Ha-Ushpizin

For someone unfamiliar with the culture, Ushpizin may be like visiting another planet full of strange people, unfamiliar rules, and absolutely opposite priorities. It quickly becomes a human fable with which all of us can connect deeply, however: the blessings and curses that come with wishes that are granted, the confusion of figuring out how the big picture will play out in our smallest choices, the warmth and pressure of belonging to a wider community of similarly confused and agitated people.

Some of the characters border on lovable stereotypes, and the picture painted is of a world in which good is absolutely guaranteed to conquer evil, but it is nonetheless believable and suspenseful. You really should see it.

This movie was great. i am not Jewish, have no Jewish friends, and really no great understanding of the faith. When i saw that i was seeing a movie the director called " deeply about faith", filmed on a totally kosher set and not allowed to be watched on the sabbath, i was preparing my self for a trip worse than Godzilla. But i was blown away. Shuli Rand is totally brilliant. This movie, as far as i am concerned, could be a vehicle for him and i would have loved it. I rarely see an actor that can let people half a world away feel the way they do about the world. I have no idea the real implacatons of the quoth, the holiday that the film takes place around, but i feel the importance just in how the lead actor holds a lemon. I was totally enthralled by this movie. The uplifting, god loving, faith inspiring aspects of film normally slide of my back because they are bad actors with bad scripts. This movie actually got the point of faith across better than i could imagine. What i mean is that Moshle ( Shuli, the lead) prays, and he revieves. Then you see why. A friend accidentally steals something he needs. Is this gods work, or dumb luck? the director and writer never answer, which makes for a much better ending. All i didn't like in the movie were a few simple things like bland direction, poor sense of time and an occasional lack of explanation.

but all and all, this is probably the best religious movie i have seen in quite some time, and i you like character acting above plot twists and effects, see this film.

Positive depictions of haredi (so-called-ultra-Orthodox) lifestyle in film, whether American or Israeli, are not common. "Ushpizin" is a delightful little tale, almost a fable, with quite a bit of hidden depth.

Newly religious Moshe and Mali (real-life couple Shuli and Michal Bat-Sheva Rand) desperately need a miracle to get through the holiday of Sukkot. Without any support from Moshe's yeshiva, they are about to be overwhelmed by back rent and other debts. Strict believers in the Breslov tradition, they pray for a miracle, even as it unfolds (a brilliant 3-way inter-cut sequence that is the highlight of the film). Their joy is short-lived, however, when Elihayu and Yosef, unexpected guests from Moshe's pre-Haredi life, join them for the holiday.

The film is surprisingly honest -- Moshe and Mali are placed in the uncomfortable position of practicing genuine hospitality and tolerance to those who attitudes and actions place them diametrically opposed to everything the haredi couple stand for. Indeed, when Eliyahu and Yosef blast their music in the middle of the haredi neighborhood, a lynch mob nearly forms, the isolationist side of Haredi life raising its ugly head to keep its own courtyards clean of the outside world. There is a certain sense in the movie that Breslov chasidim distinguish themselves from the other sects in truly practicing love and outreach, coupled with unshakable belief.

Shuli Rand's portrayal of Moshe, which is probably more than a bit autobiographical, is dead-on: conflicted and uncomfortably reminded of a world he left far behind. The film makes a strong case for Divine Providence in every aspect of every individual's life, and for living up to the challenges and tests that G-d places before you.

This was a delightful movie in so many ways.

First, I really enjoyed the overall depiction of what was for me a very different cultural setting ... both regarding the religious context (Ultra-Orthodox Judaism) and the geocultural context (contemporary Israel, especially contemporary Jerusalem). I certainly can't comment on authenticity; but the overall flavor was convincing and the often exotic (to me) happenings, sayings, behaviors, etc were to me very appealing.

Second, the characters of Moshe and Malli were simply wonderful and wonderfully appealing. Their relationship was vivid; and the window into how an Orthodox marriage relationship "works" in the context of a strong Faith commitment by both of the couple was such a bracing experience for me.

Third, the general plot-theme ... two escaped convicts showing up and both challenging and straining Hospitality ... is very appealing to me. The characters of the convicts ... Scorpio and Yossef ... were much less appealing but certainly (uh) interesting.

Still the odd relationship between Moshe and Scorpio; and between Moshe and his wife and Scorpio and Yossef ... somehow lacked something that for me I could really find very convincing. The behavior of Scorpio and Yossef toward both their hosts, and to the general religious community on the street in which they were staying, was so attention-provoking that I had to ask myself what kind of escaped convicts want that kind of attention.

Yet all in all I really enjoyed this movie. And if you, like me, find this a pleasing but somewhat mystifying *cultural* challenge, hey, read some of the other comments on IMDb, there are some wonderful comments from Israel in particular that have shed much light for me.

This comedy which received Best Picture award from Israeli Critics in 2004 reveals a world that most of us don't know at all – the world of pious, ultra-Orthodox Jews in the Jerusalem courtyards that seem to be indifferent to what century or even millennium is passing by. On the eve of the Jewish harvest holiday of Succoth, Moshe and Mali, a devoutly religious but impoverished couple, pray fervently for a miracle that they desperately need – for money they need to build a Sukkah for holiday, for "ushpizin" ("holy guests") to share the holiday with, and for the most wonderful miracle of all, for a child they dream of but don't have. A series of unexpected events occur, including the appearance of two "unholy guests" – two escaped parolees from Moshe's wild past. Moshe and Mali invited the guests to share the holiday with them, and more unpredictable events would follow...

"Ushpizin" is the first collaborative effort between Israel's religious and secular communities and it features many non-professionals who gave very good performances in the movie. Shuli Rand, the writer-star of the movie and his real life wife, Michal Bat-Sheva Rand played Moshe and Mali, and their chemistry is palpable and real contributing to this thoroughly charming story of faith, love, and devotion.