Omaret yakobean
- 2006
- 2h 45min
VALUTAZIONE IMDb
7,5/10
7652
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaMeditations on corruption, fundamentalism, prostitution, homosexuality, and drugs in central Cairo.Meditations on corruption, fundamentalism, prostitution, homosexuality, and drugs in central Cairo.Meditations on corruption, fundamentalism, prostitution, homosexuality, and drugs in central Cairo.
- Regia
- Sceneggiatura
- Star
- Premi
- 9 vittorie e 5 candidature totali
Esaad Younis
- Dawlat El Dessouky
- (as Issad Younis)
Ahmad Bedair
- Malaak
- (as Ahmed Bedeir)
Hind Sabri
- Bothayna
- (as Hind Sabry)
Khaled El-Sawi
- Hatem Rachid
- (as Khaled El Sawy)
Basem Samrah
- Abd Raboh
- (as Bassem Samra)
Mohamed Emam
- Taha El Shazly
- (as Mohamed Imam)
Youssef Dawood
- Fekry Abdel Shaheed
- (as Youseff Daoud)
Talaat Zakaria
- Bar Owner
- (as Talat Zakariyya)
Recensioni in evidenza
The modern day Egypt is the main character of this epic. It seems to be a tumultuous place never sure if it wants to be in the West or East. The director of this interesting movie tackles quite a few controversial topics. The rise of Islamic fundamentalism, homosexuality, the poor treatment of women in contemporary Egyptian society, the rampant corruption, still powerful strict class system. Enough topics for a dozen movies, but the director somehow manages to pull it all together. Some of the story lines feel a bit rushed to its conclusion, but all in all an interesting glimpse at modern Arab world. Its people are like any other, scared and imperfect and a bit lost in the complexities of life.
What I like most about this movie is that it opens a window into an unknown world for me, that of relations between men an women in modern Egypt, and it does so in a style that is at the same time sumptuous an unfamiliar. People do things you wouldn't expect, despite the slightly heavy-handed handling of emotions. There are areas where the movie is not perfect: it is so highly pessimistic and denounces the greed and selfishness of Egyptian men with so much vigor that it appears somewhat simplistic. It does tend to ramble a bit. But the power and the humor of the movie (it is quite funny, despite being tragic) transcends all that and makes those minor faults. I understand the director is very young, so he will have ample time to overcome and transcend these youthful imperfections. I didn't like Slumdog Millionaire because it told me everything about India that I already knew: it feels like a package tour where you are shown the sites you expect to see, and are whisked from one location to another. For a western viewer, Omaret yakobean is like a journey where you land at the airport and are immediately carried away by the atmosphere, the culture shock, the bustling streets, the misunderstandings, from which you emerge with challenged assumptions and a wider view of the world.
I am still reeling from the dizzying marvel of the grand storytelling of this movie. No movie can be like a book. So I discount all who compare it to a book.
I cared so much for these people, their stories are topical yet universal. The anguishes, the struggles, the personal demons, stay with me...as reminders of the pain of all mankind.
"We are living in the age of deformity" said one of the characters... and so mankind still continues, forming, deforming, renewing itself. When will it end? These are the questions which this film asks of us all. But is the world deformed or - is it we who are deformed? While this movie will not answer such an unanswerable question out loud. We know the truth. But we seldomly face it...Some of us learn our lessons, some do not. But our pasts always come back to haunt us...
I know I've not said anything about the acting, nor the unmatched technical gifts of this movie...but they are what crown this magnificent achievement from the first delicate frame until it's bleak uncompromising ending...
The cinematography, editing, and music must be praised to the rooftops!
***** I recommend this movie to those who are not afraid to see the truth and see it told marvelously.
...
I cared so much for these people, their stories are topical yet universal. The anguishes, the struggles, the personal demons, stay with me...as reminders of the pain of all mankind.
"We are living in the age of deformity" said one of the characters... and so mankind still continues, forming, deforming, renewing itself. When will it end? These are the questions which this film asks of us all. But is the world deformed or - is it we who are deformed? While this movie will not answer such an unanswerable question out loud. We know the truth. But we seldomly face it...Some of us learn our lessons, some do not. But our pasts always come back to haunt us...
I know I've not said anything about the acting, nor the unmatched technical gifts of this movie...but they are what crown this magnificent achievement from the first delicate frame until it's bleak uncompromising ending...
The cinematography, editing, and music must be praised to the rooftops!
***** I recommend this movie to those who are not afraid to see the truth and see it told marvelously.
...
10totta24
That's what I felt after watching that movie, it's really close to the society and the public's pulse, some overestimation is there but through comic frame, you'll enjoy watching that movie Marwan Hamed is not an ordinary director, he is one of the best around. i have never seen such a movie that tackles every issue in the Egyption society so honestly. it is a pure masterpiece and if i was running the Oscars then that movie will sure receive one. A movie so honest and directed, it is designed for all classes describing the social corruption in todays society - not only in Egypt but all around the world. if you miss this movie then you will spend your entire life regretting it so i advice every Arabic and non-Arabic speaker to watch the masterpiece and enjoy the art of this marvelous director whom i have a great respect for. two thumps up
10mnadi
This excellent black drama is a must see despite its nearly three-hour running time, the movie is one of the most watchable and enjoyable pieces of art in Egyptian Cinema.
I didn't read the story before seeing that controversial movie, so I had low expectations. But despite that, got hooked as early as the quality intro that takes you smoothly through an enjoyable ride to discover the background behind that nostalgic building in central Cairo through a Sepia short clip.
The film is an artistic black drama which is full of cultural and political symbolism if you read carefully between the lines, my interpretation is that the building is a clear symbol of the country itself and how it transformed dramatically from the nostalgic early days of the 40s till the present day, shedding light on the price that the Egyptian society had to pay during that rough trip, and how the society has clear double standards that everyone is trying to ignore.
Every side story evolves in a different direction and involves controversial characters who are linked only by the same building (society) in someway or the other, the different stories are interweaves in an artistic way to dramatise different controversial issues and taboos from adultery, political corruption, homosexuality to Islamic fundamentalism.
The movie has a general sad feel around it especially for anyone who lived in Egypt as it touches on the deterioration and many negative issues that are becoming more and more the norm in most Egyptian society levels that was once a conservative and religious society. It is strong wakeup call to those who love their country to stop burying their heads in the sand when it comes to double standards that's affecting everyone in the society making everyone feel inferior to the country. The story will make you think deeply about how and why a country like Egypt could end up where it is today.
The cinematography, steady cams, crane camera movement is brilliant, the smooth cuts and soft transitions boosts the romantic dimension of the storyline. As expected, the music score by Khaled Hammad is expressive, romantic and adds a lot of depth to many scenes. The tempo of the movie is just right, giving enough time for actors to express their feelings through longer than usual shots that will never leave you bored. Action scenes are also very well done.
A must see piece of art for anyone who is living or used to live in Egypt.
I didn't read the story before seeing that controversial movie, so I had low expectations. But despite that, got hooked as early as the quality intro that takes you smoothly through an enjoyable ride to discover the background behind that nostalgic building in central Cairo through a Sepia short clip.
The film is an artistic black drama which is full of cultural and political symbolism if you read carefully between the lines, my interpretation is that the building is a clear symbol of the country itself and how it transformed dramatically from the nostalgic early days of the 40s till the present day, shedding light on the price that the Egyptian society had to pay during that rough trip, and how the society has clear double standards that everyone is trying to ignore.
Every side story evolves in a different direction and involves controversial characters who are linked only by the same building (society) in someway or the other, the different stories are interweaves in an artistic way to dramatise different controversial issues and taboos from adultery, political corruption, homosexuality to Islamic fundamentalism.
The movie has a general sad feel around it especially for anyone who lived in Egypt as it touches on the deterioration and many negative issues that are becoming more and more the norm in most Egyptian society levels that was once a conservative and religious society. It is strong wakeup call to those who love their country to stop burying their heads in the sand when it comes to double standards that's affecting everyone in the society making everyone feel inferior to the country. The story will make you think deeply about how and why a country like Egypt could end up where it is today.
The cinematography, steady cams, crane camera movement is brilliant, the smooth cuts and soft transitions boosts the romantic dimension of the storyline. As expected, the music score by Khaled Hammad is expressive, romantic and adds a lot of depth to many scenes. The tempo of the movie is just right, giving enough time for actors to express their feelings through longer than usual shots that will never leave you bored. Action scenes are also very well done.
A must see piece of art for anyone who is living or used to live in Egypt.
Lo sapevi?
- QuizOfficial submission of Egypt for the 'Best Foreign Language Film' category of the 79th Academy Awards in 2007.
- BlooperWhen Hatem is drinking while remembering his youth near the end of the film, he finishes his drink. Seconds later, he finishes it again.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Yacoubian Building?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- The Yacoubian Building
- Luoghi delle riprese
- Alessandria, Egitto(beach front)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.000.000 EGP (previsto)
- Lordo in tutto il mondo
- 2.414.837 USD
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti