Dopo una vita trascorsa alla ricerca del piacere e della decadenza, Casanova cerca il suo unico vero amore, Henriette.Dopo una vita trascorsa alla ricerca del piacere e della decadenza, Casanova cerca il suo unico vero amore, Henriette.Dopo una vita trascorsa alla ricerca del piacere e della decadenza, Casanova cerca il suo unico vero amore, Henriette.
- Nominato ai 3 BAFTA Award
- 2 vittorie e 5 candidature totali
Recensioni in evidenza
David Tennant plays the young Casanova, swaggering his way from the Italian peasantry to the faux-aristocracy of France, and to England. He is by turns irritating, sprightly, and sexy, a convincing character study of the most legendary seducer in history. His on-off relationship with the beautiful and mysterious Henriette (Laura Fraser) is central to the story, as she betrays and entices him into dangerous situations. His sexual romps are done very much in 'Carry On' style.
Peter O'Toole is the old Casanova ('an old librarian in a damp castle'), reduced to little more than a servant with his memories. As usual, he is magnificent in a complex role. Funny and charming, but with a painful past. The old Casanova makes you laugh and tugs at your heartstrings too. A - I hope - Bafta-worthy performance.
Other names to watch for in the cast include Nina Sosanya as Bellino, the castrato singer who steals our hero's heart in episode 1; Nickolas Grace as the French Chancellor; Matt Lucas as a perfumed Duke of Villars; Rupert Penry-Jones as the odious Grimani; and Shaun Parkes as Rocco, the observer on the sidelines of the young Casanova's life.
Inventively filmed (repetitions, odd angles, slow motion, extreme close-ups) and with a lively (if silly at times) script, this is an entertaining three hours.
Here, Casanova is portrayed as a man constantly in love. A hopeless romantic, one could say. The evolution of the character is handled beautifully: in the beginning of the movie he's just a young boy, trying to find himself, developing slowly into a confident man, to the end, when he's a bitter old man, who stopped dreaming.
The direction is certainly memorable, shocking in some places, but the true asset of this movie is David Tennant. He's a spectacular actor, and (being an avid Doctor Who fan) I expected to watch this movie and say: "Look, there's the Doctor.", but he just detached himself from any previous role and he just was Casanova. I really ended up loving this movie because of his beautiful portrayal.
There's of course Peter O'Toole who was just as brilliant, in portraying old Casanova. Also, this is the first movie I've seen with two actors playing the same part -young and old- in which I could see the same character. Sure, O'Toole's Casanova is bitter and old, but you can see Tennant's Casanova developing into that person.
It's a movie definitely worth seeing. If you can't find the DVD, maybe you'll be lucky and catch it on BBC.
Russell T Davies's work is of a very particular style, knowing and self-conscious (one critic here seemed to think this was inevitably a bad thing) and, above all, camp and celebratory. If you don't warm to his style then avoid his work is my advice. For those who can accept it for what it is and what it intends, it is glorious stuff.
Lo sapevi?
- QuizRussell T. Davies was so impressed by David Tennant's performance as Casanova that he cast him as the Tenth Doctor in Doctor Who (2005).
- Citazioni
[Casanova enters the confessional and crosses himself]
Giacomo Casanova: Bless me father, for I have sinned. Again. Um, I don't know where to start, um. It's money, father, er, love of money is a sin, isn't it?
Priest: A grave sin.
Giacomo Casanova: I, I don't love it as such, but I need it, is that a sin?
Priest: In too great a measure then, yes.
Giacomo Casanova: It's not for me. You see, there's this woman, um, and I suppose you can include lustful thoughts while you're at it...
[the priest nods]
Giacomo Casanova: Er, there's this woman, but she's engaged, and all this went on behind her fiancé's back. Um, not literally.
[remembering]
Giacomo Casanova: Although I have actually done that... But anyway, um, first of all I was with another woman, and I slept with her, sorry, er, well, I slept with her lots of times so, very sorry. Um, but before that she was a man. I was going to sleep with a man, sorry. But it turned out she had a false penis down her trousers.
[the Priest clutches at his heart]
Giacomo Casanova: So, I slept with her, without the false penis obviously, um,
[dreamily]
Giacomo Casanova: although we did find a way of using it... But never mind that. You see, I, I was just trying to be honest, like the sisters told me, um. Oh yeah, two sisters. I slept with them, both at the same time, er, er, lots of times, I suppose I should, I should mention that.
Priest: [clutching at his heart] Oh dear God!
Giacomo Casanova: I know, I know, but at least I didn't sleep with their mother.
[Remembering]
Giacomo Casanova: Although I have actually done that, um, I suppose you should put that on the list. Two sisters, and a mother, and... oh and those nuns... two nuns, you might know them.
[the Priest keels over]
Giacomo Casanova: So, all in all, it's been a bit of a time, really, and I've ended up penniless. So, what do you think I should do, father?
[Silence]
Giacomo Casanova: Father? Father?
- ConnessioniFeatured in Screenwipe: Episodio #2.1 (2006)
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