome to participate in a real sting operation. During the operation (caught on video, excerpts of which are shown in the DVD extra), guns were drawn and the officers identities questioned. Farrell reports being scared for his life. He spontaneously ripped open his shirt to demonstrate he wasn't wearing a wire, an act the agent-in-charge later commended for being realistic, quick-witted improvisation. After suffering anxiety and insomnia that night, Farrell contacted the agent-in-charge and was told that the sting operation was staged, and he was never in any danger. He was to be told the next morning during a debrief.
    • Blooper
      During the last gunfight, the headlights on Sonny's car are shot out. They are working in the next scene.
    • Citazioni

      Deep-Chested Aryan Brother: [Holding detonator] Shoot me, she dies. Shoot me, go ahead. Fuck it, we can all go. That's cool.

      Det. Gina Calabrese: That's not what happens. What will happen is... what will happen is I will put a round at twenty-seven hundred feet per second into the medulla at the base of your brain. And you will be dead from the neck down before your body knows it. Your finger won't even twitch. Only you get dead. So tell me, sport, do you believe that?

      Deep-Chested Aryan Brother: Hey, fu...

      [Calabrese shoots him through the head]

    • Curiosità sui crediti
      Although there were no opening credits in the theatrical release, the Unrated Director's Cut contains credits over a new sequence that opens the film. Once the credits are done, the film begins in the nightclub scene that opened the theatrical version.
    • Versioni alternative
      Released on Blu-ray in 2008, the Director's Cut features just over eleven minutes of additional material and has just under four minutes of content removed, running roughly seven minutes longer than the Theatrical Cut. In the Director's Cut,
      • There is a new opening scene showing Det. Sonny Crockett (Colin Farrell) and Det. Rico Tubbs (Jamie Foxx) in a go-fast race. This sequence also features opening credits, which are completely absent in any form in the Theatrical Cut. After the race is over, Crockett and Tubbs watch as an undercover Det. Stan Switek (Domenick Lombardozzi) makes arrangements with Neptune (Isaach De Bankolé) to bring some girls to the club for the purposes of solicitation. This sequence serves to contextualize the opening scene of the Theatrical Cut (03:56).
      • After Crockett, Tubbs, and Lt. Martin Castillo (Barry Shabaka Henley) meet with Agent John Fujima (Ciarán Hinds), they are discussing the FLIR images of the two go-fast boats speeding next to one another in pitch darkness. Crockett's line, "those are skill sets" has been removed (-00:03).
      • After the vice team go to see Nicholas (Eddie Marsan, there is a scene where he rings José Yero (John Ortiz) to arrange a meet and to vouch for Burnett and Cooper (00:38).
      • Immediately after the above, the shot of Rico in the shower is from a different and shorter take than that used in the Theatrical Cut (-00:05).
      • When the film first cuts to Ciudad Del Este, there is a shot of a USB drive being taken out of a computer. The film then cuts to the first courier carrying the drive (00:03).
      • After Crockett and Tubbs have met with Yero for the first time, they go back to their hotel room and wait for a call. After Tubbs says, "that was fast", the Director's Cut cuts straight to them heading for the meet with Arcángel Montoya (Luis Tosar). The scene from the Theatrical Cut where Crockett, Tubbs, and Larry Zito (Justin Theroux) go to a pier to await further instructions is absent, as is the following scene when they return to the hotel to find Isabella (Gong Li) and her men in their room (-01:36).
      • After the meeting with Montoya, as Crockett watches Isabella driving away, there are several additional shots of Tubbs trying to contact Trudy Joplin (Naomie Harris) before he can get a signal on his phone (00:14).
      • Immediately after the above, when Tubbs manages to get through to Trudy. He tentatively asks her if she is okay, and she says she is, she's just bored. She then thanks him for the flowers. He asks her what flowers she's talking about, and if there is a card with them. The card reads, "Salutations from your friends in the South". As Trudy realizes the flowers didn't come from Tubbs, she looks out the window and takes her service revolver out of its holster (01:54).
      • Immediately after the above, there is another additional scene in a diner. Tubbs meets with Trudy as she points out it took the FBI testers a week to get access to Burnett and Cooper's criminal history and personal details, whilst it took Montoya's people only three hours. She notes that the flowers mean they're saying, "we can reach out and touch you". Tubbs tells her to trust the layers of fabricated identities that she built and that everything is fine. She then realizes that he's worried about her. She points out that she's safe, can call 911, she has friends, etc whereas Crockett and Tubbs are operating off-grid. She says, "if your focus is on me, if your attention is distracted you will miss something coming at you. I'd die if anything happened to you on account of me. You worry about you. You and Sonny. And I'm fine. They sent us some flowers. Big deal. Thanks for the flowers" (01:45).
      • When Crockett and Isabella go to Havana, there is an additional scene the next morning. As they stand on the balcony, Isabella says this was the house she grew up in and mentions that her mother was a surgeon who moved to Angola. Crockett asks her if she's still there, but Isabella says she died in Angola when Isabella was 16 (01:08).
      • Right after the above addition, during the scene in the cafe, the Director's Cut cuts from Crockett asking Isabella if she looks like her mother, to her saying she will show him a photo. The line where she says that her mother died in Angola when Isabella was 16 has been removed (-00:06).
      • After Crockett and Isabella return from the cafe, she gets a picture of her mother and brings it upstairs to show him. A shot of her ascending the stairs has been removed (-00:05).
      • At the end of the scene on the pier when Crockett tells Isabella she should get out of the drug trade, the last few shots of her walking away are edited differently (-00:03).
      • After unloading the freighter, as Isabella gets into the car and sees Crockett on the boat, there is an additional shot of him waving at her. A few seconds later, there is another additional shot of him looking at her (00:05).
      • A very brief shot of Tubbs looking up from the laptop after receiving Yero's email has been removed (-00:01).
      • After sending Crockett and Tubbs the proof of life that Trudy is still alive, there is a scene where Coleman (Tom Towles) calls them and gives them instructions. This is followed by a scene where he calls Yero and tells him that everything is going according to plan. In the Director's Cut, these two phone calls have been reversed - Coleman calls Yero and then Crockett and Tubbs. There are also several additional close-up shots of him making the call, and the shot of him hanging up has been shortened slightly (00:04).
      • As they make their way to the trailer park to rescue Trudy, Crockett calls Isabella to ask her what's happening, and she says that Yero is behind the abduction. In the Theatrical Cut, she says, "It's Yero, not the buyer. He wants to kill you. I do not know what shit he's pulling." In the Director's Cut, she says, "It's Yero, not the buyer. Yero's acting alone. I do not know what shit he's pulling" (there is no time differentiation).
      • After Yero has Isabella's bodyguard killed, there is an alternate shot of him sitting at the table and looking at her (00:01).
      • At the opening of the scene where Crockett and Tubbs talk about their work, a line of dialogue that occurs off-camera in the Theatrical Cut ("arrests get made") occurs on camera in the Director's Cut (00:03).
      • Beginning during the montage before the final shootout, Nonpoint's 2004 cover of Phil Collins's "In the Air Tonight" plays across multiple scenes, starting when Crockett and Tubbs head out from the hanger and playing up until Castillo locates the two snipers and opens fire. This is an obvious homage to the pilot episode of the TV show, where Collins's original song was used as Crockett (Don Johnson) and Tubbs (Philip Michael Thomas) drove to a potentially fatal meeting with Calderone (Miguel Pinero). In the Theatrical Cut, these scenes are mainly quiet, with the occasional bit of John Murphy's score heard in the background (there is no time differentiation or visual alterations).
      • As the shootout winds down, and Isabella realizes that Crockett is an undercover cop, she walks towards him mumbling "who are you?" This walk has been extended, with an additional shot from behind her that is absent in the Theatrical Cut (00:04).
      • The sequence where Crockett drags Isabella over to her car, and he and Tubbs acknowledge one another has been edited differently, with the shots in a different order, the shot of Crockett approaching the car is longer, and the shot of Tubbs nodding has been removed. The music cues are also slightly different in this sequence (00:02).
      • The first part of the scene where Crockett drives Isabella away from the shootout has been edited differently, with the shots in a different order, and several of them trimmed (-00:03).
      • Immediately after the above, there is an additional scene where Isabella attacks Crockett as he drives. The car spins out of control and Crockett handcuffs her as she shouts at him. They then continue on their journey, each refusing to look at the other (01:14).
      • When they arrive at the safe house, there is an additional shot of Crockett taking off Isabella's cuffs (00:12).
      • The closing credits are shorter (due to the use of opening credits) and the music is different. In the Theatrical Cut, Nonpoint's "In the Air Tonight" plays over the first half of the credits; in the Director's Cut, "One of These Mornings" by Moby plays (-00:54).
    • Connessioni
      Edited into Going Deep Undercover with 'Miami Vice' (2006)
    • Colonne sonore
      One of These Mornings
      Written and Produced by Moby

      Patti LaBelle vocal produced by Mark Batson

      Performed by Moby featuring Patti LaBelle

      Courtesy of V2 Records / Mute Ltd.

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    Domande frequenti22

    • How long is Miami Vice?Powered by Alexa
    • A NOTE REGARDING SPOILERS
    • What are the differences between the theatrical version (R-Rated) and the unrated director's cut later released on dvd?

    Dettagli

    Modifica
    • Data di uscita
      • 6 ottobre 2006 (Italia)
    • Paesi di origine
      • Stati Uniti
      • Germania
      • Paraguay
      • Uruguay
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Chuyên Án Miami
    • Luoghi delle riprese
      • Old City, Montevideo, Uruguay(as a bank in Geneva, Switzerland, only exterior)
    • Aziende produttrici
      • Universal Pictures
      • Motion Picture ETA Produktionsgesellschaft
      • Forward Pass
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 135.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 63.450.470 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 25.723.815 USD
      • 30 lug 2006
    • Lordo in tutto il mondo
      • 163.794.509 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 12 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 2.39 : 1

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