Who Do You Think You Are?
- Serie TV
- 2004–
- 1h
VALUTAZIONE IMDb
8,0/10
1326
LA TUA VALUTAZIONE
Volti ben noti all'interno dei media britannici intraprendono ciascuno viaggi individuali per rispondere ad alcune domande sulla propria storia familiare.Volti ben noti all'interno dei media britannici intraprendono ciascuno viaggi individuali per rispondere ad alcune domande sulla propria storia familiare.Volti ben noti all'interno dei media britannici intraprendono ciascuno viaggi individuali per rispondere ad alcune domande sulla propria storia familiare.
- Ha vinto 2 BAFTA Award
- 2 vittorie e 6 candidature totali
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Recensioni in evidenza
I have a fascination for history, particularly social history and I always find this show fascinating. They have done a huge range of people and the amount of work which must go into each show is staggering. I think it's a very engaging and human way to learn about history.
I'd just like to refer to one of the other posters on here and say that these people are generally not employees of the BBC so their political leanings are of no import. There is a long tradition of creative types who lean a little to the left, so I'm not sure why that comes as a shock, and a large number of the subjects (actors or otherwise) of this series are far from uneducated. I think what may have got lost in translation is exactly who some of the individuals in earlier series are. And perhaps their sense of humour. A large number of these people are well-known in the UK but perhaps not elsewhere. I believe that this has been picked up in other countries now as well and made with more relevant subjects.
One of the reasons I think it's so interesting in the UK is that it highlights how mixed the people living here are.
I'd just like to refer to one of the other posters on here and say that these people are generally not employees of the BBC so their political leanings are of no import. There is a long tradition of creative types who lean a little to the left, so I'm not sure why that comes as a shock, and a large number of the subjects (actors or otherwise) of this series are far from uneducated. I think what may have got lost in translation is exactly who some of the individuals in earlier series are. And perhaps their sense of humour. A large number of these people are well-known in the UK but perhaps not elsewhere. I believe that this has been picked up in other countries now as well and made with more relevant subjects.
One of the reasons I think it's so interesting in the UK is that it highlights how mixed the people living here are.
10teamwak
I cannot praise this show enough. It is a rare treat to see a celebrity do a piece without ego, but this show is heartfelt, funny, and moving in equal measures.
Some of the celebrity's are shocked by the revelations in their past. Stephen Fry finds himself in Aushwitz, Natasha Kaplinsky finds a Jewish massacre in Belarus, and Barbara Windsors family went through debtor jail.
Alistair Mcgowan finds himself in India, and John Hurt doesn't find himself in Ireland. And Nigella Lawson, Jeremy Clarkson, and Jane Horrocks find themselves related to Industrialists.
Fantastic and throughly engrossing series. 10/10.
Some of the celebrity's are shocked by the revelations in their past. Stephen Fry finds himself in Aushwitz, Natasha Kaplinsky finds a Jewish massacre in Belarus, and Barbara Windsors family went through debtor jail.
Alistair Mcgowan finds himself in India, and John Hurt doesn't find himself in Ireland. And Nigella Lawson, Jeremy Clarkson, and Jane Horrocks find themselves related to Industrialists.
Fantastic and throughly engrossing series. 10/10.
Who Do You Think You Are
Series 19
Sue Perkins was distractingly frenetic from the get go but as she got out and about as the history unfolded there was quite an emotional rollercoaster for everyone. The parallels of an interment camp and Nazis resettlement camp were marked and it was shocking to enter the Nazis programme of eugenics and aryan genetics.
This was a brilliant show and we learned much about the history. Sue wears her heart on a sleeve and we feel her pain in a visceral way. I'm giving this show a 10 outta 10 I was gripped.
Richard Osman, quite a national treasure, we learn that when his father walked out when he was 9 for another woman his mother cut off all relations with his side of the family, perhaps to the detriment of Richard's childhood. The show necessarily focuses on only his mothers side, which is only a partial story. Richard's grandfather clearly stepped up to be the male role model in his life much to his credit and his story was most poignant. 8 outta 10 from me, so much was missing!
Matt Lucas, I'm not sure why this show moved at a snails pace but it was bordering on stop. Matt led us through a terrible history of fleeing the Nazis and concentration camps were very few survived. It was awful and he held it together. It wasn't historically the best of shows so for me it was a 6 outta 10, we must never forget.
Anna Maxwell Martin, you had to laugh before any of the history was revealed Anna proclaimed everything about everyone and then was shown to have got it all wrong. Her need to embellish a back story was beyond irritating, however she got her comeuppance when her grandfather's was way beyond anything she could imagine. She remained fixated that people learn all their parenting off their parents, negating the influences of friends, neighbours, other relatives and a world full of professionals. Overall it was not very interesting history at best a 5 outta 10.
Ralf Little, great show and very interesting history, I'm giving this a 10 outta 10.
Series 19
Sue Perkins was distractingly frenetic from the get go but as she got out and about as the history unfolded there was quite an emotional rollercoaster for everyone. The parallels of an interment camp and Nazis resettlement camp were marked and it was shocking to enter the Nazis programme of eugenics and aryan genetics.
This was a brilliant show and we learned much about the history. Sue wears her heart on a sleeve and we feel her pain in a visceral way. I'm giving this show a 10 outta 10 I was gripped.
Richard Osman, quite a national treasure, we learn that when his father walked out when he was 9 for another woman his mother cut off all relations with his side of the family, perhaps to the detriment of Richard's childhood. The show necessarily focuses on only his mothers side, which is only a partial story. Richard's grandfather clearly stepped up to be the male role model in his life much to his credit and his story was most poignant. 8 outta 10 from me, so much was missing!
Matt Lucas, I'm not sure why this show moved at a snails pace but it was bordering on stop. Matt led us through a terrible history of fleeing the Nazis and concentration camps were very few survived. It was awful and he held it together. It wasn't historically the best of shows so for me it was a 6 outta 10, we must never forget.
Anna Maxwell Martin, you had to laugh before any of the history was revealed Anna proclaimed everything about everyone and then was shown to have got it all wrong. Her need to embellish a back story was beyond irritating, however she got her comeuppance when her grandfather's was way beyond anything she could imagine. She remained fixated that people learn all their parenting off their parents, negating the influences of friends, neighbours, other relatives and a world full of professionals. Overall it was not very interesting history at best a 5 outta 10.
Ralf Little, great show and very interesting history, I'm giving this a 10 outta 10.
This is a fascinating series on the genealogy of famous people. I love the way these stories unfold layer by layer to reveal the drama that is humanity from the great wars, massive migrations, and religious persecution to stories of everyday life. Birth, census, marriage, property, court and death records provide factual information of those that came before us and are woven with general historical information that is known about the time period to bring to life ancestors who were not previously known. These stories are often poignant and emotional as we come to know personal struggles. They educate us today of the way life used to be; where young children often died from diseases that today are easily prevented, where prejudice was accepted as the norm and a lack of social safety nets led to destitution. It reminds us how far we have come. How medical advances such as vaccinations and contraception have improved lives by saving children from horrible diseases and helping families plan the size of families in order to better support them. For all that is wrong with media today, it can put a spotlight on abuses and human suffering which lead to social change today. It brings to mind that great quotation attributed to George Santayana and repeated by Winston Churchill "Those that fail to learn from history are doomed to repeat it."
The BBC series is much better than the American version and it is telling that in the States it is referred to as a "reality show" where in the UK it is documentary. I rated the US version an 8 out of 10 for it's scripted feel and it's blatant commercial for Ancestry.com. I rate the UK version a 10 out of 10 for its more in depth analysis.
The BBC series is much better than the American version and it is telling that in the States it is referred to as a "reality show" where in the UK it is documentary. I rated the US version an 8 out of 10 for it's scripted feel and it's blatant commercial for Ancestry.com. I rate the UK version a 10 out of 10 for its more in depth analysis.
Respect the privacy of the dead
This show talks about the private lives of generations of relatives. The show I watched yesterday in Australia about a woman who dug up the 3 marriage contracts of her great great grandfather just to be able to say and chuckle that "he was married 3 times" raises the issue about the privacy of the dead.
At present time, NSW laws do not allow people who are not party to the marriage to get copies of marriage certificates. But if they are 30 years old, anyone, not even those related to them can. There is here a certain irony.
Likewise from a certain ethical point of view, just because they are dead doesn't mean you can do whatever you like just because you can. If they were living, do you think those people would have allowed very distant relatives to pry into their lives, let alone dig up and get copies of their marriage contracts? Put yourself in the place of the dead. See how it goes.
Furthermore, Article 17 of the International Covenant on Civil and Political Rights provides "Article 17 1. No one shall be subjected to arbitrary or unlawful interference with his privacy, family, home or correspondence, nor to unlawful attacks on his honor and reputation."
2. Everyone has the right to the protection of the law against such interference or attacks. "
Likewise, the OECD Guidelines on the Protection of Privacy and Transborder Flows of Personal Data provides that "although national laws and policies may differ, Member countries have a common interest in protecting privacy and individual liberties, and in reconciling fundamental but competing values such as privacy and the free flow of information; ".
Sometimes its not what we want to do with other people's lives but its what they would have wanted had they been alive
This show talks about the private lives of generations of relatives. The show I watched yesterday in Australia about a woman who dug up the 3 marriage contracts of her great great grandfather just to be able to say and chuckle that "he was married 3 times" raises the issue about the privacy of the dead.
At present time, NSW laws do not allow people who are not party to the marriage to get copies of marriage certificates. But if they are 30 years old, anyone, not even those related to them can. There is here a certain irony.
Likewise from a certain ethical point of view, just because they are dead doesn't mean you can do whatever you like just because you can. If they were living, do you think those people would have allowed very distant relatives to pry into their lives, let alone dig up and get copies of their marriage contracts? Put yourself in the place of the dead. See how it goes.
Furthermore, Article 17 of the International Covenant on Civil and Political Rights provides "Article 17 1. No one shall be subjected to arbitrary or unlawful interference with his privacy, family, home or correspondence, nor to unlawful attacks on his honor and reputation."
2. Everyone has the right to the protection of the law against such interference or attacks. "
Likewise, the OECD Guidelines on the Protection of Privacy and Transborder Flows of Personal Data provides that "although national laws and policies may differ, Member countries have a common interest in protecting privacy and individual liberties, and in reconciling fundamental but competing values such as privacy and the free flow of information; ".
Sometimes its not what we want to do with other people's lives but its what they would have wanted had they been alive
Lo sapevi?
- QuizThe series abandoned an episode on Michael Parkinson because his family history was deemed to be too boring.
- Curiosità sui creditiThe opening titles for each season show all the participants for that season, each in front of objects or buildings which are relevant to their story. The order of the participants changes from one episode to the next, with the subject of the episode always being the final one in the sequence.
- ConnessioniFeatured in This Morning: Episodio datato 16 luglio 2009 (2009)
- Colonne sonoreFond Reflections
Written by Jeff Meegan and David Tobin
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By what name was Who Do You Think You Are? (2004) officially released in India in English?
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