VALUTAZIONE IMDb
7,6/10
12.217
LA TUA VALUTAZIONE
Un prete cattolico e un insegnante di inglese rimangono bloccati in una scuola di Kigali durante il genocidio ruandese del 1994.Un prete cattolico e un insegnante di inglese rimangono bloccati in una scuola di Kigali durante il genocidio ruandese del 1994.Un prete cattolico e un insegnante di inglese rimangono bloccati in una scuola di Kigali durante il genocidio ruandese del 1994.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 1 vittoria e 3 candidature totali
Recensioni in evidenza
10me-ga-sa
I have no idea why a person would rate this less than 10. It was done very well, well chosen actors and good performances. The story was portrayed very realistically. I was truly connected with the characters and was moved by this story. It is sad that this movie is not that popular when there is so much popular crap going on. This movie shows reality and makes us think about important issues, about us, humans, and the humanity. I read the reviews which were negative and the reasons were too weak. I was thinking how easy it is to make people fear of some group and make them kill others without thinking... Why people don't think deeper, why the mass is so shallow (I have these thoughts whenever I remember Hitler and his "work")... I felt angry with UN soldiers, there can be no justification for them. Why were they there at all?.. And we call ourselves civilized people when these things happen... all the massive wars were not so long ago... and people still fight... use physical force instead of using the brain... sad...
In 1994 800,000 people were killed in Rwanda. During this time a school comes under siege. How far would you go to help save lives? The atrocities in Rwanda went somewhat unnoticed as the world watched and winced before changing their TV channels. The UN blundered while describing the events as "acts of genocide" as opposed to the genocide it so clearly was. John Hurt and Hugh Dancy star in this powerful and touching story of hope, fear and humanity.
Set in the Ecole Technique Officielle (ETO), a high school in Kigali, John Hurt plays Christopher a priest who has seen his share of tribulations and clings to what hope he has left while Joe (Hugh Dancy) is embroiled in the horrors that unravel at the school as the hope he had begins to slide.
Michael Caton- Jones is a director who has previously delved deeply into relationships in 'This Boy's Life' and 'City by the Sea'. In Shooting Dogs his exposition of humanity is excellently portrayed in what essentially has the make up of a Hollywood horror story. As the Hutu's seize power, Tutsi's and their supporters gradually come under fire as the school is besieged and machetes dictate who lives and dies.
Despite the characters being fictionalized the events took place and what we are presented with is a powerful and truly disturbing picture as no punches are pulled and the true terrors exposed. This acts both as a wake-up call and homage to those who died and those who survived the atrocities.
Father Christopher, played by John Hurt, is the lynch pin in this nightmarish scenario. Having been weathered by a life of strain his last strands of hope are fading as the chaos descends upon his school. As usual Hurt's performances stretch beyond impeccable to a level of authenticity one could only expect from someone who was actually there. As with Joe, whose childlike naivety is broken down gradually until he becomes a shadow of his former self, contrasting Christopher. The director uses a young Tutsi girl, Maria (Claire Hope-Ashley), to introduce and somewhat narrate the proceedings as an unsteady UN-laced serenity is transformed into a time of fear and suffering. (The title comes from the fact the UN were killing dogs that fed on decomposing bodies but could never fire shots against those wielding machetes.) This is a flawless film in its delivery and character portrayal. The cast and crew were made up of survivors and those linked closely to the events so the film has already had the authenticity in its bones. Hotel Rwanda approached the subject matter from a different angle- a story about heroism. This film shares the same theme but it is the basic approach that sharpens the emotions and the human elements that set it apart from other films of this nature.
From the playful opening scenes to the carnage that ensues, the audience cannot help but be enthralled and engrossed by man's potential for good and totally disgusted by his potential for evil.
Set in the Ecole Technique Officielle (ETO), a high school in Kigali, John Hurt plays Christopher a priest who has seen his share of tribulations and clings to what hope he has left while Joe (Hugh Dancy) is embroiled in the horrors that unravel at the school as the hope he had begins to slide.
Michael Caton- Jones is a director who has previously delved deeply into relationships in 'This Boy's Life' and 'City by the Sea'. In Shooting Dogs his exposition of humanity is excellently portrayed in what essentially has the make up of a Hollywood horror story. As the Hutu's seize power, Tutsi's and their supporters gradually come under fire as the school is besieged and machetes dictate who lives and dies.
Despite the characters being fictionalized the events took place and what we are presented with is a powerful and truly disturbing picture as no punches are pulled and the true terrors exposed. This acts both as a wake-up call and homage to those who died and those who survived the atrocities.
Father Christopher, played by John Hurt, is the lynch pin in this nightmarish scenario. Having been weathered by a life of strain his last strands of hope are fading as the chaos descends upon his school. As usual Hurt's performances stretch beyond impeccable to a level of authenticity one could only expect from someone who was actually there. As with Joe, whose childlike naivety is broken down gradually until he becomes a shadow of his former self, contrasting Christopher. The director uses a young Tutsi girl, Maria (Claire Hope-Ashley), to introduce and somewhat narrate the proceedings as an unsteady UN-laced serenity is transformed into a time of fear and suffering. (The title comes from the fact the UN were killing dogs that fed on decomposing bodies but could never fire shots against those wielding machetes.) This is a flawless film in its delivery and character portrayal. The cast and crew were made up of survivors and those linked closely to the events so the film has already had the authenticity in its bones. Hotel Rwanda approached the subject matter from a different angle- a story about heroism. This film shares the same theme but it is the basic approach that sharpens the emotions and the human elements that set it apart from other films of this nature.
From the playful opening scenes to the carnage that ensues, the audience cannot help but be enthralled and engrossed by man's potential for good and totally disgusted by his potential for evil.
This film is worthy of all the plaudits that one can offer. it is not a film from a large Hollywood studio and thus will not merit for any Hollywood inspired praise. Nevertheless John Hurt performance is without doubt Oscar worthy . The film is factual without being inspired by the normal heartstrings of sanitised music which usually accompanies movies such as this. It is even superior to Hotel Rwanda which again was wonderful but takes the issue even further particularly as it applies to the so called civilised UN nations. If ever there was a need for a real UN this film exemplifies it. Camera work is excellent and acting right through the cast is credible and believable without having to employ any token players from the extensive list of TV actors and the like.The Belgian Officer is so real and his frustration there for all to see.
In summary a film that everyone should see and form an opinion.There is no hard pressed "hit you in the face" moralising, but one would have to be non human not to appreciate the essence of this story. 10/10
In summary a film that everyone should see and form an opinion.There is no hard pressed "hit you in the face" moralising, but one would have to be non human not to appreciate the essence of this story. 10/10
10mkoopman
There has been an ongoing argument over which is better, "Shooting Dogs" or "Hotel Rwanda." I don't know if there is an answer, but for the record, I've found that being 24 years old, this film appeals to me more than "Hotel Rwanda" did. I think this is largely because it focuses on the "save the world" mentality of youth, when things are not really that easy to explain or resolve. It also offers some light moments and comic relief that ease the burden of such an unpleasant true story. However, friends of mine who are over 40 years old, and who perhaps relate more to the businessman/father/husband character of Don Cheadle in "Hotel," disagree.
Despite all that, the people I know who work in Africa and even parts of Rwanda have said "Shooting Dogs" is a much truer portrayal of the way things really were at that time and that many Rwanadan natives don't share such a pleasant view of the Don Cheadle real-life man.
I think if it moves you to be a better person and stop genocide somewhere in the world, it shouldn't really matter which film is "better." For me, "Shooting Dogs" will never leave my heart or my mind.
Despite all that, the people I know who work in Africa and even parts of Rwanda have said "Shooting Dogs" is a much truer portrayal of the way things really were at that time and that many Rwanadan natives don't share such a pleasant view of the Don Cheadle real-life man.
I think if it moves you to be a better person and stop genocide somewhere in the world, it shouldn't really matter which film is "better." For me, "Shooting Dogs" will never leave my heart or my mind.
10azcoppen
I watch upwards of 300 movies a year and use IMDb like a fiend, but only this movie has ever compelled me to register and comment. "Shooting Dogs" is a BBC Films/UK Film Council film about the genocide in Rwanda that was ignored whilst the international community pontificated about the language used to describe what was going on (i.e. "Acts of genocide" vs "genocide"). The film focuses on the desperate plight of 2500 Tutsis seeking shelter in a school-cum-UN military compound. It goes some way to explain the history of the situation and the events surrcounding the genocide.
What makes this movie special is that a number of the production crew are survivors of the Rwandan crisis, and are telling their own stories. As macho as i would love to sound, i had tears in my eyes and felt the pain, hopelessness and indignation - and those are things that no director can claim to have brought to life for me in anything i've watched until now (the closest was probably the magnificent "Mysterious Skin"). Nothing is held back, and not should it be. The horror here is not graphic close-ups, but the shocking disregard for life that leads to the slaughter of newborn babies with machetes, the abject impotence of the UN and how tribal loyalties can turn the closest of friends into murderers.
For those who have lived in Africa (as i have), what is portrayed here is all too real. Like is said by one BBC reporter in the movie, in the Balkans the people were white and they could have been your own mother, but in Rwanda its worse than numbness - its just another dead African. Ignore your preconceptions, assumptions and instant reaction to skip to the next title because its not familiar, it wasn't in the cinema and Hotel Rwanda didn't appeal to you much. The impact this movie had on me was that profound, and i'd urge anyone to watch it to understand what happened there.
And when the credits come up and you've had time to think it over and resolve that it should never happen again, i'd say one word to you: Darfur. It just happened again only recently.
What makes this movie special is that a number of the production crew are survivors of the Rwandan crisis, and are telling their own stories. As macho as i would love to sound, i had tears in my eyes and felt the pain, hopelessness and indignation - and those are things that no director can claim to have brought to life for me in anything i've watched until now (the closest was probably the magnificent "Mysterious Skin"). Nothing is held back, and not should it be. The horror here is not graphic close-ups, but the shocking disregard for life that leads to the slaughter of newborn babies with machetes, the abject impotence of the UN and how tribal loyalties can turn the closest of friends into murderers.
For those who have lived in Africa (as i have), what is portrayed here is all too real. Like is said by one BBC reporter in the movie, in the Balkans the people were white and they could have been your own mother, but in Rwanda its worse than numbness - its just another dead African. Ignore your preconceptions, assumptions and instant reaction to skip to the next title because its not familiar, it wasn't in the cinema and Hotel Rwanda didn't appeal to you much. The impact this movie had on me was that profound, and i'd urge anyone to watch it to understand what happened there.
And when the credits come up and you've had time to think it over and resolve that it should never happen again, i'd say one word to you: Darfur. It just happened again only recently.
Lo sapevi?
- QuizThe characters are fictional, but the events are not. Parts of this movie were shot at Ecole Technique Officielle (E.T.O.), a high school in Kigali, where the actual events took place. The title of this movie comes from the fact that U.N. peacekeepers used to shoot local dogs that fed on the decomposing bodies of the genocide victims.
- BlooperThroughout the movie, the Belgian Captain wears the insignia of a Sergeant (three white lines).
- Citazioni
Joe Connor: Why are you doing this?
Christopher: You asked me, Joe, where is God in everything that is happening here, in all the suffering? I know exactly where he is. He's right here. With these people. Suffering. His love is here. More intense and profound than I have ever felt. And my heart is here, Joe. My soul. And if I leave I think I may not find it again.
- Curiosità sui creditiBefore the credits we are shown photographs of Rwanda genocide survivors who served as on set crew members. Next to each picture is text stating how many loved ones they lost.
- Versioni alternativeA "clean language version" of the film was released on DVD in 2007.
- Colonne sonoreNyirigira
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 108.281 USD
- Fine settimana di apertura Stati Uniti e Canada
- 36.412 USD
- 7 nov 2004
- Lordo in tutto il mondo
- 558.588 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Shooting Dogs (2005) officially released in India in English?
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