VALUTAZIONE IMDb
6,9/10
21.496
LA TUA VALUTAZIONE
Una trilogia interculturale asiatica di film horror di affermati registi indipendenti.Una trilogia interculturale asiatica di film horror di affermati registi indipendenti.Una trilogia interculturale asiatica di film horror di affermati registi indipendenti.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 14 candidature totali
Lee Byung-hun
- Director (segment "Cut")
- (as Lee Byung Hun)
Kyôko Hasegawa
- Kyoko (segment "Box")
- (as Kyoko Hasegawa)
Po-Lin Lau
- Li's Maid (segment "Dumplings")
- (as Pauline Lau)
Sum-Yeung Wong
- Old Hair Dresser (segment "Dumplings")
- (as Wong Sum-Yeung)
Kam-Mui Fung
- Vomiting Woman (segment "Dumplings")
- (as Fung Kam-Mui)
Wai-Man Wu
- Mei's Nurse Friend (segment "Dumplings")
- (as Wu Wai-Man)
Chak-Man Ho
- Wang (segment "Dumplings")
- (as Ho Chak-Man)
So-Foon Wong
- Kate's Mother (segment "Dumplings")
- (as Wong So-Fun)
Ho Fung Chuk
- High Society Woman 1 (segment "Dumplings")
- (as Ho Fung-Chuk)
Wai-Ling Chan
- High Society Woman 2 (segment "Dumplings")
- (as Chan Wai-Ling)
Agnes Pang
- High Society Woman 3 (segment "Dumplings")
- (as Pang Hoi-Kwan)
Suk-Hing Leung
- High Society Woman 4 (segment "Dumplings")
- (as Yeung Suk-Hing)
Recensioni in evidenza
This movie is incredibly cruel and unrelenting. It plays as a single feature divided into three sections: "Dumplings", directed by Fruit Chan of Hong Kong, "Cut" directed by Park Chan-Wook of Korea and "Box" directed by Miike Takashi of Japan. Each section is like a dissertation in horror, although "Dumplings" could also be classified as an exploitation film.
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
The idea of having Chan-wook Park, Takashi Miike and Fruit Chan as part of the same DVD set is enough to warrant a purchase. This was the sole reason I watched these three shorts.
While Miike's offering was very enjoyable, and had some interesting scenery and Chan's Dumplngs was also very entertaining, Chan-wook Park stole the show in my opinion.
I now wonder if CUT isn't what SAW should have been.......?
Unfortunately I can't speak on the film too much as I could ruin the story, but if you are a fan of either OLDBOY or Sympathy for Mr Vengeance this short IS A MUST. Chan-wook Park continues to impress me with his creativity, and the camera work in this film was GREAT. There are two directors that I currently find to be very interesting, and I will watch anything they produce. Micheal Haneke is one, Chan-wook Park is another.
I have heard rumours of Sympathy for Ms Vengeance, and I can only hope they are confirmed.
This was an easy purchase.
While Miike's offering was very enjoyable, and had some interesting scenery and Chan's Dumplngs was also very entertaining, Chan-wook Park stole the show in my opinion.
I now wonder if CUT isn't what SAW should have been.......?
Unfortunately I can't speak on the film too much as I could ruin the story, but if you are a fan of either OLDBOY or Sympathy for Mr Vengeance this short IS A MUST. Chan-wook Park continues to impress me with his creativity, and the camera work in this film was GREAT. There are two directors that I currently find to be very interesting, and I will watch anything they produce. Micheal Haneke is one, Chan-wook Park is another.
I have heard rumours of Sympathy for Ms Vengeance, and I can only hope they are confirmed.
This was an easy purchase.
Three short films that are plenty extreme and if the endings of all three leave us wondering maybe that is good. I did however find the end of Cut more than a little baffling. There again 'unsatisfactory' endings of Eastern films as judged by Westerners is nothing new. All three are beautifully shot with great camera-work and excellent use of colour. I found Miiki's the most perfect if not as much like his usual output as many would like. Park's Cut is a little pedestrian at times but so gloriously over the top and bewildering at others. Dumplings is a little predictable and I am surprised that it is said to still work at 90 minutes as it seems very much a single idea film. It's a good idea though and not without social interest and it has to be said the grossest of the three. The sound of tiny bones being crunched - aagh!! I watched all three on separate occasions, fearing that otherwise they might blur into one another - no fear of that though so I'll watch them again soon, all together. Good effort by all concerned
This is an excellent blend of three horror films that characterize the ideal representation of Asian cinema. Each story is presented with ordinary people displaying qualities of evil and depravity. These directors use powerful cinematic storytelling elements in exploring their genres. This is not an ordinary horror film with a ghost or a slasher/killer with a knife but a combination of people who are capable of psychotic behavior. While all of the films are not perfect and contain some mildly dull aspects, watching all three will leave you intrigued with the art and approach of the horror genre utilized in various countries Asia. If you can hold your stomach through the first film "Dumplings", you will certainly enjoy one of these stories and won't be disappointed. A disturbingly good movie!!
"Saam gaang yi", a.k.a. "3 Extremes", is composed of three segments
(1) "Dumplings", by Fruit Chan, is the best segment. I saw the complete film ("Jiao Zi") on 25 August 2007 on DVD released in Brazil with the title "Escravas da Vaidade" ("Slaves of the Vanity"). The gruesome tale tells the story of an aging actress that seeks out a mysterious woman that cooks dumplings with a special ingredient that rejuvenates those who eat them. My review is available in http://www.imdb.com/title/tt0472458/reviews-21
(2) "Cut", by Chan-wook Park, is a tale of cruelty and insanity. An insane stranger breaks in the house of a film director and ties him up with his wife and a boy in the room. The strange tries to force the director to kill the boy, otherwise he will cut the fingers of his wife that is a pianist.
This segment is very cruel and insane, and has a surprising conclusion.
(3) "Box", by Takashi Miike, is a confused tale. The twenty-five-year- old writer Kyoko has nightmares with a box and also with her sister Shoko. One day, she receives an invitation to visit the place where she saw her sister for the last time.
This segment is messy and predictable, with a disappointing conclusion. My vote is seven.
Title (Brazil): Not Available
(1) "Dumplings", by Fruit Chan, is the best segment. I saw the complete film ("Jiao Zi") on 25 August 2007 on DVD released in Brazil with the title "Escravas da Vaidade" ("Slaves of the Vanity"). The gruesome tale tells the story of an aging actress that seeks out a mysterious woman that cooks dumplings with a special ingredient that rejuvenates those who eat them. My review is available in http://www.imdb.com/title/tt0472458/reviews-21
(2) "Cut", by Chan-wook Park, is a tale of cruelty and insanity. An insane stranger breaks in the house of a film director and ties him up with his wife and a boy in the room. The strange tries to force the director to kill the boy, otherwise he will cut the fingers of his wife that is a pianist.
This segment is very cruel and insane, and has a surprising conclusion.
(3) "Box", by Takashi Miike, is a confused tale. The twenty-five-year- old writer Kyoko has nightmares with a box and also with her sister Shoko. One day, she receives an invitation to visit the place where she saw her sister for the last time.
This segment is messy and predictable, with a disappointing conclusion. My vote is seven.
Title (Brazil): Not Available
Lo sapevi?
- QuizThe three films are Chinese, Korean and Japanese.
- Blooper(at around 1h 17 mins) In the segment "Cut," towards the end of the film there is a panning shot looking in through a window. The reflection of one or more persons standing on the outside portion (the side the camera is on) can be seen.
- Versioni alternativeLions Gate's U.S. version changes the order of the segments. In the original Asian release, the order was "Box"/"Dumplings"/"Cut." The American release has been changed to "Dumplings"/"Cut"/"Box."
- ConnessioniEdited into Gau ji (2004)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- 3 Extremes
- Aziende produttrici
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Botteghino
- Lordo Stati Uniti e Canada
- 77.532 USD
- Fine settimana di apertura Stati Uniti e Canada
- 36.414 USD
- 30 ott 2005
- Lordo in tutto il mondo
- 516.930 USD
- Tempo di esecuzione
- 2h 1min(121 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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