VALUTAZIONE IMDb
5,3/10
41.917
LA TUA VALUTAZIONE
Una famiglia si trasferisce un una casa in Nord Dakota, un buio inquietante invade un allevamento di girasoli e l'abitazione apparentemente serena, non sanno che il passato di quel posto che... Leggi tuttoUna famiglia si trasferisce un una casa in Nord Dakota, un buio inquietante invade un allevamento di girasoli e l'abitazione apparentemente serena, non sanno che il passato di quel posto che sta per rivelarsiUna famiglia si trasferisce un una casa in Nord Dakota, un buio inquietante invade un allevamento di girasoli e l'abitazione apparentemente serena, non sanno che il passato di quel posto che sta per rivelarsi
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
Recensioni in evidenza
I don't know what people expect from thriller/horror movies if they are willing to call this one tragically bad or "lame". Not all thriller movies can be the best - and this one is not one of the "best" you'll ever see. But that's no reason to slam it quite so badly. There have to be a bunch of movies that are in the average range, obviously, not all movies can be the best. This one is definitely in the average range - BUT it's one of the better "average" thrillers you'll come across. The reason it's in the upper levels of "average" is because it's directed by the Pang Brothers. They are responsible for The Eye and Bangkok Dangerous and their brilliant stamp is all over this little thriller. Take notice of how beautifully framed each scene is, the effective use of silence throughout, the play on colours & textures, the minimalist dialogue etc. It's beautifully filmed and well acted by all but the mother character and it creates a lovely tense atmosphere with plenty of scares and spooks (but no blood and guts - so that will "disappoint" some). The biggest problem with the movie is the screenplay itself. It's not the most riveting story in the world & the plot has several flaws (like so many thrillers do). But it doesn't matter, in the hands of the Pangs this taut little thriller still a far better movie than most and easily worth the rental. Just don't go into it expecting the next best thing. It is what it is. An average but gripping movie.
There is evidence to suggest that children... would really rather watch something else.
As suspense/horror movies go, this one isn't amazing. Its hardly original; more like Hitchcock's The Birds meets Verbinski's The Ring. Honestly. Its a perfect combination of the two.
Personally I'd recommend watching the afore mentioned separately, each being better alone than this film. Really, the only thing it seems to have in abundance OTHER than unoriginality, is cheap pop-out scares. I mean, yeah, its kinda fun the first time or two... but after about half a dozen, you start to wonder if there is anything else to be had.
The acting wasn't entirely horrible, I'll admit to that much. The Turner kids who played Ben are certainly entertaining to watch, giving a cute contrast to the grungy atmosphere of the movie. Cancer Man... wait... no, sorry, William Davis could have done better in my opinion, as could Miller... but considering the type of movie this is, one doesn't have a lot of room to nitpick.
As a quick side note, I DO commend this movie for not being gratuitously gory. Its rare to find modern movies in this genre that don't blatantly use blood and guts to invoke fear.
All in all, this movie isn't the worst of its kinda, but it is in no way the best. If you want cheap, minimal-gore thrills that will make you jump, go see it. If you're looking for a deeper, more thought-provoking thriller... I strongly recommend looking elsewhere.
As suspense/horror movies go, this one isn't amazing. Its hardly original; more like Hitchcock's The Birds meets Verbinski's The Ring. Honestly. Its a perfect combination of the two.
Personally I'd recommend watching the afore mentioned separately, each being better alone than this film. Really, the only thing it seems to have in abundance OTHER than unoriginality, is cheap pop-out scares. I mean, yeah, its kinda fun the first time or two... but after about half a dozen, you start to wonder if there is anything else to be had.
The acting wasn't entirely horrible, I'll admit to that much. The Turner kids who played Ben are certainly entertaining to watch, giving a cute contrast to the grungy atmosphere of the movie. Cancer Man... wait... no, sorry, William Davis could have done better in my opinion, as could Miller... but considering the type of movie this is, one doesn't have a lot of room to nitpick.
As a quick side note, I DO commend this movie for not being gratuitously gory. Its rare to find modern movies in this genre that don't blatantly use blood and guts to invoke fear.
All in all, this movie isn't the worst of its kinda, but it is in no way the best. If you want cheap, minimal-gore thrills that will make you jump, go see it. If you're looking for a deeper, more thought-provoking thriller... I strongly recommend looking elsewhere.
If you aren't expecting some super-scary or gross film, just a mild ghost-type story, this fits the bill just fine. That's all I expected and I entertained for an hour-and-a-half. Is this some award-winning film? No, Is is genuinely scary? No, but it isn't anywhere near as bad as all these reviews say it is here, either.
What I liked best about this movie was the photography. It was stylishly filmed and I enjoyed the bold colors, decent direction and nice rural scenery. Who doesn't like looking at large groups of sunflowers?
I had no trouble with any of the characters, either. Since it was partly one of those "you don't listen to me," teen girl flicks, I expected some snotty kid was Kirsten Stewart was fine as 16- year-old "Jess." Dylan McDermott and Penelope Ann Miller played nice enough parents, too.
The twist near the end was good after that was revealed, you got the normal clichés with the climactic action scene. That was kind of cheesy, I admit, but most of the film was just fine with me. For what I expected, I have no complaints. It's a decent flick.
What I liked best about this movie was the photography. It was stylishly filmed and I enjoyed the bold colors, decent direction and nice rural scenery. Who doesn't like looking at large groups of sunflowers?
I had no trouble with any of the characters, either. Since it was partly one of those "you don't listen to me," teen girl flicks, I expected some snotty kid was Kirsten Stewart was fine as 16- year-old "Jess." Dylan McDermott and Penelope Ann Miller played nice enough parents, too.
The twist near the end was good after that was revealed, you got the normal clichés with the climactic action scene. That was kind of cheesy, I admit, but most of the film was just fine with me. For what I expected, I have no complaints. It's a decent flick.
"The Messengers" is a been there, done that, horror about a family who move to a spooky house in the middle of nowhere and then strange things begin to happen. It sounds like you have seen this film before yet the story still keeps you interested and in some cases even intrigued.
A family move from Chicago to an eerie, abandoned farmhouse in North Dakota to start a fresh and to start growing sunflowers on its land, aw. Then the teenager daughter Jess (Kristen Stewart, Panic Room) begins to sense strange happenings from the moment they move in, something just isn't quite right, her toddler brother, Ben, also begins to notice creaking noises and following shadows and the mother (Penelope Ann Miller) just can't get rid of THAT stain on the wall. However, the family don't seem to communicate so everybody just gets on with it without mentioning the strange goings on to other family members. Tut.
Roy the dad, (Dylan McDermott, Miracle on 34th St) then hires Burwell, a man who has literally came from nowhere to help on the farm, just as long as Roy throws in a free dinner. Mysterious Burwell (Aidan from Sex and the City) comes complete with sideburns a beard and a backwards cap, yes, a backwards cap. They are all getting on nicely, the sunflowers are growing, Jess has made a friend in Bobby but mum Denise just can't get THAT stain off the wall. So where did Burwell come from? Please enter ghostly Gollum like figures, shrieking violins, pecking crows and a lot of jumpy movements.
There isn't much new with "The Messengers" but with the film changing which character it's going to focus on every 5 minutes it still manages to keep you entertained and even concerned in what is going to happen. However, we know what is going to happen, don't we? You know what's round the corner, yet you still manage to jump, and I still managed to enjoy it!
A family move from Chicago to an eerie, abandoned farmhouse in North Dakota to start a fresh and to start growing sunflowers on its land, aw. Then the teenager daughter Jess (Kristen Stewart, Panic Room) begins to sense strange happenings from the moment they move in, something just isn't quite right, her toddler brother, Ben, also begins to notice creaking noises and following shadows and the mother (Penelope Ann Miller) just can't get rid of THAT stain on the wall. However, the family don't seem to communicate so everybody just gets on with it without mentioning the strange goings on to other family members. Tut.
Roy the dad, (Dylan McDermott, Miracle on 34th St) then hires Burwell, a man who has literally came from nowhere to help on the farm, just as long as Roy throws in a free dinner. Mysterious Burwell (Aidan from Sex and the City) comes complete with sideburns a beard and a backwards cap, yes, a backwards cap. They are all getting on nicely, the sunflowers are growing, Jess has made a friend in Bobby but mum Denise just can't get THAT stain off the wall. So where did Burwell come from? Please enter ghostly Gollum like figures, shrieking violins, pecking crows and a lot of jumpy movements.
There isn't much new with "The Messengers" but with the film changing which character it's going to focus on every 5 minutes it still manages to keep you entertained and even concerned in what is going to happen. However, we know what is going to happen, don't we? You know what's round the corner, yet you still manage to jump, and I still managed to enjoy it!
"The Messengers" revolves around a young teenager, Jess (Kristen Stewart), who moves out into rural North Dakota with her dad (Dylan McDermott), her mother (Penelope Ann Miller), and her little brother, to a sunflower farm. The house they move into is run-down and very spooky, and Jess isn't happy about the entire situation. From the moment they arrive to the house, Jess begins to have strange experiences and see very bizarre things. Her younger brother also sees things that nobody else can, and Jess is concerned. A man who shows up out of nowhere (John Corbett) to work at the farm, and the family becomes pretty close with him as well. But the increasingly frightening supernatural experiences that only Jess seems to see get more and more violent, and seem to have a relation to something that happened in the house years ago.
With some obvious similarities to "The Grudge" (and just about every ghost story you can think of), "The Messengers" is an extremely derivative ghost tale that manages to hold itself up without becoming unbearably watchable. The story itself is your typical haunted-house yarn - family moves into house, strange experiences begin that can only be seen by the children or our main character, seems to have a relation to a horrible incident that happened in the house years before. Full of dark and shadowy rooms, ghost-like figures with ridiculously orchestrated jerky movements (reminiscent of "The Grudge"), mostly useless "jump" scares, and a small child character who can see things others can't, "The Messengers" is clichéd, no doubting that. I wasn't afraid once during this film, because I knew when to expect all of the scary moments. Maybe it's because I've seen films like this one too many times, but all I can say for sure is that I didn't find this film scary.
While this film is heavily clichéd (which is probably it's strongest negative point), I still managed to enjoy the majority of it. While the story is typical, it managed to keep my attention and I was at least interested. The cinematography really soared in this film. Everything was very nice looking and the atmosphere was great. The backdrop of the house and the surrounding land really made it feel like it was in the complete middle of nowhere, and the old house itself, while it was your typical haunted house, was admittedly spooky looking. The acting was really good for the most part. Kristen Stewart is the lead and is very talented and convincing. I'd previously seen her in "Panic Room" at a younger age, and even then she was good. I can see her going places. Dylan McDermott and John Corbett are both very good as well, and Penelope Ann Miller, while not giving the best performance of the cast, was decent enough. I can't say anything too horrible about the acting though.
Overall, "The Messengers" is your typical, cliché-ridden modern ghost story, and it borrows so much from other recent films of it's type (which a lot of these films seem to do), that it becomes another one of those "we've seen it all before" horror movies. It doesn't offer much of anything new for the genre, but it was at least watchable. If you want some cheap scares and a very few number of eerie moments, you'll probably enjoy this. But mostly, this film is one big cliché. Enjoyable if you don't take it too seriously though, but just average. 5/10.
With some obvious similarities to "The Grudge" (and just about every ghost story you can think of), "The Messengers" is an extremely derivative ghost tale that manages to hold itself up without becoming unbearably watchable. The story itself is your typical haunted-house yarn - family moves into house, strange experiences begin that can only be seen by the children or our main character, seems to have a relation to a horrible incident that happened in the house years before. Full of dark and shadowy rooms, ghost-like figures with ridiculously orchestrated jerky movements (reminiscent of "The Grudge"), mostly useless "jump" scares, and a small child character who can see things others can't, "The Messengers" is clichéd, no doubting that. I wasn't afraid once during this film, because I knew when to expect all of the scary moments. Maybe it's because I've seen films like this one too many times, but all I can say for sure is that I didn't find this film scary.
While this film is heavily clichéd (which is probably it's strongest negative point), I still managed to enjoy the majority of it. While the story is typical, it managed to keep my attention and I was at least interested. The cinematography really soared in this film. Everything was very nice looking and the atmosphere was great. The backdrop of the house and the surrounding land really made it feel like it was in the complete middle of nowhere, and the old house itself, while it was your typical haunted house, was admittedly spooky looking. The acting was really good for the most part. Kristen Stewart is the lead and is very talented and convincing. I'd previously seen her in "Panic Room" at a younger age, and even then she was good. I can see her going places. Dylan McDermott and John Corbett are both very good as well, and Penelope Ann Miller, while not giving the best performance of the cast, was decent enough. I can't say anything too horrible about the acting though.
Overall, "The Messengers" is your typical, cliché-ridden modern ghost story, and it borrows so much from other recent films of it's type (which a lot of these films seem to do), that it becomes another one of those "we've seen it all before" horror movies. It doesn't offer much of anything new for the genre, but it was at least watchable. If you want some cheap scares and a very few number of eerie moments, you'll probably enjoy this. But mostly, this film is one big cliché. Enjoyable if you don't take it too seriously though, but just average. 5/10.
Lo sapevi?
- QuizAt the film premiere in Minot, North Dakota, when Bobby said "Welcome to North Dakota," the audience broke out in laughter.
- BlooperIn the film they are harvesting sunflowers when they are full bloom. Sunflowers can only be harvested in the winter when they are fully black
- Curiosità sui creditiThe opening title sequence suddenly drains of color, to become monochrome (black and white).
- ConnessioniFeatured in HypaSpace: Episodio #6.25 (2007)
- Colonne sonoreAll My Dreams Are Coming True
Written and Performed by Ron Keel (ASCAP)
Courtesy Marc Ferrari/MasterSource
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Messengers?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Messengers
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 16.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 35.374.833 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.713.321 USD
- 4 feb 2007
- Lordo in tutto il mondo
- 55.060.212 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti