Il conte di Montecristo

Plot: 9.7/10 -- Not having read the novel prior to starting this, I had no idea what to expect. I knew about certain vague details, such as a young man becoming fascinated with Monte Cristo, but that's all.

The setting was quite a shock, with the story taking place in the year 5053, where as the novel takes place during the 1800's. It was a further surprise to discover the story started on the moon. I do kinda wish the story had been told in the 1800's instead since very few details are given about the futuristic universe and the setting becomes more of a distraction than anything.

In a nutshell, Gankutsuou is a fairly simple revenge story that's executed extremely well. The Count is kind on the surface, yet you can tell there's a hatred inside him waiting to explode. He manipulates and kills as his plan to bring those who wronged him to despair is slowly revealed. There's a twist added to his character in the form of a sort of pact with the devil - He gained the power to get revenge by giving his soul and body in exchange, meaning he loses his humanity bit by bit while getting his revenge.

In order to add mystery to the Count's character, the story is not told from his perspective (unlike in the book). Instead, the story is told from the perspective of Albert, a young noble and son of a powerful general. This brings both bad and good points - The good being the added mystery and a different angle on the story, the bad being Albert having the IQ of a dog. I wanted to kill him when he failed to work out that it was in fact the Count pulling the strings behind the awful sequence of events unfolding around him for the 10th time.

The story was a wonderful ride. A timeless classic with artistic differences, it was executed excellently, at times perfectly. You do have to wait for the 'main event' before you discover just how amazingly well told the story is, the first half in particular being nearly all build up, but I still felt compelled to keep watching even without any major twists/events occurring.

Characters: 9.3 -- This is a tough one. I liked pretty much the entire cast...apart from the main character, Albert. Although I knew he had to be retarded for the sake of the plot, his stupidity and inability to see the obvious became very annoying. You'd think he'd be able to put 2 and 2 together when the Count just randomly kept appearing and the Count himself had told Albert that there were no coincidences! As I said, I liked the other characters. The Count is easily one of my favourite characters ever, Franz made up for Albert's lack of intelligence by being very bright, Eugene made Albert's character more interesting with their love for one another... Everyone else was great.

Art: 9.7/10, Animation: 9.7/10 -- The first thing that hits you about Gankutsuou is the rather bizarre CG effect clothing and hair has. The effect is hard to put into words; it's as if the character is reflective. It certainly takes a few episodes to get used to it. If nothing else, you have to praise the studio behind Gankutsuou (Gonzo?) for the huge amount of effort they put in.

The second thing to hit you is the bright range of colours used. If, like me, you went into Gankutsuou expecting to see dark and dull colours you'd be completely wrong since it's anything but dull, vibrant being a much better description.

Gankutsuou also has a fair amount of CG outside of the clothing/hair effect, including some epic mecha fights. The CG stuff is stunning at times, almost jaw dropping for a TV series.

Overall, Gankutsuou is a joy to watch...once you get used to it. Production values were clearly not low here.

Sound: 9.5/10 -- First of all, let me say that I didn't think very much of the OP or ED. The OP, while fitting, was so dull and slow I had to skip it after watching it once.

The soundtrack is very high quality, as you'd expect. There aren't too many tracks I'd listen to outside of the series (although there is one AMAZING track), but the music fitted the show like a glove and helped keep the story epic.

I have to mention track 18, one of the best pieces of music I've ever listened to. It was almost orgasmic to listen to when it played during the best episode in the series (strangely enough, episode 18!!!), making it even more thrilling than it was already.

Total: 9.6/10 Having watched a fair amount of anime, I'm hard to please. Gankutsuou pleased me.

I'm not sure if it's the best anime I've watched, but it certainly had the best episode of anime I've ever watched (episode 18 ), one of the best fights (episode 18 ), one of the best characters (the Count) and one of the best pieces of music (track 18 ). It's, quite simply, a stunning anime that EVERYONE should watch.

The sell of this story is that it is one of the greatest revenge plots in the story of anime. Based on the novel of Count of Monte Cristo, by Alexandre Dumas. Adorned by a daring creative endeavor of animation, where weird patterns, contrasts and textures reign, showcasing something different.

That is the sell, the product meanwhile, for some reason acclaimed, is rather disappointing.

The show is hard to watch by virtue of its childish, ridiculous, over the top and obnoxious prepubescent characters and dialogue, that simply make it hard to connect to an obvious plot with tragedy overtones. You know early on what is gonna happen. Everyone is so easy to rile up, so immature and prone to the worst course of action. Everyone except for one character, conveniently. The lack of rationale and subtlety to every one of their emotions... It feels cheap, childish, in order to make some character rise while the other fall. Everything is rushed, magically falling into place, overdramatized. With theatrical type of movements that don't feel right.

It doesn't seem elaborated in spite of the diverse and complex fronts of the story, it's many characters and pathways. People that have made of themselves arriviste wonders, cunningly, vilely, suddenly, when the weight of an ominous past comes upon them, lack the character or intelligence to make a single good decision. There's no grasp or ability to adapt to the upcoming adverse conditions. Victims of a perfect plan backed by a lifetime of preparation, an indomitable desire for revenge, an irresistible charm and copious amounts of money. Women and men fawning over the Count's charm and becoming simple pawns in his chessboard. It's all so easy.

The world ain't overly interesting nor crafted, for some reason they set it in a futuristic scenario, with the society, architecture and hierarchy of the nineteenth century. It is barely presented, not well dove into and it simply doesn't merge. At times it does feel pointless beyond the fact that it allows for some ethereal scenes. There's no appeal to it and the animation ain't nothing to marvel at beyond the initial episodes. Mononoke (2007) or Sonny Boy are much greater and coherent visual spectacles. It's allure, lets call it, isn't enough to warrant this being thought of as a great show...

It even turns boring in its slow pace approach.

And we have not arrived yet at the worst part, THE MAIN CHARACTER. The show overrelies on the shoulders of two characters, and of those is Albert, who is so awful that I could dedicate myself only to find whatever ill intended adjective I can find in order to pair him with it, he's undoubtedly one the most enchanted, idiotic and irritating characters in the history of anime. Good luck in not hating him. I couldn't care less that me harboring those feelings could be attributed by some to how well he's written, when he's so one note and otherwise this show doesn't incite gasps, surprise or horror, but rather invites you to roll your eyes. The other character is Conde de Monte Cristo, who is not charming enough nor interesting enough here, in between his ambiguous dialogue, to compensate his counterpart. Their dynamic although possible, is horribly on the screen. The Count should have a much center role while Albert is tossed to the side, no show can depend on such a character.

The end is also rushed and horrible, so there's that. It isn't the conclusion to the developments, but a nonsensical, poorly written child book kind of finish. There's no trace of coherence, it's just ridiculous.

Initially, what attracted me to Gankutsuou, was the idea of an Anime version of Alexandre Dumas' "Le Comte de Monte Cristo," but upon seeing the previews, I fell in love with the whole concept. The art, to say the least, is breathtaking, if not revolutionary; to that, the animation is flawless as well - one can only guess at the expense that went into creating such a visual marvel. While Gankutsuou doesn't follow Dumas' story as religiously as some would have it, what is important is that Dumas' intent in the story was held sacred. All too often is Edmond Dantes portrayed as being right in his quest, a true hero; nothing could be farther from the truth. Dumas' Dantes was a Satanic Hero like no other, if only perhaps Heathcliff from Bronte's "Wuthering Heights." Cruel, malicious, and bloodthirsty, Dantes is one with whom the audience is meant to sympathize and pity, while at the same time despise passionately. We can understand his motives, even support them, though we know innately we shouldn't condone them; Dantes is, in his truest nature, the incarnation of both ultimate love and ultimate hate, and was Dumas' tool to show that there is little difference betwixt the two. Gankutsuou stays true to this endeavor of Dumas' in all ways. The Count is everything he was in the novel - to both men and women, he held an (for lack of a better term) erotic visage about himself, something men wanted to aspire to, and women fell to. Frigid, calculating, with a gift to bend the wills of others, Dantes proved that one who has nothing to lose, yet does not allow himself to sink into depression (but rather finding purpose for your life) and thus has no fear of death or repercussions at all, is the most alluring; people are drawn to such darkness, such demonic power. But the beauty of this story doesn't stop simply at the creation of the ultimate sinister character - to create such a character is simple; what Dumas did, and Gankutsuou respected and embellished upon, was that despite the obvious horrific nature of the character, his reasons for being so are understandable. Aristotle said that one cannot create a truly tragic character without establishing fear and sympathy within the audience first; without Catharces, tragedy has no impact. While watching the story of Gankutsuou unfold, we begin to wonder if we, too, aren't capable of such atrocities, especially if under similar conditions. In our society, we sympathize with, if not often condone secretly, crimes of passion; but to what extent can we stretch out sympathy? Perhaps revenge of this nature is too extreme, that the Count is wrong in his hellish plans; but if we were betrayed by our best friend in so horrible a manner, who can say that, given the opportunity, we would not do the same, if not worse? Sympathy we have for Edmond's position; but fear becomes the all-consuming emotion we have while watching this, as we come to realize the extent of the atrocities we ourselves are capable of, given the chance and motive for them. For any Anime fan, or for any fan of cartoons or Dumas' works, Gankutsuou is by far one of the most astounding pieces you will ever see: true to the nature of the book like no other screenplay has been, and breathtaking in its visual nature, and musical score (opening theme not withstanding), Gankutsuou is a must-see, a beautiful testament to the power of hope and love, as well as an unmatched plunge into the darkest parts of the human soul.

Gankutsuou is easily one of the most enthralling TV series I've watched in the past years, and certainly the most interesting adaptation of Dumas' novel "The Count of Monte Cristo" that I've seen (although admittedly, the bar for this particular honor has been set pretty low). The series succeeds in producing an anime-style romance with all the excitement of the novel, but fails to capture the fundamental themes of the book.

Artistically, the series is one of the most strikingly unique and colorful pieces of animation I've seen. The extensive use of 2D textures is creative, although the style does take a bit of getting used to. This is largely because the "static" nature of the textures makes them look a bit busy. Although unconventional, the technique is executed very well, employing an effective mixture of 2D and 3D techniques.

I certainly consider myself a fan of the novel, and I was immediately intrigued but the pseudo-futuristic setting for the series. The story's focus has shifted somewhat from the Count to the younger characters, and romantic relationships more typical of Japanese dramas and anime have been introduced. These relationships play out with the Counts revenge upon his betrayers providing the background. For the most part, these changes are compelling and breath new life into the story.

The only deviation from the novel that I felt was not successful was the portrayal of the Count himself. Rather than being an agent of "divine providence", the Count is darker, having effectively sold his soul to the devil in order to extract his vengeance. Unlike the novel character, even the death of innocents does not sway Gankutsuou's quest for vengeance. Although it did add a certain dramatic element to the story, the Count's character was diminished by the complete lack of moral ambiguity.

In the end, the adaptation proved an interesting romance story set amidst a backdrop of intrigue. However, much like Hollywood's attempts at putting this story on the screen, Gankutsuou fails to capture the essential themes of the novel: a man who battles through incredible adversity and believes himself to be an agent of God, only to realize the limits of his humanity.

This is one show that has always kept me engaged.

I suppose I must admit that the art style could be distracting to people who are not used to it. However, I found it to be gorgeous and takes the work to an entirely different level; this is art. I would hang pictures from this series on my wall; in fact, I have purchased prints from it.

The art drew me in, but the story kept me around.

In some respects, this is better than the book, in my opinion. The novel is over one thousand pages. Interesting, but long. This show cuts out much of the set-up, which keeps the pace in check and doesn't drag it down. If you are a huge fan of the book, the changes may disappoint you. But if you can watch it with an open mind, you may enjoy this translation.

I know this has nothing to do with the quality of the show, but I must talk about the DVD art. The DVDs are quite pretty, with metallic bits that make me want to frame them or at least not put them in my player.

The sound quality is top-notch as well, with great voice actors (I was surprised at the English cast, as it was excellent, although I prefer Japanese) and nice music. Some people don't like the opening theme (someone once said that it sounded like a drunk Frenchman; the singer is French, but probably not drunk), but I really enjoy it and think the non-rhythmic quality of it is interesting and fits into the show very well. I'm not a fan of the ending theme, but you can always skip it.

Overall, I absolutely love this series, and it deserves a lot of attention, not just from the anime community but the art and classic novel communities as well.