The Messengers

Well made ghost horror might not be the greatest movie ever made, but manages to entertain effectively.

Let us first of all say that this movie does exactly what it says on the tin. It is a ghost story and never pretends to be anything else. Anyone looking for a highbrow horror tale here can look elsewhere.

Getting back to the story though, and a family with a mysterious past move to a new home in the middle of the country, a home with a chequered history of its own, and it is not long before daughter Jess encounters the secrets of the house...

Husband Roy is desperate to make a go of this new life, by making a successful harvest with the fertile soil in the fields next to where they now live, and despite some troubles between mother and daughter it seems that they are going to try putting their problems behind them.

The house has other ideas though.

The Messengers makes no apology for what it is - an old-fashioned ghost story with a hint of horror and which benefits from a slightly shallow plot to aid with fast story telling and scares. Yeah, it's not exactly earth shatteringly terrifying but it does a better job of building tension than most of its peers.

Its special effects are reasonably decent, and never look too fake bar bar one single occasion in the cellar.

The acting too is acceptable and does the job - Kristen Stewart does her best with the material and produces what the role requires.

But the fun here is with the overall feel of the movie - it just works as long as you don't try to expect too much from it.

The only oddity is 'Cigarette Smoking Man' from X-Files William B Davis making an unnecessary and pointless appearance twice as a real estate broker - a side story which was totally inept and served no purpose and gave the actor all of 20 seconds of screen time.

That aside, good movie and worth seeing as long as you don't expect more than it is.

I don't think that I would completely write off the Pang brothers, Oxide and Danny, as they don't completely go into the self-indulgent post-modernism that has panged, no pun intended, the horror filmmakers of late. Only once or twice they jump into 'Saw' territory. But even having not seen the majority of the Japanese horror movies that have give rise to the over-abundance of 'ghosts-in-my-house' wave (and, likewise, to their American counterparts), there isn't too much with surprise or shocks in The Messengers.

I'm sure they're self-conscious of the films they're paying homage/ripping off (the one scene involving the crows and their rendezvous with John Corbett's character is like a chummier mash of The Birds and North by Northwest; Shining and Close Encounters references seem a little more than clear to me too), yet they also succumb to having their film be really affect-less. It's never too stupid though; I didn't have a disliking toward any one character, with the exception being maybe towards the end with Corbett (I don't think I'm spoiling much there), and it's the sort of typical family-moves-into-a-creepy-house story that decides to hit the usual bases without going rapidly wrong on the marks.

But there's also the muddle that comes in dealing with the supernatural side of things, amid the average scares of 'what did I hear in the other room, I'll go check'. For one thing, the variations on who the ghosts and demons in the house are- if they're the family that used to live there, or if they might be the whatevers that killed off the family striking back at the new family in the house. There's fair acting from the family (Kristen Stewart of Panic Room fills in the teenage-girl niche, and there's competent work from McDermott and Miller; Colbert is a little creepy, but I guess that's the point; William B. Davis's bit part is the best real surprise of the movie), but it's all at the mercy of a standard script that might've been better, damn if I say it, as a half hour TV episode or something. Only sometimes, too, are there some potential unintentional laughs to be had, mostly towards the climax and with the very randomly placed crows that can only come in a pretty inexplicable flick such as this.

In the end, the Messengers is nothing new, and won't contribute much at all to the horror genre at large, but I wouldn't throw it in my 'I hate this movie so much' bin either, as it only continues to that non-threatening realm of the kinda-creepy PG-13 haunted house picture.

"The Messengers" is a been there, done that, horror about a family who move to a spooky house in the middle of nowhere and then strange things begin to happen. It sounds like you have seen this film before yet the story still keeps you interested and in some cases even intrigued.

A family move from Chicago to an eerie, abandoned farmhouse in North Dakota to start a fresh and to start growing sunflowers on its land, aw. Then the teenager daughter Jess (Kristen Stewart, Panic Room) begins to sense strange happenings from the moment they move in, something just isn't quite right, her toddler brother, Ben, also begins to notice creaking noises and following shadows and the mother (Penelope Ann Miller) just can't get rid of THAT stain on the wall. However, the family don't seem to communicate so everybody just gets on with it without mentioning the strange goings on to other family members. Tut.

Roy the dad, (Dylan McDermott, Miracle on 34th St) then hires Burwell, a man who has literally came from nowhere to help on the farm, just as long as Roy throws in a free dinner. Mysterious Burwell (Aidan from Sex and the City) comes complete with sideburns a beard and a backwards cap, yes, a backwards cap. They are all getting on nicely, the sunflowers are growing, Jess has made a friend in Bobby but mum Denise just can't get THAT stain off the wall. So where did Burwell come from? Please enter ghostly Gollum like figures, shrieking violins, pecking crows and a lot of jumpy movements.

There isn't much new with "The Messengers" but with the film changing which character it's going to focus on every 5 minutes it still manages to keep you entertained and even concerned in what is going to happen. However, we know what is going to happen, don't we? You know what's round the corner, yet you still manage to jump, and I still managed to enjoy it!

I won't lie to you, I enjoyed this movie. Yes, it was rather generic. Yes, it borrowed some plot points from other movies. And yes, there were way too many crows. Yet despite all the negative I continued to hear about it, I went and saw it anyways, and I'm glad I did.

Many plot points, such as a haunted house in the middle of nowhere, parents not listening to their kids, and ghosts out for revenge are ideas that Hollywood has used and recycled more times than a person can count. However, The Messengers manages to put these together into one movie, without going for too much at once. Certain scenes were rather predictable, so I won't claim that the movie really innovates on any of the standard horror elements, but there are plenty of moments that had me jump in my seat, and had the female members of the audience squealing and clutching their boyfriends.

Overall I felt at the end of the movie that, while not amazing, it was worthy of my time and money to see with a couple friends on a lazy afternoon.

"The Messengers" revolves around a young teenager, Jess (Kristen Stewart), who moves out into rural North Dakota with her dad (Dylan McDermott), her mother (Penelope Ann Miller), and her little brother, to a sunflower farm. The house they move into is run-down and very spooky, and Jess isn't happy about the entire situation. From the moment they arrive to the house, Jess begins to have strange experiences and see very bizarre things. Her younger brother also sees things that nobody else can, and Jess is concerned. A man who shows up out of nowhere (John Corbett) to work at the farm, and the family becomes pretty close with him as well. But the increasingly frightening supernatural experiences that only Jess seems to see get more and more violent, and seem to have a relation to something that happened in the house years ago.

With some obvious similarities to "The Grudge" (and just about every ghost story you can think of), "The Messengers" is an extremely derivative ghost tale that manages to hold itself up without becoming unbearably watchable. The story itself is your typical haunted-house yarn - family moves into house, strange experiences begin that can only be seen by the children or our main character, seems to have a relation to a horrible incident that happened in the house years before. Full of dark and shadowy rooms, ghost-like figures with ridiculously orchestrated jerky movements (reminiscent of "The Grudge"), mostly useless "jump" scares, and a small child character who can see things others can't, "The Messengers" is clichéd, no doubting that. I wasn't afraid once during this film, because I knew when to expect all of the scary moments. Maybe it's because I've seen films like this one too many times, but all I can say for sure is that I didn't find this film scary.

While this film is heavily clichéd (which is probably it's strongest negative point), I still managed to enjoy the majority of it. While the story is typical, it managed to keep my attention and I was at least interested. The cinematography really soared in this film. Everything was very nice looking and the atmosphere was great. The backdrop of the house and the surrounding land really made it feel like it was in the complete middle of nowhere, and the old house itself, while it was your typical haunted house, was admittedly spooky looking. The acting was really good for the most part. Kristen Stewart is the lead and is very talented and convincing. I'd previously seen her in "Panic Room" at a younger age, and even then she was good. I can see her going places. Dylan McDermott and John Corbett are both very good as well, and Penelope Ann Miller, while not giving the best performance of the cast, was decent enough. I can't say anything too horrible about the acting though.

Overall, "The Messengers" is your typical, cliché-ridden modern ghost story, and it borrows so much from other recent films of it's type (which a lot of these films seem to do), that it becomes another one of those "we've seen it all before" horror movies. It doesn't offer much of anything new for the genre, but it was at least watchable. If you want some cheap scares and a very few number of eerie moments, you'll probably enjoy this. But mostly, this film is one big cliché. Enjoyable if you don't take it too seriously though, but just average. 5/10.