VALUTAZIONE IMDb
7,1/10
15.353
LA TUA VALUTAZIONE
Un tassidermista illuso pianifica il crimine perfetto.Un tassidermista illuso pianifica il crimine perfetto.Un tassidermista illuso pianifica il crimine perfetto.
- Regia
- Sceneggiatura
- Star
- Premi
- 11 vittorie e 7 candidature totali
Alejandro Gancé
- Assistente Museo
- (as Alejandro Gance)
Claudio Chiaffone
- Guardia 1
- (as Claudio Ciaffone)
Guido D'Albo
- Administrador Hotel Sur
- (as Guido Dalbo)
Recensioni in evidenza
In Buenos Aires, the epileptic taxidermist Esteban Espinosa (Ricardo Darín) is a painstaking man that likes to plot the perfect heist. When his wife leaves him, he accepts the invitation of his friend Sontag (Alejandro Awada) to hunt in a forest. They rent a cabin owned by Diana Dietrich (Dolores Fonzi) and her husband Carlos Dietrich (Manuel Rodal) but soon they have an argument and Sontag returns to Buenos Aires. Esteban stays alone and while hunting a deer, he accidentally kills Dietrich near a shed. Esteban opens the shed and finds a plan for the heist of an armored truck. When he returns to the cabin, he stumbles with the criminals Sosa (Pablo Cedrón) and Montero (Walter Reyno) that are seeking out Dietrich. Now Esteban has the chance to execute the perfect crime he has dreamt on.
"El Aura" is a weird and original film with an intriguing story, beautiful cinematography and environment and good acting. Unfortunately there are unnecessary details, such as why Esteban is epileptic since it does not affect the story. The conclusion is also disappointing with Esteban's fantasy coming true but he just returning to his routine life. My vote is seven.
Title (Brazil): "Aura"
"El Aura" is a weird and original film with an intriguing story, beautiful cinematography and environment and good acting. Unfortunately there are unnecessary details, such as why Esteban is epileptic since it does not affect the story. The conclusion is also disappointing with Esteban's fantasy coming true but he just returning to his routine life. My vote is seven.
Title (Brazil): "Aura"
Fabián Bielinsky's last movie excellently performed by Argentina big star , Ricardo Darin . It deals with Espinoza (magnificent , as always , Ricardo Darin) is a quiet taxidermist who secretly dreams of executing the perfect crime. On his first ever hunting trip, in the calm of the Patagonian forest, his dreams are made reality with one squeeze of the trigger. Espinoza accidentally murders an old man named Dietrich (Manuel Rodal) married a young girl (a young Dolores Fonzi gives an enjoyable acting ) who results out to be a real criminal and inherits his scheme: the heist of an armored van carrying casino profits. Caught up in a world of complex new rules and frightening violence, Espinoza's lack of experience puts him in real danger. And he has another, more dangerous liability : he is an epileptic. Before each seizure he is visited by the ''aura'' . These attacks appear without notice when he least expects them, just when he needs all his wits about him .
This is a co-production Argentina/Spain , being well paced , skillfully edited and suspenseful . Interesting and exciting movie about a deluded taxidermist who plans the perfect robbery ; it is plenty of thrills , intense drama , violence , action and is pretty interesting . However , the picture turns out to be overlong and slow moving . Very good acting by Ricardo Darin as a shy taxidermist who suffers epilepsy attacks , a paradoxical moment of confusion and enlightenment where the past and future seem to blend , and he is obsessed with committing the perfect crime. Darin is an excellent leading figure of the most important Argentinian movies such as "El Faro" (1998), "El Mismo Amor La Misma Lluvia" (1999), "Nueve Reinas" (2000), "La Fuga" (2001) and especially ¨El Hijo de la Novia¨ . Stirring as well as sensitive musical score by Lucio Godoy , an extraordinary composer expert on dark atmospheres such as ¨Rage¨, ¨Night runner¨, ¨The others¨, ¨Intacto¨ and many others . Colorful and evocative cinematography by Checco Varese . The motion picture well produced by great producers Gerardo Herrero and Victor Hadida , was compellingly directed by Fabian Bielinsky , in his second and last film , the first was also successful titled ¨9 Reinas¨ also starred by Ricardo Darin and even had an American remake . Fabian sadly deceased at 47 years old . This is an above average film and Argentina's official submission to the 2006 Academy Awards for the category of Foreign Language Film . The picture will appeal to Ricardo Darin fans and thriller aficionados .
This is a co-production Argentina/Spain , being well paced , skillfully edited and suspenseful . Interesting and exciting movie about a deluded taxidermist who plans the perfect robbery ; it is plenty of thrills , intense drama , violence , action and is pretty interesting . However , the picture turns out to be overlong and slow moving . Very good acting by Ricardo Darin as a shy taxidermist who suffers epilepsy attacks , a paradoxical moment of confusion and enlightenment where the past and future seem to blend , and he is obsessed with committing the perfect crime. Darin is an excellent leading figure of the most important Argentinian movies such as "El Faro" (1998), "El Mismo Amor La Misma Lluvia" (1999), "Nueve Reinas" (2000), "La Fuga" (2001) and especially ¨El Hijo de la Novia¨ . Stirring as well as sensitive musical score by Lucio Godoy , an extraordinary composer expert on dark atmospheres such as ¨Rage¨, ¨Night runner¨, ¨The others¨, ¨Intacto¨ and many others . Colorful and evocative cinematography by Checco Varese . The motion picture well produced by great producers Gerardo Herrero and Victor Hadida , was compellingly directed by Fabian Bielinsky , in his second and last film , the first was also successful titled ¨9 Reinas¨ also starred by Ricardo Darin and even had an American remake . Fabian sadly deceased at 47 years old . This is an above average film and Argentina's official submission to the 2006 Academy Awards for the category of Foreign Language Film . The picture will appeal to Ricardo Darin fans and thriller aficionados .
This is another magnificent movie delivered by director Fabián Belinsky. I found the script captivating enough as to keep me tied to my seat from start to end. But besides, there's another goodie within El Aura, which is the photographic quality together with a pace that without being much too fast, remains still along the whole film -no decay at all-, making it a delight for purists and good quality cinema lovers. I found a couple of minor flaws which stand for the 9 instead of a 10, but they are indeed so minor that they can be perfectly overlooked. Moreover, Oscar Awards nomination should follow, as El Aura has absolutely nothing to envy from the very best Hollywood products. Indeed, film noir as good as it can be. Can't miss it.
10lanoir88
From the director of "Nueve Reinas", here it comes his new piece of work you won't forget.
As soon as it begins, you will applaud every Darin's gesture, while you get immersed in the plot as you follow a shy epileptic taxidermist who dreams about a perfect theft, and all of the sudden gets the chance to make his dream come true. Don't let your aura put you aside the screen, you could miss valuable details as the action moves on. Take a deep breath, sit at the edge of your seat, and let Bielinsky do his job.
A perfect script, superb acting, and wonderful Argentine landscapes make this movie a "must see" for everyone.
As soon as it begins, you will applaud every Darin's gesture, while you get immersed in the plot as you follow a shy epileptic taxidermist who dreams about a perfect theft, and all of the sudden gets the chance to make his dream come true. Don't let your aura put you aside the screen, you could miss valuable details as the action moves on. Take a deep breath, sit at the edge of your seat, and let Bielinsky do his job.
A perfect script, superb acting, and wonderful Argentine landscapes make this movie a "must see" for everyone.
Ricardo Darin's Espinosa portrait is just like my reflection in the mirror. I found myself in it. Fabian Bielinsky's 3rd directing and 5th screenplay experience happened to be his last step of his career. With El Aura, he carries us away into the world of a misunderstood desolate man. For most films, people don't like reading a review or collecting detailed information before actually seeing the film. But if the film you're approaching is a mystery and cannot be understood easily in the first view, you should get some clue of it before watching. Anyhow, El Aura is one of them.
Esteban Espinosa earns his life with taxidermy, filling up animal hides of wild-life. He is a naturalist and jack of all trades, has a strong memory and is very observant. One day waiting at a queue at the bank, he shares his most marvellous dream -to rob a bank- with his friend; while he is being offered to accompany his friend for shoot day out in the forest. On a Monday, they settle into a motel in the forest, where they weren't hosted well enough and were questioned if they are local; putting them on the jitters. With this bad mood, they start arguing while hunting for deers. After his friend insulted him and left him alone; he gets caught into a major epilepsy fit for a moment and falls in a faint. When he wakes up he is unconscious; and while aiming to shoot a deer, he suddenly turns his rifle to an old man walking in the forest and shoots him. Gaining back his conscious, he goes near to the man he shot; whose cell-phone starts to ring. Espinosa takes his cellphone and his i.d. ; then hides the corpse in a pit. To avoid the trouble he fell into, he remains calm and turns back to motel to stay there longer than planned. His friend goes back to the city, then he starts stepping towards his mysterious journey; when he finds out that the man he killed is the owner of the motel.
The screenplay segments work completely perfect: Plot is very well built, script is written professionally in a plain format, story developing at its best, character developing is well crafted, and the main theme is so wisely gives multiple messages and views. Everything we see, we hear, we witness are elements of a complete mystery. This film needs to be seen very carefully. Flashback sequences will be refreshing our memory of the earlier scenes where it's completely necessary. Also it's clearly to see that the editing and the full post-production job with music and sound effects are best fit.
I find it essential to analyze Esteban Espinosa's characterization work. There are 4 basic factors that differentiates Espinosa's character:
1/His life... 2/His dreams... 3/His self-defensive attitudes... 4/His disability:Epilepsy
He is not happy living his life on his own. He has a hidden adventurous character. He likes trouble, he likes testing his limits. Thus he pokes his nose into everything. He steals, collects and carries with him almost everything he thinks it's useful. In fact, Esteban Espinosa character may be an awesome sample of a Point-and-click Adventure Game. His character has been designed to be another Guybrush or another George Stobbart. Overall, El Aura is among the best of all-time Mystery/Adventure movies.
Esteban Espinosa earns his life with taxidermy, filling up animal hides of wild-life. He is a naturalist and jack of all trades, has a strong memory and is very observant. One day waiting at a queue at the bank, he shares his most marvellous dream -to rob a bank- with his friend; while he is being offered to accompany his friend for shoot day out in the forest. On a Monday, they settle into a motel in the forest, where they weren't hosted well enough and were questioned if they are local; putting them on the jitters. With this bad mood, they start arguing while hunting for deers. After his friend insulted him and left him alone; he gets caught into a major epilepsy fit for a moment and falls in a faint. When he wakes up he is unconscious; and while aiming to shoot a deer, he suddenly turns his rifle to an old man walking in the forest and shoots him. Gaining back his conscious, he goes near to the man he shot; whose cell-phone starts to ring. Espinosa takes his cellphone and his i.d. ; then hides the corpse in a pit. To avoid the trouble he fell into, he remains calm and turns back to motel to stay there longer than planned. His friend goes back to the city, then he starts stepping towards his mysterious journey; when he finds out that the man he killed is the owner of the motel.
The screenplay segments work completely perfect: Plot is very well built, script is written professionally in a plain format, story developing at its best, character developing is well crafted, and the main theme is so wisely gives multiple messages and views. Everything we see, we hear, we witness are elements of a complete mystery. This film needs to be seen very carefully. Flashback sequences will be refreshing our memory of the earlier scenes where it's completely necessary. Also it's clearly to see that the editing and the full post-production job with music and sound effects are best fit.
I find it essential to analyze Esteban Espinosa's characterization work. There are 4 basic factors that differentiates Espinosa's character:
1/His life... 2/His dreams... 3/His self-defensive attitudes... 4/His disability:Epilepsy
He is not happy living his life on his own. He has a hidden adventurous character. He likes trouble, he likes testing his limits. Thus he pokes his nose into everything. He steals, collects and carries with him almost everything he thinks it's useful. In fact, Esteban Espinosa character may be an awesome sample of a Point-and-click Adventure Game. His character has been designed to be another Guybrush or another George Stobbart. Overall, El Aura is among the best of all-time Mystery/Adventure movies.
Lo sapevi?
- QuizOfficial submission of Argentina for the 'Best Foreign Language Film' category of the 78th Academy Awards in 2006.
- Citazioni
Sontag: You're really going to kill a deer? You've got to have a lot of balls to do that, you know?
Esteban Espinosa, the taxidermist: What kind of balls? The same kind you need to beat the shit out of your wife... and ruin her life?
- ConnessioniReferenced in The Next Reel Film Podcast: The Aura (2025)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- The Aura
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Lordo Stati Uniti e Canada
- 58.804 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4601 USD
- 19 nov 2006
- Lordo in tutto il mondo
- 1.805.261 USD
- Tempo di esecuzione
- 2h 14min(134 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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