A Wonderful Night in Split

Extraordinary sensibility for details and human behavior Mr. Ostojic, director and a writer of the film has an extraordinary talent for details. Although camera doesn't come too close to the subject, through behavior and emotional impact, situation and internal dialog as well as the tempo is an amazing journey. I was riveted to the last minute. Going back in time, made this movie more interesting, since we could see the same scene through the angel of someone else. Original as adding another layer of Film Language to the existing one. I followed Mr. Ostojic's development as an author and filmmaker. From The Bird Lover in 1993 to Life Drawing, to A Wonderful Night in Split. He is establishing himself as a mature artist. I expect only the best from him and will look for his new project with an expectation and anticipation to be as good as he's done it so far. BRAVO. Oscar is very possible.

A beautiful movie!!!! Probably the only one made in Croatia that deserves to be called "a movie". Puzzling the peaces of three different stories in an intelligent and witty way, and at the end a bit surrealistic. It all happens in one day, the special day of awaiting the New years day in the city of Split (the title of the movie "Ta divna splitska noc" translates to "That beautiful night in Split" - a bit sarcastic!).

Shortly described, first story is about the former Croatian soldier, and present drug dealer involved in a relationship with a widow of his former war-companion; the second about the nineteen year old girl, drug addict (heroin) in search for drugs and money, which takes her to famous Coolio (his role in the movie is proclaimed to be "an American element" by the Venetian Film Festival hahaha:)); the third about the couple walking around the city looking for a place to have sex and tripping at the end.

But not to sound that serious, the movie has it's special humor (call it black), connecting everything and everybody in a cold/warm story about the city (Split) and people somehow all screwed up in a beautiful way! P.s. Black and white photography and music is nice (Dino Dvornik is the singer connecting the stories and those not introduced - a well known Croatian musician born in Split, making - i don't know, funky music..heh!)

This looked like another movie with people dying because they cannot cope with drugs, or with their emotional problems, or something. But it managed to keep my interest right up to the very last scene, and I am sorry I cannot tell you about it without spoiling it for you. I am glad I saw it, for the end left me wondering in a way I didn't expect at all.

As for the technical aspects: Most of the actors were fine. I liked the black and white photography, and the rather claustrophobic way the camera follows the characters along the alleys. That, along with the overhead shots, does a lot to convey their feelings of entrapment. The structure of the script is no big news, but it works fine for me, specially the way the end presents itself. Good show!

Set in Split, Croatia during New Year's Eve, three stories run dealing with the underworld of drugs and prostitution. Nike is a pusher and a widow named Marija is looking to escape from all of her troubles.

A hooker, Maja, decides to have sex with an American sailor, Frankie(rapper Coolio), in trade for some heroin. This is the most tragic of the story lines and Coolio is surprisingly good in the part.

The third and only light hearted and sentimental plot involves a couple, Luka and Vandela searching all night for a place to have their first sexual encounter.

The only element connecting the three tales is an outdoor concert with fireworks in the background throughout the movie. It is shot in black and white, in keeping with the dark and pessimistic tone and ironic title. Director Arsen Ostojic shows great style in his first feature. A possible Croation Hitchcock in the making. He has definitely been influenced by Sir Alfred. My only caveat is to be prepared to be depressed by Mr. Ostojic's work.

How many people die at the same time, each day, globally? Probably millions. But, how many die in the same town, in the same building and at almost the same time, each day? Probably very few. Which makes this story quite special, and not only for that coincidental aspect of coincidental deaths. But, not all of the deaths are altogether coincidental.

Using that idea as its main premise, there are four main stories, all played out within the confines of a wonderfully, darkly photographed series of interconnected apartments, all self-contained within a larger all-encompassing structure that must be many hundreds of years old (a medieval ghetto, I understand) – and all on the Mediterranean coast.

The camera work is gripping (no pun intended), innovative and spectacular; it sweeps across and above the narrow alleys, through corridors, up stairs, through windows, and upon roofs as we see the gathering crowd attending a New Year's eve bash in the large central courtyard.

Intermingled with the crowd is Nike (Mladin Vulic), a tough, gruff womanizer always looking out for himself and on the hunt for drug money; and there is Maja (Marija Skaricic), a desperate loner and drug addict who's been cheated out of her next hit and is on the hunt for more – she needs a fix, like real bad; and then we come across Franky (Coolio), one of quartet of American sailors on the town, looking for action – specifically a prostitute for Franky who's been jilted by his fiancée back home; and finally, we see two teenage lovers who just want to get to a secluded spot for a bit of hanky-panky, and get more than they bargained for.

Avoiding conventional linearity of narrative structure, director Ostojic cuts back and forth in time as he interleaves each story, so that the denouement for each is shown to occur at or very near the stroke of midnight while the crowd dances and prances to greet the New Year – along with the obligatory fireworks display. It's all done with great panache; obviously Ostojic has studied some of the great directors, like Stanley Kubrick, Carol Reed and perhaps a touch of Tarantino. The sound track is particularly effective – even the inane, jazzed-up quasi-rap from The Singer (Dino Dvornik), the leader of the rock group on stage.

The acting is up to scratch for the most part; only the four American sailors come across as somewhat gauche (perhaps that was intentional) – although Coolio does a good job, overall. Of special mention are Vulic and Skaricic, the latter playing the frantically on-edge junkie perfectly, in my opinion. Not to be missed, also, is Dvornik as The Singer, playing a part that shows, once again, that all is never what it seems to be. Now throw in a mix of bit players to round off an exceptionally well produced, modern melodrama and one well worth your time to see.

Avoiding color completely, the mise-en-scene at night in black and white is suitably foreboding, even with the entire town alight with New Year festivities – reminiscent of those dark Vienna streets and inky-black shadows in The Third Man (1949). Director Ostojic knows well his art and his craft.

Recommended for all except kids.

June 28, 2012