Anlat Istanbul

This film is REALISTIC. One of the most realistic films ever made in the history so dive in to the Ocean of Reality dive into this unkind woman's naked corpse! and have fun, tragedies are always funny who cares Listen to The ISTANBUL this is the last warning and have no hope no harm yeah I am living in here and maybe you don't know but the center is here if the center is ill, if the history and time and souls are poisoned the new days is all full of unhappiness for mankind. You can be from London or New York or Cape town you can thought that Istanbul is away and have nothing to do with you oh poor mankind just watch you will see that you are living here.

For anybody interested in thinking about Turkey as a dynamic society going through a(nother) serious 'turning point' in its history, this can be an important film to watch. I noticed someone commented on this film as one of the most 'realistic' films ever made in the history. There must be some truth to this: perhaps not in any concrete sense, but in the subjective state of the person who wrote that note, and the 'realism' that spoke to him or her through this film. As exaggerated and meaningless as that claim may appear, it is important and meaningful nonetheless, because he or she lives this truth, at one level or another. For him or her this is real, and that IS real. It is wonderful the way these fairy tales find themselves translated in the underworlds of Istanbul: neither fantastic tales of Eastern Thousand and One Nights, nor happy ending fairy tales of Western symbols, these are the uncanny tales of the truly marginalized characters, 'realities', ghosts that have been pushed back into the invisible undergrounds of Turkish 'civilization quest' materialized in the name of Istanbul, this age old dream trophy of Turkish warriors. A broken bridge, a host of nightly creatures cast out of nice dreams gone bad, and the human cost that has been paid in pursuit of a mirage: it is time to wake up and follow the Ottoman tune, not across any bridges to anywhere on 'the other side', but rather, right into the running fluidity of the generous Bosporus.

This film is beautifully structured with a plot that seems very complex at the beginning and simplifies as you move into the story. Like many of the Grimms' Fairy Tales which are referenced as the story unfolds, it has a dark aspect. The seedy side of life in contemporary Istanbul is presented through several interweaving stories with more than a hint of violence, a potion of deep selfishness and a charm of great kindness. There are musicians whose music produces magic, enchanted castles, sleeping princesses, unfaithful princesses and a truly malevolent wicked step-mother. There is even a dwarf with seven brothers. How do you draw to a close in a film where the dark side seems, perhaps, to be in the ascendant? Well, watch closely. There is one event that shows how the story, apparently so fixed, will come to a different ending. It could easily be missed. There is not a moment in this film where your attention wanders or the magic wanes, for the magic is not anything of the supernatural, but is the enchantment of human life, in the Great Whore of Istanbul. This is not a film of great acting and I suspect only a few of the cast were professional actors - but it is nevertheless made up of compelling moments that flow effortlessly into each other. See it; enjoy it.

It is an amazing and surprising Turkish film I had ever seen. I deeply recommend it. Thanks for everyone who contributed in the production of that. Istanbul tells her own fairy tales... A gypsy clarinet player as the pied piper,little red riding hood as a mob courier who's just got out of jail...

Cinderella, an transsexual prostitute in love with an innocent youngster.... A princess, "the fairest of them all" escaping from her executioner encounters the eighth dwarf in the jungle that is Beyoglu... An uneducated, poor, and hungry young man who's just finished his military duty and arrived in Istanbul looking for a job, meets Sleeping Beauty... The five stories of Istanbul Tales, written by Ümit Ünal, are told with surprising integrity by five directors. These five separate stories are interconnected with mathematically well structured transitions. I love it. :)

With its lack of integrity and coherence; and an explicit inability to deepen the stories and bad acting except some actors, I think a user rating close to 8 is very very unrealistic. The director plays the smart by attempting to link five stories, but the links are very simplistic. Unable to provide a realistic picture of the social life in Turkey. It seems that rather than the content and good acting, the director gave too much emphasis upon the sensational "popularity" of the actors, each of which is very well known by Turkish public. This intention of making these "famous" faces to be seen in the movie seems to dominate the content and artistic concerns. My vote is 5 out of 10