Election

Personally, I find the movie to be quite a good watch. It outlines the actual situation of triads in Hong Kong and gives the viewer a glimpse of how triads are organized.

Not only that, it also shows the viewer how the Hong Kong police control the triad situation and why the police don't just go all out and wipe out triads.

Overall, the movie is rather violent due to the gangland methods of killings & torture. Nevertheless, the movie stays true to the real world, thus the violence on screen is just a reflection of what really happens.

I'd recommend this movie to any Triad/Mafia movie fan. Another good watch would be Dragon Squad. That movie has more guns than this, as in this movie there's more knives than guns (in fact I don't remember seeing a single gun).

There can be no denying that Hak Se Wui (Election in English) is a well made and well thought out film. The film uses numerous clever pieces of identification all the time playing with modernity yet sticking to tradition – a theme played with throughout the film Where John Woo's Hong Kong films are action packed and over the top in their explosive content as seen in Hard Boiled (1992) and when Hong Kong films do settle down into rhythms of telling the story from the 'bad' point of view, they can sometimes stutter and just become merely unmemorable, a good example being City on Fire (1987).

Election is a film that is memorable for the sheer fact of its unpredictable scenes, spontaneous action and violence that are done in a realistic and tasteful (if that's the right word) manner as well as the clever little 'in pieces' of film-making. It's difficult to spot during the viewing but Election is really constructed in a kind of three act structure: there is the first point of concern involving the actual election and whoever is voted in is voted in – not everyone likes the decision but what the Uncles say, goes. The second act is the retrieving of the ancient baton from China that tradition demands must be present during the inauguration with the final third the aftermath of the inauguration and certain characters coming up with their own ideas on how the Triads should and could be run. Needless to say; certain events and twists occur during each of the three thirds, some are small and immaterial whereas some are much larger and spectacular.

Election does have some faults with the majority coming in the opening third. Trying to kill off time surrounding an election that only takes a few minutes to complete was clearly a hard task for the writers and filmmakers and that shows at numerous points. I got the feeling that a certain scene was just starting to go somewhere before it was interrupted by the police and then everyone gets arrested. This happens a few times: a fight breaks out in a restaurant but the police are there and everyone is arrested; there's a secret meeting about the baton between the Triads but the police show up and everyone gets arrested; some other Triads are having a pre-election talk but the police show up and guess what? You know.

Once the film gets out of that rut that I thought it would, it uses a sacred baton as a plot device to get everybody moving. The baton spawns some good fight scenes such as the chasing of a truck after it's been hotwired, another chase involving a motorbike and a kung-fu fight with a load of melee weapons in a street – the scenes are unpredictable, realistic and violent but like I said, they are in a 'tasteful' manner. Where Election really soars is its attention to that fine detail. When the Triads are in jail, the bars are covered with wire suggesting they're all animals in cages as that's how they behave on the outside when in conflict. Another fine piece of attention to detail is the way the Uncles toast using tea and not alcohol, elevating themselves above other head gangsters who'd use champagne (The Long Good Friday) and also referencing Chinese tradition of drinking tea to celebrate or commemorate.

Election is a good film that is structured well enough to enjoy and a film that has fantastic mise-en-scene as you look at what's going on. Some of the indoor settings and the clothing as well as the buckets of style that is poured on as the search and chase for the baton intensifies. The inauguration is like another short film entirely and very well integrated into the film; hinting at Chinese tradition in the process. I feel the best scene is the ending scene as it sums it up perfectly: two shifty characters fishing and debating the ruling of the Triads all the while remaining realistic, unpredictable and violent: in a tasteful manner, of course.

I can respect the amount of romance these cold blooded Triad members have for traditions and the pursuit for power in these modern days.

But, I didn't fully connect. To watch a bunch of scum elect the lesser scum from their ranks is something that always looks cool on film but I would much rather stick to the american mafia that has its roots in Europe. It's much more cinematic. Nevertheless, Johnnie To takes a lot of references from the Hollywood side, and it is quite visible.

It didn't feel like a chore, but it was not far off. I think I would have liked to see more style, because there would have been space for it...and less talking.

The essential appeal of gangster films lies in the notion of the inter-linking of depravity and honour. And honour is arguably the more fictitious of the two qualities: it is said that after 'The Godfather' was made, real life mafioso started imitating Don Corleone. Even so, mafia chic has more or less been done to death, which is where (to a western audience) a Hong Kong gangster movie, like Johnny To's 'Election'; can be refreshing. Some of the guff about ancient codes may be hokum, but it's a fresh kind of hokum, and this is a tough, well made thriller, the story of the rivalry of two gangster leaders, the wild Big D. and his more thoughtful rival Lok, who (in 'Godfather'-terms) is more of a Michael Corleone figure. One thing I liked was how To makes effective use of quiet but driving background music during the more obviously thrilling parts of the movie, but lets its grim conclusion play out in silence. But overall, it's not in the same league as 'The Godfather', and the principal flaw is that there's no character sufficiently conflicted to win your sympathy. Lok may be an appealing family man in contrast to Big D., but although shocking, the ending lacks the surprise of the ending of 'The Godfather'; indeed, I personally think the 'The Godfather Part II', though a very skillful film, also suffered from the problem that the audience is unable to maintain the necessary illusions about its protagonist prior to the end. 'The Godfather' also had a plot that was not just detailed, but made exact sense, whereas the story in 'Election' is more superficial. I still enjoyed watching it; but the real Hong Kong 'Godfather' is arguably 'Infernal Affairs'.

The issue with IMDb in regards to foreign films such as 'Election' is that inevitably few have seen the film, fewer have chosen to put themselves in the firing line with a synopsis, and all will mark begrudgingly out of preference and favouritism rather than critical accuracy. Was I expecting more from this film? Given that it was on offer, I had finance at hand, and I purchased with intent to merely fill up my East Asian collection, no. Given that the film was Johnny To, was an official Cannes selection and had won as many awards as the impeccable Infernal Affairs, the answer is a resounding yes.

Without wishing to sound too condescending before hitting the heart of the review, you can often (not always) gauge the credibility of a film based on where the "quotes" on the DVD box have originated. In England, the usual credible resources are Empire, The Observer/Guardian, probably The Independent and for the most part Johnathon Ross, so given that this film has been brandished a five star rating by "NEO" sent alarm bells ringing, but I am open minded, and do not let nonsense like that sway my opinion.

Election is severely interesting on the basis of it being a pure triad film. Obviously my knowledge of the organisation is severely limited, but from what I can ascertain this is as "realistic" as you will get, next to standing in the room itself, as the rituals and ceremonies have all been meticulously planned, structured and filmed. In this sense, Election manages to bring out the very best in Eastern cinema, the rich culture (despite the notorious background of the Triad) steeped in tradition holding important virtues and values such as honour, which have all too often have been left behind in the Middle Ages. Election provides what can only be described as a rare insight, and chances are you will not find another film (barring Volume II) which will be as true and as accurate as this. Other plus points include the strength of the cinematography, typically shot in clean contrast with vivid colours and engaging compositions, while the acting is convincing with some slick performances from Tony Leung and Simon Yam.

Election confronts the issue of the modern globalised world coming into conflict with the traditions of heritage of the triad which are seemingly being swamped by the sheer force of power the outside world, and in particular capitalism, possesses. However, and yes it was inevitable, the script, despite having won the award for Best Screenplay at the Hong Kong Film Festival is decidedly average if not poor. The performances aside, it does very little to engage you as an audience, nor does it contain a gravitas to sweep you off your feet and cart you away down a roller-coaster ride, and perhaps this is the directors want. However The Godfather, for example was a film which had a relatively slow paced storyline, yet you were utterly immersed for nigh on three hours, with Election the 100 minutes, feels like three hours, and that is not a good thing. Not enough actually takes place on screen to engage you, there are debates among elders about who should be the next Chairman, you see the candidates approach other members of the triad to ask for their support, you see more debating, you see various characters obviously being set up to be more important in volumes II and III, and you see some good acting go to waste with not much happening.

I did want to like this film immensely, and I gave it all the time it needed, but it did not give me that essential x-factor which grabs you and slaps you around, so that when all is finished you need a moment to recover. There are many plus points, and I don't discount the possibility that I could be proved wrong on all these counts when viewed as an entire trilogy, but as a singular film Election falls into the trap so many foreign films do, excellent intentions, decent execution, and that is this film in a nutshell, it's decent. Don't expect a rip-roaring wild ride, expect a fairly entertaining trip, a leisurely drive through the world of the triads with acting that is superb but a story which is average, stunning visuals and clichéd endings. One review (from "Total Film" *insert raised eyebrow here*) calls this "unflinching brutality", and if you were expecting a whole lot more, it certainly can be.