Una rivisitazione della regina iconica ma sfortunata della Francia Maria Antonietta. Dal suo matrimonio con Luigi XVI a solo quindici anni al suo regno come regina a dicianove anni, e infine... Leggi tuttoUna rivisitazione della regina iconica ma sfortunata della Francia Maria Antonietta. Dal suo matrimonio con Luigi XVI a solo quindici anni al suo regno come regina a dicianove anni, e infine alla caduta di Versailles.Una rivisitazione della regina iconica ma sfortunata della Francia Maria Antonietta. Dal suo matrimonio con Luigi XVI a solo quindici anni al suo regno come regina a dicianove anni, e infine alla caduta di Versailles.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 19 vittorie e 24 candidature totali
- Austrian Girlfriend #1
- (as Clara Brajman)
Recensioni in evidenza
I can only guess that the reason for making this film was to show a teenage Queen of France cavorting with her girlfriends and shopping until she dropped while remaining oblivious to the plight and unhappiness of the French people. In actuality, that's probably pretty close to the truth about this historical figure. Norma Shearer was very good as Marie Antoinette, but she wasn't a kid. I think this version had the right idea. The only thing Coppola omitted was Marie's story, so the movie is instead about the above-mentioned teen partying, shopping, being unfaithful, wandering the grounds, while giving us a look at royal tradition, gorgeous costumes and dazzling scenery. Little else.
Marie Antoinette's life was full of drama - her liaisons with Axel von Fersen, the Affair of the Necklace, her husband's medical problem which prevented the couple from having children for so long, the revolution, the family being taken to prison, and the guillotine. Some of this is touched on or mentioned in passing; most of it is left out. There are five exciting minutes or so toward the end of the film.
In a way, it's a shame, because this film could have given us great insight into Marie Antoinette by having a very young woman play the Queen as these events swirled around her. But in order to do that, characters would have to have been developed, and there didn't seem to be any interest in that. If you love color, beautiful costumes and scenery, this is the film for you. Don't bother if you're looking for any kind of content; like the vacuous queen, there's no there there.
To top it off, the soundtrack...well, let me first put it this way, as a stand alone compilation, it's terrific to listen to but the way the modern tunes and songs have been incorporated in the sequences looks ill fit. It looks like a the characters have gone to a current day costume party rather than a movie of the period. Moreover, Coppola fails to draw the body language and nuances of the French culture from her actors. Not once does one get the impression that this is a story about France. As a result of bad direction and terrible writing, the performances of the actors suffer even though Kirsten Dunst does the best she could with the given material.
The director portrays Antoinette as naive and frivolous. There is no mention of her historical accomplishments or failures. Now it isn't an easy task to convincingly tell the story of a historical figure in two hours but Coppola focuses the entire two hours on Antoinette being fascinated by her riches and partying around. A competent director and writer could have done so much more with the storytelling. In the current case, only near the very end things start to move along but here too the story speeds up at such a superfast pace that the ending is extremely abrupt and contrived.
'Marie Antoinette' is like a bad birthday present that is wrapped beautifully but once unwrapped, the gift itself is far from satisfactory.
If I had known that, I might have enjoyed the movie instead of grinding my popcorn with searing hatred through most of it.
Most noticeably, we're hit with a very non-18th century soundtrack: Adam Ant, Siouxie & the Banshees, The Cure, New Order, Bow Wow Wow, etc. And it's not just atmospheric background music either. There's actually a ballroom scene where they're rockin out to 80s post punk. If you don't realize the purpose of this odd juxtaposition, you might find yourself strangling the person sitting next to you.
Other anachronisms are more subtle but equally bizarre. When Marie Antoinette goes on her shoe shopping spree (to the tune of "I Want Candy", no less) if you look closely you'll see a pair of Converse hi tops in the picture. That's probably when it should sink in that the director is messin with you.
So the point of my review is to warn you NOT to expect any sort of historical accuracy, or even proper historical context. "Marie Antoinette" is more like the story of a 21st century teen growing up in a world of social jealousies, confused politics & cliquish loyalties. Only instead of the highschool hallways it happens in the Palace of Versailles.
That explains why the film "missed the opportunity" of chronicling the French Revolution, the royal flight to Austria, the subsequent trial for treason and other landmark events that you'd think would be covered in a film called "Marie Antoinette". But no, those weren't within the scope of the film.
In the IMDb "goofs" section, people have listed everything from "The real Marie Antoinette didn't wear underwear" to "18th century French forks should have 3 tines, not 4." Ooook. I'm sure those historians hated the movie like I did. But literally as I type this review, I'm hating the film less & less, and I might even try watching it a 2nd time. "Marie Antoinette" is definitely not your typical period piece, though the lavish visuals and big budget might lead you to believe it is. Approach it instead as an experimental indie type film with no rules, and you might really enjoy it.
For me it might be too late, but if you haven't seen this movie you should have fun if you know to expect a modern day story that's ironically set in the late 1700s. It's a good flick, although I question why it won at Cannes (actually, when you see the end credits and realize how much money this production brought to France, maybe there's no question why it won). Definitely do not expect an 18th century European history lesson. For that, stick with the excellent period piece "Amadeus" and the very entertaining 1961 Sophia Loren film set during the French Revolution, "Madame".
Lo sapevi?
- QuizThe French government granted special permission for the crew to film in the Palace of Versailles.
- BlooperWhen Marie Antoinette is first presented to the French royal family, Aunt Victoire is holding a pekingese. This breed was unknown in Europe until a hundred years later when British forces successfully invaded China in the Second Opium War and five pekingese belonging to the Chinese Emperor's aunt, who had committed suicide as the British troops advanced on the Forbidden City while the rest of the Imperial family fled, were brought back to Britain, where one was presented to Queen Victoria, who named it Looty.
- Citazioni
Marie-Antoinette: [to her first-born, a daughter] Oh, you were not what was desired, but that makes you no less dear to me. A boy would have been the Son of France, but you, Marie Thérèse, shall be mine.
- Colonne sonoreNatural's Not In It
Written by Dave Allen, Hugo Burnham, Andy Gill (as Andrew Gill) & Jon King
Performed by Gang of Four
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
and Courtesy of EMI Records Ltd.
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- María Antonieta, la reina adolescente
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.962.471 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.361.050 USD
- 22 ott 2006
- Lordo in tutto il mondo
- 60.917.189 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni