Ricomincio da me

I saw this film back at the 2005 Palm Springs International Festival and of the 14 films I saw there I would rank this #4. The 900+ theater was full and at the end it received a standing ovation. This was classic Peter Falk if you are a Falk fan and displayed a lot of chemistry between the Peter Falk and Paul Reiser characters. The film's title seemed to long and too odd sounding to me. I am surprised this didn't make it into general release. This was far better than the majority of junk that the major studios throw at you. Maybe too adult in that it was geared to the baby boomer and senior audience. A lot of people could relate to situations in this movie. This will probably enjoy a revival of sorts years from now when people look back at this film and consider it a kind of a gem. I would rate this 8.0 to 8.5 on a scale of 10 and definitely recommend it.

Meh. This will not go down in history as a memorable movie. At least not for me it won't. The only thing memorable about it would be Peter Falk's less than masterful overdoing of the Jewish father schtick. And I generally have quite a soft spot for Peter Falk...

The movie overall was OK, but just in the most general sense. The plot line started out interesting but fizzled badly in the end. No real strength to the whole story. Paul Reiser did not do his best work here either. I don't think any of the actors really meshed with each other. Instead of telling a story, they kept kind of acting "at" each other. There was a woodenness about the whole effect. Even the great Olympia Dukakis could not get into her character's groove. And you only saw her for about ten minutes at the very end. But it's the worst acting I've ever seen from her, ever. Which isn't saying much, I know, because she is otherwise a fabulous actress. Let's just say her acting in this probably embarrassed all her acting coaches. It was not good.

Elisabeth Perkins was pretty, as usual, but completely lacked character or depth. The few witty lines she was given somehow just didn't make the cut either. They all fell kind of flat. You somehow knew they were meant to be funny, but just couldn't see the actual funny part for yourself.

All in all, a pretty ho-hum little movie that I would never take the time to watch again.

We just returned from a showing of "The Thing About My Folks" at the Santa Barbara Film Festival, and couldn't help pondering why this film does not have national distribution. Peter Falk's performance of the father was sheer genius. Paul Reiser's script was insightful and very tender. The cinematography was breathtaking:What could be more beautiful than autumn in upper New York State with the the changing of the leaves. (Especially as seen from the seat of a 1936 Ford). If this finally does get national distribution, I'm certain Peter Falk will be up for some kind of acting award. His depiction of the 'father who worked too hard' was brilliant. My husband and I laughed and cried. At a time when war rages abroad, it's such a relief to see a film with no car chases, explosions, and senseless gun battles. This was a lovely film. Good luck to the creators.

What a TERRIFIC film... so poignant and totally REAL!!! It's a compelling story of the relationship between father and son, father and daughters, and husband and wife as experienced by this family across 3 generations. The genius of the story is that almost anyone can identify with each character, even though one is sometimes a jerk. It is full of humor. We found ourselves laughing out loud frequently and also shedding a few tears. Peter Falk and Paul Reiser did superb acting in this film, and, in my opinion, could successfully compete for Oscars!!! "The Thing About My Folks" shows so compassionately how husbands and wives, or parents and kids, can have deep and sometimes very painful misunderstandings. It gives us hope for our own families because we see how some of these misunderstandings get worked out. It shows us that a real family can seize an opportunity for communication and start healing those deep psychological wounds. This is a beautiful and amazing work of art. The packed audience in Santa Barbara loved it and left feeling good.

I saw some similarities to the Oscar-nominated film "Sideways" in that both films were at times quite funny but also had very poignant moments in how they portrayed men's emotions, which are often not expressed. But I definitely preferred "The Thing About My Folks!" The situations and emotions between fathers and kids and husbands and wives will touch millions more of us than the central situation in "Sideways" of cheating on one's partner the day before the wedding.

We saw "The Thing About My Folks" at the Santa Barbara International Film Festival. I hope it gets a distributor so many more people can enjoy it as we did. I've already emailed all my friends to watch out for it.

Paul Reiser steps away from the standup comedy spotlight to write a warmly humorous and gently tender story about family - what we see and what we don't see, what we expect and what surprises us. THE THING ABOUT MY FOLKS doesn't set any new standards for film, but it is a fine little story well told that reminds us about the significant bonds that family represents.

Sam Kleinman (Peter Falk) has been a workaholic, at times pushing his wife Muriel (Olympia Dukakis), his daughters (Mackenzie Connolly and Lydia Jordan), and his son Ben (Paul Reiser) into the background. One day Muriel leaves a note that after years of marriage she is leaving! Her daughters, along with Ben's wife Rachel (Elizabeth Perkins) immediately begin the search for her whereabouts, leaving the confused and hurt and disgruntle Sam to sort things out on a road trip with son Ben. The road trip becomes a time for the two men to learn who each other is and what they each mean to their status as father and son and as family members. Sam relaxes for the first time in his life and introduces the now workaholic Ben to the pleasures and fun of living. The trip comes to an end with a phone call about the whereabouts of Muriel and why she left and the regrouping of the wiser family draws the story's warm ending. All is not what it seemed: it's better and, well, different.

Falk and Reiser play off each other like the pros they are, but in many ways the film belongs to the brief moments when Olympia Dukakis is on screen, reminding us that she is one of our strongest matriarchs on film. Well worth viewing. Grady Harp