Aggiungi una trama nella tua lingua"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, an... Leggi tutto"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, and a brain-damaged ex-cult guru. It's described as funny, sexy, edgy and dangerous. The Ple... Leggi tutto"The Pleasure Drivers" lays out three separate interconnected stories involving an adulterous therapist, a young sociopath call girl, a vicious lesbian hit woman, a white trash kidnapper, and a brain-damaged ex-cult guru. It's described as funny, sexy, edgy and dangerous. The Pleasure Drivers energetically explores the shadow side of Los Angeles and how it gleefully r... Leggi tutto
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I like films and stories that have multiple story lines that converge into one connected plot. Tarantino does this well. I myself wrote a novel with four interwoven plots. "Anna Karenina" did this very well. This film did not pull off the magic as well as we could have hoped.
A professor leaves home when he finds his wife has a lesbian lover and along the way picks up a sexy escort (played by the ravishing Lacey Chabert). But this plot is full of such annoyances -- every time something cool is about to happen, it is stopped.
A nurse takes her patient away and kidnaps a girl to raise money. She even involves Meat Loaf (who, like his character in "Pelts", likes to kill raccoons). This has some potential, but is plagued by the fact it just doesn't make much sense. A nurse kidnapping someone? I guess, but it seems extreme.
The worst part is that the best character is the priest played by Billy Zane and Zane only shows up for a brief time (delivering some great lines). Had he appeared more often, the film would have been significantly improved. But we are left wanting.
And that's what it really came down to: a teaser with no satisfaction. Not enough Zane, not enough sex (especially with as much as they hint at) and a plot that ultimately seems more forced than fluid. I enjoyed the movie, but it was nothing special and certainly doesn't warrant a second viewing on my part. Maybe I missed something deeper, but I really doubt it.
The plot: What I can gather is that Daphne (Holly) kidnaps a woman who is connected to a powerful church run by Marvin (Zane). There's also a subplot involving a pretentious professor (Angus Macfadyen) and a sex addict (Lacey Chabert).
The biggest problem with the movie (and it's HUGE) is that absolutely nothing makes sense. The plot should've been laid out in a linear form. It's trying way too hard to be cool and "weird". The acting doesn't help either. Holly has a speech in the beginning of the movie that so off-key and overacted, you'll beg her to stop. Billy Zane has one scene, and it's the only good one. Meat Loaf, usually is fun to watch but his character is a big cliché. The movie moves at a glacial pace, with no snappy dialogue and even music to move it along.
One of the biggest bombs I've seen in a while, "The Pleasure Drivers" is a must-avoid.
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Pleasure Drivers is without a doubt the darkest movie I have seen in a while and it most certainly has nothing whatsoever to do with pleasure. My stomach hurt for hours after watching this movie. The story predicts a happy ending but in my opinion this happy ending exists only in a weird imaginary conspiracy theory kind of way.
Is the acting well done? Yes, I suppose you could say the actors did exactly what they were supposed to do. It's the story line I have a problem with. The movie jumps about in fits and jerks and I am not sure if we are flashing back to another time in history or moving forward ahead in time.
Only in the last half hour does the movie become more predictable, more understandable and you realize the classic horror that is about to happen as it unfolds.
Lo sapevi?
- QuizVing Rhames was originally going to play Marvin, Billy Zane's character.
- BlooperWhen Lacey Chambert's character slams the motel door, her skirt is clearly seen caught in the door.
- Citazioni
Daphne Widesecker: You know the Temple of Divine Destiny? I got the girl, Toms sister, tied up in the trunk of the car. I'm gonna ransom her!
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