VALUTAZIONE IMDb
6,0/10
6807
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhile Ron Burgundy's rivalry with Veronica Corningstone persists, a group of unprofessional thieves endeavor to make "the truth" known.While Ron Burgundy's rivalry with Veronica Corningstone persists, a group of unprofessional thieves endeavor to make "the truth" known.While Ron Burgundy's rivalry with Veronica Corningstone persists, a group of unprofessional thieves endeavor to make "the truth" known.
Michael Coleman
- Construction Worker
- (as Mike Coleman)
Recensioni in evidenza
Before seeing this movie, it is a good idea to see Anchorman. At that point, if you have not laughed yourself into a comatose state, then it would be a good time to see this film. From the first few moments watching this, you can see why the footage in this movie was trimmed from Anchorman. Not as funny as that film, the line delivery lacks the 70s-induced obliviousness of the original. What you do see is the main characters of the two movies get deeper into their characterizations, taking them in a slightly different direction from the first film. Some of the scenes in this movie feel out of place with the narration, an element of the film I personally could have done without. This review sounds negative, but what I am listing here are only small gripes with an otherwise acceptable film. Together, Anchorman and Wake Up, Ron Burgundy make one hilarious movie. Without the first, Wake Up Ron Burgundy feels kind of strange.
Wake up, Ron Burgundy is allegedly made of deleted scenes from Anchorman, but while it's obvious how some scenes fit into the movie such as Ron's dangerous driving here leading to the parking scene in Anchorman, there's no way most of this would have ever fit. I assume a lot of last-minute re-shoots were involved.
Some elements work. The Alarm Clock gang is hilarious. They are a group with political goals, but seem unclear on what they are and lack any sort of grand plan. The bit with Amy Poehler as a bank teller who refuses to give them any money because they are so inept as bank robbers is one of the best in the movie. Justin Long as Ed's sullen teenage son, Chris, and Chad Everett as Jess Moondragon, Ron's mentor who won't shut up about how inappropriately he loves nature, also have some very memorable bits. Note that none of these (fairly significant) characters are in Anchorman.
Unfortunately, the movie is just a series of bits. It doesn't really come together. To some degree, this is to be expected in a movie assembled from deleted scenes, but it's more than that. The jokes get too much narrative priority, often leading to things that just don't fit in the context of the movie. Veronica Corningstone's personality is all over the place and Champ King's moment in the car goes on way too long, even though it starts well, for instance. This really hurts suspension of disbelief as it never really establishes any rules to play by.
This is a serious problem, but I'm giving the movie a 6 anyway, mainly because it made me laugh so hard I nearly vomited on several occasions, like when Brick explained what he was eating or any of Paul's attempts to explain the manifesto. In short, this is a great way to present deleted scenes. It isn't a great movie.
Some elements work. The Alarm Clock gang is hilarious. They are a group with political goals, but seem unclear on what they are and lack any sort of grand plan. The bit with Amy Poehler as a bank teller who refuses to give them any money because they are so inept as bank robbers is one of the best in the movie. Justin Long as Ed's sullen teenage son, Chris, and Chad Everett as Jess Moondragon, Ron's mentor who won't shut up about how inappropriately he loves nature, also have some very memorable bits. Note that none of these (fairly significant) characters are in Anchorman.
Unfortunately, the movie is just a series of bits. It doesn't really come together. To some degree, this is to be expected in a movie assembled from deleted scenes, but it's more than that. The jokes get too much narrative priority, often leading to things that just don't fit in the context of the movie. Veronica Corningstone's personality is all over the place and Champ King's moment in the car goes on way too long, even though it starts well, for instance. This really hurts suspension of disbelief as it never really establishes any rules to play by.
This is a serious problem, but I'm giving the movie a 6 anyway, mainly because it made me laugh so hard I nearly vomited on several occasions, like when Brick explained what he was eating or any of Paul's attempts to explain the manifesto. In short, this is a great way to present deleted scenes. It isn't a great movie.
Could "Anchorman" have been funnier had it been allowed to stretch itself out beyond the two-hour limits of a commercially-minded comedy? Here's a chance for us "Anchorman" lovers to find out.
In "Wake-Up Ron Burgundy", we see San Diego's Channel 4 news team in action once again. Ron (Will Ferrell) struggles with love and jealousy as co-anchor Veronica Corningstone (Christina Applegate) achieves her dream of big-time success. Meanwhile, their little world is threatened by the emergence of the incompetent but very radical terror cell who calls themselves "The Alarm Clock". When Veronica is captured by this gang, it's up to Ron and his buddies to save the day.
No use getting too excited about that long-discussed "Anchorman" sequel: This is strictly outtakes from the first movie, with some clever editing disguising the fact that Ron and Veronica are meeting here once again for the first time. Better you think of this as an alternate-reality "Anchorman" than a real sequel.
Narrator Bill Kurtis puts it in perspective in his opening narration. What we are about to see, he explains, is "the chaff from the wheat, the skim from the milk, the pudding from the all-you-can-eat lobster buffet, and the surgeon guy from Prince and the Revolution."
What "Wake-Up" really is is a chance to see Ferrell and his co-writer/director Adam McKay working even more of their creepy-funny comedy vibe. Scenes in "Anchorman" could stretch on a bit, but made their point. Here, they stretch on beyond that point, then stretch further.
Ron needs a moment to compose himself on-air while reading a tender story about a Japanese devil owl, then another, and then another. "A lot of emotion here," he says, tearing up.
A creepy mentor figure, Jess Moondragon (Chad Everett) pops up to offer no meaningful advice for Ron, but plenty of lustful rumination on what he'd like to do to Mother Nature - "things you can only do in Bangkok."
Such scenes work as goofier riffs on ideas from the first film, but with a rub. Watching Ron and Veronica's awkward first date a second time isn't so killer with a long sequence showcasing Ron's driving skills replacing his mastery of the jazz flute.
Because it's all outtakes, however skillfully put together, there's story gaps galore and rehashed gags from the first movie with slightly different blocking. The Alarm Clock angle works in bits, but is too thin to serve as a framing device. The character build-up that made "Anchorman" so immersive is shortchanged here. Most of that made the first film.
Fans of Champ Kind (Dave Koechner) will enjoy the wild man acting even wilder here; one moment he's a raving homosexual, five minutes later he's a raging cannibal. Brick Tamland (Steve Carell) lunches on used coffee filters. In addition to Everett (his send-up of the serenely sleazy Moondragon aided by a strong late-career resemblance to Clint Eastwood), there's a brief killer cameo from Stephen Root as a fill-in anchor.
Like I said, it's all sweet stuff if you're an "Anchorman" lover. But it's definitely not the sleeper classic "Anchorman" has become. It's definitely more self-indulgent in its humor and fitful in its direction. "Wake-Up" shows that in addition to being frightfully clever, the people behind "Anchorman" had a lot of sense in where to trim.
In "Wake-Up Ron Burgundy", we see San Diego's Channel 4 news team in action once again. Ron (Will Ferrell) struggles with love and jealousy as co-anchor Veronica Corningstone (Christina Applegate) achieves her dream of big-time success. Meanwhile, their little world is threatened by the emergence of the incompetent but very radical terror cell who calls themselves "The Alarm Clock". When Veronica is captured by this gang, it's up to Ron and his buddies to save the day.
No use getting too excited about that long-discussed "Anchorman" sequel: This is strictly outtakes from the first movie, with some clever editing disguising the fact that Ron and Veronica are meeting here once again for the first time. Better you think of this as an alternate-reality "Anchorman" than a real sequel.
Narrator Bill Kurtis puts it in perspective in his opening narration. What we are about to see, he explains, is "the chaff from the wheat, the skim from the milk, the pudding from the all-you-can-eat lobster buffet, and the surgeon guy from Prince and the Revolution."
What "Wake-Up" really is is a chance to see Ferrell and his co-writer/director Adam McKay working even more of their creepy-funny comedy vibe. Scenes in "Anchorman" could stretch on a bit, but made their point. Here, they stretch on beyond that point, then stretch further.
Ron needs a moment to compose himself on-air while reading a tender story about a Japanese devil owl, then another, and then another. "A lot of emotion here," he says, tearing up.
A creepy mentor figure, Jess Moondragon (Chad Everett) pops up to offer no meaningful advice for Ron, but plenty of lustful rumination on what he'd like to do to Mother Nature - "things you can only do in Bangkok."
Such scenes work as goofier riffs on ideas from the first film, but with a rub. Watching Ron and Veronica's awkward first date a second time isn't so killer with a long sequence showcasing Ron's driving skills replacing his mastery of the jazz flute.
Because it's all outtakes, however skillfully put together, there's story gaps galore and rehashed gags from the first movie with slightly different blocking. The Alarm Clock angle works in bits, but is too thin to serve as a framing device. The character build-up that made "Anchorman" so immersive is shortchanged here. Most of that made the first film.
Fans of Champ Kind (Dave Koechner) will enjoy the wild man acting even wilder here; one moment he's a raving homosexual, five minutes later he's a raging cannibal. Brick Tamland (Steve Carell) lunches on used coffee filters. In addition to Everett (his send-up of the serenely sleazy Moondragon aided by a strong late-career resemblance to Clint Eastwood), there's a brief killer cameo from Stephen Root as a fill-in anchor.
Like I said, it's all sweet stuff if you're an "Anchorman" lover. But it's definitely not the sleeper classic "Anchorman" has become. It's definitely more self-indulgent in its humor and fitful in its direction. "Wake-Up" shows that in addition to being frightfully clever, the people behind "Anchorman" had a lot of sense in where to trim.
This film is definitely worth checking out if you were a fan of the theatrical film "Anchorman: The Legend of Ron Burgundy." This feature seems to be made of cut footage from the first movie, including a complete alternate ending for the original film. In many ways, this second ending makes more sense from a writing standpoint, as many things that are introduced early on in the script (that are funny on their own, don't get me wrong) come back in the dramatic conclusion.
The only flaw in this feature is that it tries to pass itself off a sequel, instead of cut footage, and it doesn't quite work. Then again, if you can suspend your disbelief -- that concept becomes pretty funny, as well.
Chock full of great material from Will Ferrell, this film also gives some more screen time for Paul Rudd, Steve Carell, and David Koechner. Justin Long (Dodgeball) even makes an appearance.
Great stuff... although it starts to raise the question - how much money did they spend on this movie? Enjoy folks!
Goulet.
The only flaw in this feature is that it tries to pass itself off a sequel, instead of cut footage, and it doesn't quite work. Then again, if you can suspend your disbelief -- that concept becomes pretty funny, as well.
Chock full of great material from Will Ferrell, this film also gives some more screen time for Paul Rudd, Steve Carell, and David Koechner. Justin Long (Dodgeball) even makes an appearance.
Great stuff... although it starts to raise the question - how much money did they spend on this movie? Enjoy folks!
Goulet.
Wow, I didn't even know that "Wake Up, Ron Burgundy: The Lost Movie" existed before now in 2021 as I happened to stumble upon it by sheer random chance. And of course I had to sit down and watch what writers Will Ferrell and Adam McKay did with this 2004 comedy.
It was actually rather interesting and fun, not to mention a bit impressive, that they could muster to put a movie together out of the dropped subplots and alternate takes from the 2004 movie. So that was actually some achievement. But it is also why you will not sit with a feel of there being a properly coherent - or well thought through - plot line or red thread here, as it was bit and pieces thrown together.
But it actually worked well enough, and it was fun to revisit the news team once again.
"Wake Up, Ron Burgundy: The Lost Movie" is something you should watch if you properly enjoyed the movies.
My rating of "Wake Up, Ron Burgundy: The Lost Movie" lands on a five out of ten stars.
It was actually rather interesting and fun, not to mention a bit impressive, that they could muster to put a movie together out of the dropped subplots and alternate takes from the 2004 movie. So that was actually some achievement. But it is also why you will not sit with a feel of there being a properly coherent - or well thought through - plot line or red thread here, as it was bit and pieces thrown together.
But it actually worked well enough, and it was fun to revisit the news team once again.
"Wake Up, Ron Burgundy: The Lost Movie" is something you should watch if you properly enjoyed the movies.
My rating of "Wake Up, Ron Burgundy: The Lost Movie" lands on a five out of ten stars.
Lo sapevi?
- QuizThis film was assembled from excised footage for Anchorman - La leggenda di Ron Burgundy (2004).
- BlooperWhile driving to the observatory, the cars passed by are recent models as opposed to 1970s models
- Citazioni
Ron Burgundy: Brick, what are you eating?
Brick Tamland: Oh, it is one of those delicious falafel hot dogs with cinnamon and bacon on top.
Ron Burgundy: What do you mean "one of those?" Those don't exist... that's a used coffee filter with cigarette butts on it.
- ConnessioniEdited from Anchorman - La leggenda di Ron Burgundy (2004)
- Colonne sonoreApples, Peaches, Pumpkin Pie
Written by Maurice Irby
Performed by Jay and the Techniques
Courtesy of Spirit Music Group
Under license from Dominion Entertainment, Inc.
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- Tempo di esecuzione1 ora 33 minuti
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- 1.85 : 1
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