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When you look at Scott Frank's writing credits --especially "Minority Report" and "Out Of Sight"-- it is really no surprise that this is an unusually smart and entertaining crime drama.

It is an "adult movie" in the best sense of that term.

This is a beautifully bleak looking movie where all the color is in the characters and their behavior. The acting is top notch. I've never seen this Levitt kid before, but he captures emotional and intellectual numbness with a finesse I haven't seen since Guy Pierce's work in "Memento". It is a tough role and he hits it out of the park. Jeff Daniels is Oscar-worthy as his best friend and Matthew Goode plays a guy who you know sheds more than one skin each year. Isla Fisher is a welcome ray of sunlight in this dark tale.

It is the anti-"300" (which I liked a lot). This movie really sneaks up on you, it doesn't bludgeon you but before you know it you are totally spellbound by it.

I'll be looking forward to the next movie directed (and written) by Scott Frank.

What was interesting about going to see The Lookout, for me, was the uncertainty with Scott Frank, the screenwriter who makes his directorial debut here. It would be one thing if he were a screenwriter whose work I've seen was all original. If his previous screenplays had been great original works, I'd be absolutely sure that he'd be a great director, but because the only films he's written that I've seen have been adaptations of Elmore Leonard novels and a Philip K. Dick story, it was not only the first time I'd see his direction by also the first time I'd experience his own story.

I found that the script was great. I enjoy heist films possibly more than any other genre, and even though the heist itself is not so intricate and clever the way I prefer them the premise that sets up the gimmick used in the heist is quite clever. Really though, the film is not about the heist at all. It's about a very young person whose life is now completely different because of a car wreck that was all his fault. He has short term memory loss and deals with its shortcomings accompanied by horrible feelings of guilt for the deaths of his two friends and the maiming of his girlfriend. The movie at times seems a little uneven, because the makings of a thriller are intercut estrangedly with the makings of a slice-of-life drama. But both sides of the story work and it's generally fulfilling despite not being so tightly done. The movie is, upon reflection, reminiscent of realist films from the 1970s in its story and directorial style.

The cinematography and editing are adequate, yet strangely, in many scenes, particularly those that take place at the main character's family's home and those that takes place at the bank, have great atmosphere, a coziness.

What I admire about the movie is that it avoids clichés that seem on the very brink of being outrageous displays of them. For instance, there is the friendly airhead patrol cop that stops off at the bank every night to check up on things, bringing doughnuts and all, and we feel as if we know what will happen with him, and even now, one can't truly say it was or wasn't expected. The almost unbearably riveting climax, for instance, is for heist movie fans, a near-cliché, but wraps up with a fresh and new take on what we would expect. The characters are all inventive actually, and quite realistic.

Joseph Gordon-Levitt, a very young face without a name, will perhaps have a name now due to his deep, impressive performance in the title role. Jeff Daniels, however, has reached the point in his career where he steals every scene he is in, a la Michael Caine or Al Pacino, playing the sagacious and outgoing friend. Matthew Goode, playing the lead villain, is also a major plus for the cast. Leave it to an English actor to portray the villain with such a whispering convincing disposition that even we almost like him at first even though we are in on his scheme from the beginning. Greg Dunham, who plays another would-be cliché, the stoic sunglassed killer of only about five words in his vocabulary, avoids clichehood by somehow drawing such intense hatred from the audience that we are spared nothing by his cold and ruthless behavior.

This is incredibly entertaining and solid piece of film making, by Scott Frank. The film travels on a road that its laid out for the audience to see steps ahead, but that never matters, b/c you are constantly in suspense over what will happen to the incredibly well drawn characters in the film. Frank also shows tons of directorial flair to accompany his writing prowess. The whole cast was amazing, Matthew Goode is completely unrecognizable and is perfect in the film. Jeff Daniels again dons a Beard and steals his scenes, every line of his dialog either makes you laugh, think or just compels the movie forward, and Joseph Gordon Levitt again proves why he is capable of being one of the next great movie stars. Go see this movie and tell your friends to do the same.

This is the kind of film Hollywood should be making,

This is one of those slightly odd-ball heist movies which manages to carry off the down beat vibe and still be more-or-less convincing. Think of it as a Fargo-lite. Gordon-Lovett, following on from his excellent turn in "Brick",plays a College Ice Hockey star player, whose reckless "gift" to his girlfriend ends with her maimed and two other friends dead. Four years on, he is partially brain-damaged, confused and a self-loathing young man, going to "special needs" class to help deal with day-to-day tasks. No longer functioning as he was, he maintains a part-time janitor job at night in a small town bank. The nearest he gets to his dream ice hockey career now is using the mop as his stick and some urinal disinfectant blocks as pucks; shooting them into the waste bin. If he thought he had problems now; just wait until his new found "friend" reveals why everything in his life is starting to look up.... This has that mix of oddness that works for the most part, such as Gordon-Lovett's dependence on his a blind friend and flat-mate; played really well by Jeff Daniels. The main bad guy has value, although the femme fatale, played by Isla Fisher is probably too good to be true- and her character arc is left open-ended.

Roped and corralled into helping to rob his bank, he starts to sense all in not right-but its too late to back out now.............

All in all, I really enjoyed this until the top-and-tail ending. In a few narrated scenes at the end, the writer conspires to undo a lot of the hard work. The writers pen is dropped for a broad stroke "rainbow" paintbrush , resolving a lot of issues quite flippantly and totally ignores others. Perhaps the director should have got a re-write, but as he and the writer are one and the same, this was not to be!

Still, it was a good character driven piece of film-making overall and Gordon-Lovett is one to watch. He also bears a striking resemblance to Heath Ledger both in appearance, as well as ability.

The Lookout was an amazing movie with splendid performances all around. It's hard to believe that Joseph Gordon Levitt was once on "3rd Rock From The Sun". He's come along way.

After a horrible accident which killed two people, seriously wounded another, and left Chris Pratt (Levitt) with a brain injury which makes it nearly impossible for him to remember things without writing them down in a notebook that he carries with him, he is no longer the cocky hockey player. Instead he now lives his life while working as a janitor in a bank and living with a blind roommate named Lewis (Jeff Daniels in a fascinating performance).

While drinking at a bar, he meets the charismatic Gary Spargo (played by Matthew Goode) who then introduces Chris to the lovely Luvlee Lemons (Isla Fischer.) They later asked him to serve as lookout while they rob the bank he works at. Chris at first doesn't agree, but Gary plays the other people in Chris' life against him in subtle ways, and after Chris finds out that some of what Gary said seems true, he agrees. The story goes on from there, but I will not even discuss the ending.

The lookout is a strong movie, and it is the phenomenal acting which holds the movie together the best. Scott Frank has a way of getting the best out of his actors here, and what we get is a psychological drama that holds your interest. At a brisk 99 minutes, it seemed over much too quickly. Some of the later scenes in the movie felt a little contrived I agree, but even they pale in comparison to the welcoming acting where even the main villain (Goode) doesn't seem totally utterly evil. Of course I can't say the same thing about his quiet henchman with the glasses.

I liked this movie a lot, but I do wish we could've gotten to know more about Luvlee Lemons. Her character seem to be pushed out later in the movie, and I found myself a little disappointed in this. Still, overall this was a very good movie.