Heidi

Naturally, there have to be changes when a book is made into a film. But traditionally most of the alterations are cuts made either by taking out minor characters or shortening a long scene or a series of scenes. But in this film they actually added a few things that make no sense at all. Whoever had the idea of making the grandfather come into the village to sell his cheese obviously does not know anything about him. This man does not wish any contact with the people who despise and malign him. And where would he get all that cheese from 2 measly goats?

Another problem is Miss Rottenmeier. Of all the Heidi films I have seen, only the Shirley Temple version presented her as really bad. In most of the others as well as in the book she was just very strict and did not even try to understand the child. However, in this movie she seems quite nasty and full of hate.

One of the reviewers commented on Heidi's hair, and I have to agree. No child of that day would have been allowed to have her hair hanging around so untidily.

While the Alpine locations are beautiful, the fancy neighborhood in Frankfurt is definitely a poor choice. From the windows of the elegant Sesemann house one looks at several dilapidated buildings with plaster coming off the walls in huge slabs.

All in all, in spite of these shortcomings, I'm giving the movie 7 stars, mostly for the writer Johanna Spyri and to the mountain scenery.

I wanted to take my two boys to see Madagascar but the seats all sold out, so we went to see Heidi despite a lot of grumbles! From the opening shots of the Alps we were all captured by the narrative and settings. The costumes by Mike O'Neill show great care and attention to detail, the interiors of the Alpine hut are rough and by no means fit for a chocolate box, and the acting was spot on. Max Von Sydow used his usual consummate acting skills to convey a man hurt by life and other human beings, an exile from love. Emma Bolger, with her Irish lilt was not at all cute, but was simple delight to watch. On only one occasion was I conscious she was reciting lines. Heidi brings the old man to life in a slow and quiet way that was gentle and subtle. When Heidi is taken to Frankfurt, the costumes and interiors are authentic once again. If there is anything to criticise in this film it is the slow pace, but this helps in some ways to give the atmosphere of 19th Century Alpine life. A great Christmas film, and a treat for mums and dads too!

None of the five adaptations I've seen of the classic Heidi are bad, though neither are quite perfect. Despite the too-low rating this adaptation was excellent, though the part where the grandfather goes to the village seemed contradictory to his character and part of you wishes that Max Von Sydow had more to do. Even with some changes, in detail and spirit Heidi(2005) is the most faithful. It doesn't feel over-dramatic like the Noley Thornton version did- which still had a lot of engaging things- and none of it was mean-spirited or too dark, yes even with the slightly crueler characterisations of Fraulein Rottenmeier and Aunt Dete. The characters are true to the book like the delightful Shirley Temple version(which had the most accurate depiction of Fraulein Rottenmeier), treating the characters of the grandfather and Clara sympathetically like the Noley Thornton version didn't really. But at the same time it doesn't fall into the trap of making those like Fraulein Rottenmeier too nice like the 1968 adaptation with Jean Simmons(also a very well-done version) did. Heidi(2005) has a lot going for it, it looks lovely with very attractive photography, authentic period detail and mountain scenery that is a wonder. The music is unobtrusive and matches the pacing of the adaptation very well while not dragging. The script has a pleasant mixture of funny, intelligent and poignant, with you relating every step of the way with Heidi and her life and conflict. The story even with the slow pacing captures the feel of the book just beautifully, it was very heart-warming(particularly in the relationships between the characters), had a lot of charm and the dramatic parts were genuinely touching and never too dark. All the key elements are there and with the right impact. The ending as you'd expect for Heidi is very emotional. The direction allows the story to resonate yet doesn't make it to be stillborn. Emma Bolger is a highly engaging Heidi, like Shirley Temple she was charming and funny and just as photogenic while capable of an emotional range that made her performance moving too. Max Von Sydow is perfect also as the grandfather with a distinctively stoic presence, showing the grandfather's journey from gruff and reclusive to much more loving and warm, the only actor playing this character to do so completely successfully. Geraldine Chaplin's Fraulein Rottenmeier is genuinely beastly(if crueler than you'd expect), which allowed for Heidi's conflict with her to have its tension, likewise with Pauline McLynn's Aunt Dete. Diana Rigg sparkles in the affectingly noble role of the grandmother, and the compassionate Clara of Jessica Claridge also impresses(Peter too is believable). In fact all the acting is fine. Overall, an excellent adaptation. 9/10 Bethany Cox

I went to this movie on a whim, in a fit of nostalgia. I remembered reading the book 'Heidi' as a little kid. And I had fond memories of the old black and white movie, with Shirley Temple. This newest version, with the inimitable Max von Sydow, is earnest, and basically well-meaning. It is true to the book as well. I remembered from all those years ago the passage in the book where the grandfather serves his newly arrived granddaughter roasted goat cheese. Sure enough, in this movie, as soon as she shows up at his mountain place, he roasts up a batch of cheese for her.

The satisfaction of seeing a few little details like that aside, this is really kind of a lackluster production. Maybe I overestimated the appeal of a revisit back to my childhood? Maybe it is such a children's story that it could have, for me as an adult, no appeal any longer. Whatever the reason, this production felt more like a 'visual aid' to the book, as shown in a third-grade classroom, than a proper movie. Its production values and dramatic sweep felt more like a TV movie, and one from the 1980s or 1970s, at that.

Nothing is missing. The scenery, the costumes, and the actors are all fine. But dang--- nothing about it drew me in, and I was bored out of my mind. I had to slip out after 45 minutes of it. Maybe kids will like it?

Of the versions I've seen (1937/1968/1982 animation) this is the only one that really gets the story right! For starters, instead of the typical blonde we now tend to typecast Heidi in, we get the little brown-haired girl that Spyri depicted in her book. She wears simple clothes, not the traditional Swedish outfit, because they recognize that she was poor, and those clothes are only worn on special occasions anyways. The movie doesn't try to stray away from the original story with overt dramatic subplots, it simply depicts the story as it was originally told, and as the book is a very simple story, that's very hard to pull off in a movie. I was so glad that they didn't write out more minor characters like Tinette, Grandmamma or the Doctor. They just enrich the story so much and were played beautifully.

Only real critiques: They changed Schwanli and Bearli's names, and changed the name of the Alm Uncle to Uncle Alp. Also the Irish Accent of Emma Bolger could get a little distracting, and Fraulien Rottenmeier and Aunte Dete were a little crueler towards Heidi than I remember... but considering all that was included I was very satisfied. Makes me want to read the book all over again!

Definitely not a story for those who crave a lot of action and drama. But if you absolutely loved the book as a child, this is a great companion piece.