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7,7/10
3296
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDocumentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
- Regia
- Sceneggiatura
- Star
Kathy Bates
- Narrator
- (voce)
Recensioni in evidenza
10lolique
I'm a film director/editor from Colombia with more than 45 years in the business and this film is absolutely the best essay on film editing that I've had the good luck of seeing. The examples are great, the explanations on the "unseen" or "hidden art" of editing are perfect, the pacing is just right, etc., etc. The only thing I felt was that it was too short, but then I'm biased on the subject. This should be a MUST SEE FILM for everybody starting out in the business (and not just those who want to be editors).This is a solid "10" for me and I can't understand how anybody would consider it less, except for those mediocre joes who just can't cut it...
This documentary is a general overview of how film cutters evolved into film editors and took their place among the giants of the film industry.
We are introduced to methods and philosophies used down through the ages and the metamorphosis from celluloid to digital recordings.
As informative as this documentary is it suffers from sound-bite-itus instead of concentrating on one person or thought, we are leaped back and forth through a collage of people, techniques, and time. This method of presentation can become quite boring after a time. Still, the documentary (that only shows highlights and nothing practical) is worth viewing.
We are introduced to methods and philosophies used down through the ages and the metamorphosis from celluloid to digital recordings.
As informative as this documentary is it suffers from sound-bite-itus instead of concentrating on one person or thought, we are leaped back and forth through a collage of people, techniques, and time. This method of presentation can become quite boring after a time. Still, the documentary (that only shows highlights and nothing practical) is worth viewing.
This is a must see documentary for any serious film buff. For all you folks out there that dismiss older films, you may be surprised by your favorite directors such as Quentin Tarantino, Martin Scorsese, Steven Spielberg and James Cameron praising the magnificence of silent films and many classics. Without these classics and the skill involved in making them, today's movies wouldn't be what they are. A brilliant and informative documentary. It very thoroughly explores a movie art form that is often not understood and certainly unappreciated. The editing of a film is very instrumental in its success. However, not many people appreciate it.
This is a first-rate job of work, one of the best documentaries on film-making that I've ever seen, opening up the fascinating world of film editing by letting great editors and directors speak to us directly about the mysteries of film cutting--supported by illuminating examples drawn from real films. I can't praise too highly the thoughtful choice of speakers, from Thelma to Dede to Walter Murch and on down the line. Nice to see director Joe Dante too. I was particularly pleased at the inclusion of early film editing examples, such as Dziga Vertov's Man With a Movie Camera and, of course, the down-the-stairs sequence from Potemkin. (The film includes a few sequences from later films that echo the Potemkin sequence, but I bet there's at least five examples they missed!) Bravo! Michael Goodwin
This is one of the two feature-length documentaries on the 2-Disc Special Edition DVD of Bullitt. With a running time of 95 minutes, it is the longer one, by about 12 minutes. It consists of interviews and film clips(old, new, fiction, documentary(including propaganda works), famous and unknown, and a little real life footage; note that there are spoilers for many of the movies) used as examples or such, and narrated well by Kathy Bates. It is ironic that the invisibility and underrating of the role of the editor is somewhat shown by the fact that a couple of the directors here are actors first(big names, of the kind that draw attention), but other than that, I can say nothing negative about this. Everyone here has something to say(no, I know, I didn't expect much from Rob Cohen, the man behind xXx, either), and those who have the most to offer genuinely *are* the ones we see for the majority of this. Speaking as someone who *loves* the art of cutting, I can't say if this will be as compelling to those who aren't into the craft, however, this is clearly made for said group, and if you find yourself in it, you will not regret watching this. Before seeing this, I would not have dared suggest that one could successfully tell the history of its development and cover this amount of ground on the "theory" of it(like the line I quote in the summary, to give just one example) in a mere hour and a half. The whole thing is extremely interesting and informational. It has a great sense of humor without trying too hard. The numerous analogies and the like are excellent. As is fitting for the subject, this is put together rather well. There is a little strong language in this. I recommend this to anyone who wants to know more. 8/10
Lo sapevi?
- QuizThis documentary is featured on the Two-Disc Special Edition DVD for Bullitt (1968), released in 2005.
- Curiosità sui creditiEmbedded throughout the beginning of the credits are photos of several film editors displaying the awards that they've won.
- ConnessioniFeatures L'innaffiatore annaffiato (1895)
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Dettagli
- Tempo di esecuzione
- 1h 39min(99 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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