Nell'estate del 1990 Timothy Treadwell si avventura in Alaska per vivere insieme agli orsi grizzly. Da allora fa ritorno ogni anno per documentarne da vicino le abitudini, sino al 2003 quand... Leggi tuttoNell'estate del 1990 Timothy Treadwell si avventura in Alaska per vivere insieme agli orsi grizzly. Da allora fa ritorno ogni anno per documentarne da vicino le abitudini, sino al 2003 quando, insieme alla fidanzata, trova la morte proprio ad opera di una di quelle creature che c... Leggi tuttoNell'estate del 1990 Timothy Treadwell si avventura in Alaska per vivere insieme agli orsi grizzly. Da allora fa ritorno ogni anno per documentarne da vicino le abitudini, sino al 2003 quando, insieme alla fidanzata, trova la morte proprio ad opera di una di quelle creature che credeva amiche.
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- 22 vittorie e 18 candidature totali
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Recensioni in evidenza
I now believe I will never know how I feel about Timothy Treadwell. A boy who accidentally grew into a man.
Grizzly Man immediately opens with the facts surrounding Timothy Treadwell and his girlfriend Amie Huguenard's death. These facts will stay inside you as you grow acquainted with Timothy and the animals surrounding his demise. Sadly, Amie Huguenard remains a faceless mystery.
Werner Herzog's soul remains intact, as he gently disassembles the matter of Timothy Treadwell's. Failed actor? Inveterate liar? Misguided Mercenary? Was Timothy Treadwell merely playing out the part of some great Discovery Channel episode in his head? We watch and listen as a lonely Timothy walks and talks into his only companion, a MiniDV camera, about his female problems, drug problems, memories and most importantly his love of animals.
Bears and Foxes in particular. There is one thing you could never doubt about this man, and that is of his love for Bears. "I love you, I love you..." We constantly hear him saying to the Bear's and Foxes that had become his "friends" over the years. And through Herzog's direction it is impossible to miss the beauty in this.
Timothy Treadwell's photography in this film is absolutely extraordinary. And Mr. Herzog did an extraordinary job putting it all together. In my opinion, this is his best film since Little Dieter Needs To Fly. (Un) fortunately, I cannot stop thinking about it. I cannot stop wondering who this man was... He wrapped himself in bandana's, claimed to be a "Peaceful Warrior", there to protect the Bears. But from what? The arguments were made that acquainting himself with them, he was doing much more harm then good. Why should they get to know a human? How could this help them in the future? And we know how it ended for him...
How can you just sit there and watch one mans whole life be wrapped up in a two hour film? And then declare his work meaningless? You can't. Was he just a suicidal man, playing one big act? Was he truly some feral warrior, bringing awareness and the importance of Bear protection and safety to light? Was he a directionless maniac who ultimately got an innocent girl killed?
The duality of Timothy Treadwell is merely one more example of the duality of mankind. And the mirror in which I had been looking into had, in fact, been the movie screen itself. Unfortunately, it appears as though he believed the Bears surrounding him shared this depth. And who am I to tell you they don't?
Treadwell's footage is gorgeous, and at times heart-stopping: a grizzly battle caught on tape is the stuff Animal Planet would kill for. But the footage goes beyond simply revealing the harsh yet beautiful reality of the Alaskan wilderness. The camera soon becomes a silent confidant to Treadwell's self-obsessed confessions. For one, he sees himself as the singular savior of the wildlife preserve he camps at and the creatures that reside there. But he also sees himself becoming increasingly less connected to the real world he lives in 9 months out of the year. The footage here is most poignant, revealing Treadwell's inner struggles. It paints a picture of a lonely man searching, perhaps desperately, for purpose in a world he feels has rejected him. Most eerily prescient are Treadwell's repeated remarks about how he would die for the bears, though his eventual death does not appear to be the martyrdom he so clearly sought.
This is where the film is most riveting - in Treadwell's footage, focused on the man, the bears, and the force of nature around them. Less compelling are Herzog's talking head interviews with Treadwell's friends and family - although they do help to solve (as much as possible) the puzzle of where Timothy came from, what lead him to the bears, and why he was killed.
It would not be a Herzog film with the director's own philosophical palette framing the story. Herzog's commentary reveals his longstanding view that nature is cruel and that chaos is the constant in our life experience, not harmony. That Treadwell saw beauty and soul in the bears seems to be beside the point, since ultimately their need for sustenance made them turn on their self-appointed protector.
I saw "Grizzly Man" without knowing anything about it. I first thought it would be a documentary about the beauty and behavior of grizzly bears. However, through Tim Treadwell's interaction with grizzly bears, Werner Herzog shows that this film is actually about the inadequacies and insecurities of human nature.
Tim Treadwell seems to be the culmination of many of the deficiencies that man possesses. I felt absolutely no sympathy for this individual, despite the fact that he suffered a tragic and horrible death. If it weren't bears that killed him, it probably would've been something else. He was definitely headed toward a downward spiral. I felt like he was a man who ran away from his demons because he could not face or overcome it. He developed high "ideals" and when he could not adjust his values and beliefs to that of society, he abandoned it and sought out for acceptance from creatures that are incapable of judging or criticizing Treadwell. Unfortunately, Treadwell mistakes the grizzly bears' indifference or incompetence as a sign of acceptance, and falls in love with them.
Treadwell displayed behavior suggestive of manic depressive disorder, or cyclothymic disorder, or histrionic personality disorder. His emotional reactions to incidents were over dramatic to the point that one questions whether it's genuine. I also thought that he was a closet homosexual who could not accept his sexual orientation. In the film, Treadwell talks about wishing he were gay because it would be easier, but he denies being gay. He also talks about how he has trouble with keeping relationships with girls. I know this is a big assumption, but I couldn't help but question whether he was running away from civilization hoping he didn't have to face the reality of his sexual orientation. Treadwell is a person who does not know himself, and is afraid to find out.
I also did not like the fact that Treadwell was on this unsubstantiated high horse. This self-proclaimed protector of animals and nature displays his hypocrisy in at least 2 scenes. When Treadwell stumbles upon poachers who throw rocks at a baby cub, all he does is hide behind a bush and criticizes the hunters for hurting the bear. Not quite what a "protector" would do. Also, when Treadwell discovers the dead fox, he gets angry for the destruction and death that exists in this world. However, he doesn't blink twice to try to swap a fly that is buzzing around the fox. Obviously he shows no respect for the fly, which is also a living organism.
Also, throughout the film, most of Treadwell's friends glorify all that he represented. It seems that his death has elevated him to a martyr, and I found that inappropriate. I don't believe one's achievements in life should be overblown and exaggerated because he or she suffered a tragic and violent death. Based on Treadwell's self-recordings, I find that he has done nothing to deserve any praise. The way he died is sad, but that should not have any bearing on what he did in life. If anything, Treadwell encroached upon the grizzly bears' territory, and abused their independence and way of life in order to hide behind the mask of his own demons. I find nothing altruistic about his actions because of that.
In the film, Herzog says that death and destruction is a unavoidable reality of nature, and he has done a brilliant job in portraying that. My take home message was that everything bad in this world exists because man is too weak and feeble-minded to transcend beyond our natural tendencies to destroy his surroundings and to self-destruct. And Treadwell is the perfect example. Great job Mr. Herzog.
It's truly incredible the amount of empathy Herzog is able to generate for such a misguided, kooky person. It's all the more impressive to see the contrast between Timothy Treadwell's sentimentalized view of nature with Herzog's (and my, for that matter) view that nature is indifferent and chaotic. To mix these two contrasting philosophies with what are, in some sense, two different films--Treadwell's footage and Herzog's narration and interviews--make for something truly moving and insightful.
Lo sapevi?
- QuizDuring a BBC interview about the film, Werner Herzog was shot with an air rifle. The interview continued indoors. At the end, Herzog was encouraged to check his wound. Despite having "a bruise the size of a snooker ball, with a hole in it," Herzog declared "It was not a significant bullet. I am not afraid."
- BlooperAs Herzog urges Jewel Palovak never to listen to Timothy's last tape, he says it will always be "the white elephant in your room". This is a conflation of two different expressions.
- Citazioni
Werner Herzog: And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior.
- Versioni alternativeThe DVD from Lions Gate Home Entertainment opens with a disclaimer stating that the film has been changed from its theatrical version. The sole change is in the first ten minutes where Herzog explains that Treadwell had become a semi-celebrity. In the theatrical version a clip is shown of Treadwell on CBS' "Late Show with David Letterman." Treadwell comes out and explains what he has been doing and Letterman quips, "We're not going to open a newspaper one day and read about you being eaten by a bear are we?" In the DVD version this exchange is omitted and replaced with a NBC news segment of Treadwell being interviewed. When the interviewer asks if he would ever want a gun to protect himself, Treadwell states that he "would never, ever kill a bear even in the defense of my own life."
- ConnessioniEdited into Diminishing Returns: Crank (2017)
- Colonne sonoreCoyotes
by McDill (as Bob McDill)
Performed by Don Edwards
Courtesy of Universal-Polygram Int. Publ., Inc.
On behalf of itself and Ranger Bob Music (ASCAP), Warner Bros. Records, Inc. by arrangement with Warner Strategic Marketing
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- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El hombre oso
- Luoghi delle riprese
- Katmai National Park, Alaska, Stati Uniti(archive footage)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3.178.403 USD
- Fine settimana di apertura Stati Uniti e Canada
- 269.131 USD
- 14 ago 2005
- Lordo in tutto il mondo
- 4.065.006 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1