Un prodigio musicale orfano usa il suo dono per trovare i suoi genitori naturali.Un prodigio musicale orfano usa il suo dono per trovare i suoi genitori naturali.Un prodigio musicale orfano usa il suo dono per trovare i suoi genitori naturali.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 4 vittorie e 11 candidature totali
Jamie O'Keeffe
- Steve
- (as Jamie O'Keefe)
Recensioni in evidenza
I totally enjoyed this movie. The scenes have an appealing fantasy element, while at the same time, the plot manages to explore true-to-life human situations such as bullying of those who are different.
The music is incredible, and mostly consists of original scores. It includes gospel, rock and classical, seamlessly integrated in a new way that works extremely well.
The plot is somewhat predictable and possibly a little "sappy", but those elements are easily overcome by the moment-to-moment execution of the story. Think of a modernized "Oliver" with Robin Williams as Fagin to a group of homeless, musically talented kids...plus extra elements of romance and intrigue, and you will have a bit of an idea about this movie.
The three main characters are all physically "beautiful" people who manage to convey the story with a minimum of dialog. Additional characters, including Terrence Howard as the social worker, Jamia Simone Nash as the young girl in the church choir, and Leon G. Thomas as the young boy who befriends the musical prodigy, contribute strong performances and pizazz.
Someone sitting near me stated it is impossible for even a prodigy to learn music so quickly and at such a young age... However, this is not true. Check out Jay Greenberg, a young music student currently studying at Julliard. In the end, this movie is at least an endorsement and celebration of the significance of music in our lives and at most a transcendent, fun experience to watch.
I rarely like to see any movie more than once, but definitely want to see this again. Take the family this is for children, teens and adults. Don't miss it is my recommendation!
The music is incredible, and mostly consists of original scores. It includes gospel, rock and classical, seamlessly integrated in a new way that works extremely well.
The plot is somewhat predictable and possibly a little "sappy", but those elements are easily overcome by the moment-to-moment execution of the story. Think of a modernized "Oliver" with Robin Williams as Fagin to a group of homeless, musically talented kids...plus extra elements of romance and intrigue, and you will have a bit of an idea about this movie.
The three main characters are all physically "beautiful" people who manage to convey the story with a minimum of dialog. Additional characters, including Terrence Howard as the social worker, Jamia Simone Nash as the young girl in the church choir, and Leon G. Thomas as the young boy who befriends the musical prodigy, contribute strong performances and pizazz.
Someone sitting near me stated it is impossible for even a prodigy to learn music so quickly and at such a young age... However, this is not true. Check out Jay Greenberg, a young music student currently studying at Julliard. In the end, this movie is at least an endorsement and celebration of the significance of music in our lives and at most a transcendent, fun experience to watch.
I rarely like to see any movie more than once, but definitely want to see this again. Take the family this is for children, teens and adults. Don't miss it is my recommendation!
Firstly, being a fan of Jonathan Rhys Meyers I had been hearing about this project for a while and I couldn't figure out how they'd make sense out of it. It does end up making sense even if it's a little far-fetched. It's about a son and his parents who all have to find each other, but my problem was that I couldn't figure out a way they could have gotten so separated in the first place. But luckily the writers did. It's pretty sappy and sentimental but if you're not that kind of person, I can't imagine you'd be interested in something like this anyway. It's the type of story that always comes out around this time of year, which is also the most sentimental time of the year. It gives you warm fuzzies so if you like something like 'Mr. Holland's Opus' or 'About a Boy' or 'Love Actually' you'd more than likely enjoy it.
I don't know if this qualifies as a musical but it should. It had lots of music in it although people didn't burst into fits of singing dialogue. The songs were normal songs, mostly original, and they were great. The young people involved were very talented, especially Jamia Simone Nash and Leon G. Thomas. Robin Willams and Terrence Howard had smaller supporting roles. (I've been saying that Williams and Bono resemble each other for 20 years so I'm glad he put the hat on and finally proved me right.) JRM and Keri Russell are co-stars who do their jobs well. But the star of the movie is Freddie Highmore. He's a good actor and I believe this was the first thing I've seen him in. I wouldn't be surprised to see him nominated for this.
I actually think this movie would be good for kids. I think there is maybe one bad word in it and maybe the way he came into the world might bother the extreme conservatives. But it's uplifting and a story about belief, especially belief in yourself. And I expect that'd be good for anyone to see, except maybe those who really hate too much sentimentality.
I don't know if this qualifies as a musical but it should. It had lots of music in it although people didn't burst into fits of singing dialogue. The songs were normal songs, mostly original, and they were great. The young people involved were very talented, especially Jamia Simone Nash and Leon G. Thomas. Robin Willams and Terrence Howard had smaller supporting roles. (I've been saying that Williams and Bono resemble each other for 20 years so I'm glad he put the hat on and finally proved me right.) JRM and Keri Russell are co-stars who do their jobs well. But the star of the movie is Freddie Highmore. He's a good actor and I believe this was the first thing I've seen him in. I wouldn't be surprised to see him nominated for this.
I actually think this movie would be good for kids. I think there is maybe one bad word in it and maybe the way he came into the world might bother the extreme conservatives. But it's uplifting and a story about belief, especially belief in yourself. And I expect that'd be good for anyone to see, except maybe those who really hate too much sentimentality.
"August Rush" is the most magical story I've seen in years. It also has some of the biggest plot holes I've seen in years. But in the end I have to say the magic triumphs, and if you watch this movie you'll probably enjoy it IF you are aware of a few things up front.
First, this must be treated as a fairytale. That is, just as we accept that a big bad wolf can talk and a family of bears can cook porridge, we must make some large allowances for this film if we are to accept it.
I won't go into too much detail what these errors/allowances are (other IMDb members have already compiled quite a list in the goofs section), but if you are a musician, particularly a classically trained one, you'll need some serious suspension of disbelief. The story is predicated on the idea that a young boy is a musical prodigy. That's fine, but this kid is downright supernatural. If you can accept that he can see a guitar for the first time and immediately rock out like Stanley Jordan, then you're OK. If you can accept the notion that he leafs through a 1st grade music book for 10 seconds and immediately knows advanced musical theory (the equivalent of leafing through a basic arithmetic book and suddenly knowing calculus), then you're halfway there. And if you can accept that he has the power to change into a tuxedo faster than Clark Kent can put on his blue tights, then you're gold.
OK, enough cynicism. If you can get past all of that, then "August Rush" is really a wonderful and original story that will charm your pants off. Very loosely based on Charles Dickens' "Oliver Twist", it's the story of an orphan in search of his parents. But this story revolves around the intangible power of music to draw people together. I've never heard of any story that makes such a powerful & moving metaphor for the power of music, and like I said up front, this powerful metaphor was enough for me to lose myself in the fantasy of it all. I probably would've fallen into it more readily if someone had told me to expect a fantasy. But instead I was halfway expecting realism, making much of the movie hard to swallow. Well now you've been warned, so go into it expecting a dreamlike fairytale and just let yourself be swept away by the magic.
A word of admiration for the late, great Robin Williams who plays a very complicated role here: a man who is basically a good guy but prone to inexcusable bouts of selfishness and violence. Not a particularly charming character but a memorable one, played with great skill.
First, this must be treated as a fairytale. That is, just as we accept that a big bad wolf can talk and a family of bears can cook porridge, we must make some large allowances for this film if we are to accept it.
I won't go into too much detail what these errors/allowances are (other IMDb members have already compiled quite a list in the goofs section), but if you are a musician, particularly a classically trained one, you'll need some serious suspension of disbelief. The story is predicated on the idea that a young boy is a musical prodigy. That's fine, but this kid is downright supernatural. If you can accept that he can see a guitar for the first time and immediately rock out like Stanley Jordan, then you're OK. If you can accept the notion that he leafs through a 1st grade music book for 10 seconds and immediately knows advanced musical theory (the equivalent of leafing through a basic arithmetic book and suddenly knowing calculus), then you're halfway there. And if you can accept that he has the power to change into a tuxedo faster than Clark Kent can put on his blue tights, then you're gold.
OK, enough cynicism. If you can get past all of that, then "August Rush" is really a wonderful and original story that will charm your pants off. Very loosely based on Charles Dickens' "Oliver Twist", it's the story of an orphan in search of his parents. But this story revolves around the intangible power of music to draw people together. I've never heard of any story that makes such a powerful & moving metaphor for the power of music, and like I said up front, this powerful metaphor was enough for me to lose myself in the fantasy of it all. I probably would've fallen into it more readily if someone had told me to expect a fantasy. But instead I was halfway expecting realism, making much of the movie hard to swallow. Well now you've been warned, so go into it expecting a dreamlike fairytale and just let yourself be swept away by the magic.
A word of admiration for the late, great Robin Williams who plays a very complicated role here: a man who is basically a good guy but prone to inexcusable bouts of selfishness and violence. Not a particularly charming character but a memorable one, played with great skill.
I never comment on movies here, usually I just use this website to get an idea of what I am about to watch but I saw this movie last night and loved it.
This movie is a fairytale set in real life circumstances. I really like that the film was never advertised as an Oliver Twist take, but I loved all of the allusions to it. It was a very creative take on the classic story. The poor orphan boy who wants nothing more than to be loved.
My favorite aspect of the movie was how infused music actually was in the movie. I am a musician and I liked the touches that the filmmakers went into to make the film seem as credible as a fairytale can be. I also like how it brought together modern rock, classic symphonic music, and modern symphonic music. It didn't really glamorize the life's of everyday musicians. I like all of the extra little things that were thrown into the movie that only a musician would get. There were some errors but for the most part I applaud the film makers for the attention to the musical details.
Yes the movie was a bit bit corny, and a little over the top, but for the most part I loved it and suggested it to every one.
This movie is a fairytale set in real life circumstances. I really like that the film was never advertised as an Oliver Twist take, but I loved all of the allusions to it. It was a very creative take on the classic story. The poor orphan boy who wants nothing more than to be loved.
My favorite aspect of the movie was how infused music actually was in the movie. I am a musician and I liked the touches that the filmmakers went into to make the film seem as credible as a fairytale can be. I also like how it brought together modern rock, classic symphonic music, and modern symphonic music. It didn't really glamorize the life's of everyday musicians. I like all of the extra little things that were thrown into the movie that only a musician would get. There were some errors but for the most part I applaud the film makers for the attention to the musical details.
Yes the movie was a bit bit corny, and a little over the top, but for the most part I loved it and suggested it to every one.
This is an urban fairy tale. If you go to AUGUST RUSH with the intention of poking holes in it, you can find little glitches and logic flaws. On the other hand, if you are looking for a movie that will sing to your soul (and show you some beautiful eye candy as a bonus), look no farther. The casting director and cinematographer should each get an award. This gem of a movie takes us on a journey, and the people we meet along the way are well worth the ticket price.
A trio of beautiful performances form the heart of this film, although the secondary characters are also crisply compelling. A day after seeing it, I find that specific shots of their faces still glow in mind like pieces of a mosaic. And the music is a genuine addition, as it should be in a film of this kind. I was genuinely moved.
A trio of beautiful performances form the heart of this film, although the secondary characters are also crisply compelling. A day after seeing it, I find that specific shots of their faces still glow in mind like pieces of a mosaic. And the music is a genuine addition, as it should be in a film of this kind. I was genuinely moved.
Lo sapevi?
- QuizAugust's unique style of playing guitar, which includes banging on the strings, was innovated by the artist Michael Hedges. Other artists have continued to develop his style. In the movie, August's first improvisation session on guitar is actually Hedge's song "Ritual Dance", played by guitarist Kaki King.
- BlooperWhen August was playing the piano at the church for the first time, he played a note, then two more to the left, and got a higher tone when he should have gotten a lower one. He then plays two notes to the right of the original pitch, and gets lower tones. This is exactly reversed from what should have occurred.
- Citazioni
August Rush: [opening voice-over] Listen. Can you hear it? The music. I can hear it everywhere. In the wind... in the air... in the light. It's all around us. All you have to do is open yourself up. All you have to do... is listen.
- Colonne sonorePrelude from Partita No. 3
Written by Johann Sebastian Bach
Orchestrated and Arranged by Dave Metzger
Performed by Steve Erdody
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El triunfo de un sueño
- Luoghi delle riprese
- Muscoot Farm, Somers, New York, Stati Uniti(orphanage)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 31.664.162 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.421.369 USD
- 25 nov 2007
- Lordo in tutto il mondo
- 66.122.026 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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