Agente Smart - Casino totale

I'm going to preface this review by stating that I haven't seen the original TV series upon which this film was based on. Therefore I'm unable to draw comparisons and will just stick to reviewing this film.

One thing I did think was really good about this film was some of the casting choices; Carrell is particularly good here and is very convincing in his respective role as the bumbling & inept rookie agent. He brings a sort of naïve charm to many of his performances and I can't think of a role I've seen him in where I didn't enjoy his performance. Likewise, I think that Hathaway is a perfect compliment to Carrell and their chemistry in this was great - Hathaway pulls off the sexy, sassy & ultra confident field agent with ease. Alan Arkin is a great actor and is always watchable. Likewise, I thought Terrence Stamp was a very effective villain and was quite menacing. Even Dwayne 'The Rock' Johnson (who is not the best of actors) managed to also be quite good here.

I wasn't convinced by all of the characters however; I found Koechner & Crews characters to be more annoying than funny. The same could be said of the two nerds who were also annoying rather than funny (although not as much as Koechner & Crews). Bill Murray also has a cameo in this which seemed a bit pointless to me.

The one problem with this film was its rather muddled plot- I found it to be very unfocused and it seemed to jump around from place to place and the narrative seemed to jump back and forward which made the story hard to follow at times. Although this was a problem for me, thankfully it wasn't a huge problem as I still found that I enjoyed the film as a whole even if the plot was a little scattershot at times. The main reasons that this film works is due to the excellent chemistry between Hathaway and Carrell and their great interplay makes it possible to ignore some of the issues with the plotting.

Get Smart is funny, but it's not a film that's consistently funny but rather a film that is occasionally funny - although I must admit that some of the jokes were really funny so perhaps it's just a case of quality over quantity. Whilst I haven't seen the original TV Series the closest thing that this film reminds me of is Johnny English - therefore if you enjoyed Johnny English then you should enjoy this too. Nothing spectacular, but it's definitely worth a look.

Right off the bat, if you're the kind of person who hates all remakes then of course you'll hate this movie. But if that's you, then why even bother reading reviews?

Good, you're still here, so we'll assume that you're willing to give this flick a fair shake. "Get Smart" (2008) is a reboot of the iconic tv series, and by "reboot" I mean that it doesn't necessarily follow the original storyline except that the characters share the same names. In this version, Maxwell Smart is a lowly analyst who gets his big shot at being an agent. Other than being a general nerd, his schtick is that, being an obsessive intelligence analyst, he knows the enemy inside out. So even though he may not be a dashing superhero, his intelligence is his strength. When he's not being a total clueless dolt, that is. I thought this was a great new angle.

His counterbalance is Agent 99 (Anne Hathaway), an experienced field operative who has to put up with Max's quirky arrogance. She may possibly have some anger issues. Again, a really fun character to watch.

The plot? Not important. Like the original tv show, the plot is rather superficial with the real entertainment being carried by the gags. There were some nice nods to the original show, such as the ridiculous "cone of silence", the absurd gadgets crammed into common household objects, and of course some of the original trademark catchphrases ("Missed it by that much"). A few of the zingers were really funny and got some full belly laugh out of me. But they were sparsely placed, and that's my only criticism. Perhaps in an attempt to keep the plot moving, there were not enough bizarre wisecracks as I would have liked. One of my favorites was when Agent 99 somberly tells Max that if he gets caught, there's a pill in his belt buckle that causes death in 9 seconds. To which Max replies: "But how will I get them to take it?" This is the kind of humor that made the original so fun and makes this version a worthy homage.

The cameos are awesome with fleeting appearances by Kevin Nealon (from SNL), Patrick Warburton (Elaine's weird boyfriend "Putty" on Seinfeld), James Caan as "the president" (who can't pronounce "nuclear" - I wonder who that is), and none other than Bill Murray as Agent 13.

Dwayne Johnson practically steals the show as Agent 23, a caricature of every action hero he's ever played.

A final note worth noting: the technical consultant mentioned in the credits is THE Mel Brooks. It didn't surprise me because at times this has a somewhat Brooksian flair, especially in the hilarious ballroom dance number, oddly reminiscent of "the czardas" dance in Dracula: Dead & Loving It. Bottom line, if you are ready for a good time you'll have a good time.

It's amazing how good comic delivery can elevate mediocre material. Such is the case with 'Get Smart', where Steve Carell's excellent comic timing, and his chemistry with Anne Hathaway make for a very entertaining film, despite the at times clichéd script. Basically it's a light-hearted spy spoof with pot shots directed towards the Bush administration's War on Terror. Fans of wrestler Khali will like his appearance in the film. Dwayne Johnson chips in with a decent performance. The climax is surprisingly thrilling and works well in the film. A solid recommendation.

Overall 7/10

I just saw an advance screening of Get Smart and it was great! It was simply the best adaptation of a classic TV series for the big screen. I don't know how to explain it but it successfully carried the tone that the original series had. It was silly but not too silly and, at the same time, a little serious but not too serious. Familiar characters, props, music, jokes and lines all brought back fond memories of a delightful TV series. And there were plenty of new elements in this film that made it interesting and entertaining to watch. Steve Carrell was terrific as Agent 86 and seemed to capture the essence of Maxwell Smart. Not only did his portrayal of him resembled that of Don Adams' from the sound of Smart's voice to the delivery of Smart's lines, Carrell managed to inject a bit of his own personality to create a new Smart that didn't stray too far away from the old. Anne Hathaway was perfect as Agent 99. She did bear some resemblance to Barbara Feldon and actually delivered her lines in a similar manner as her at times. But more importantly, she had great chemistry with Carrell. A key ingredient to Get Smart's success was Maxwell Smart and Agent 99's chemistry and I'm glad the writers of this film didn't forget that. Feldon and Adams had terrific chemistry and so too did Hathaway and Carrell. Unlike previous film adaptations of old television series that only superficially resembled their TV series counterpart, this film can truly be considered a big screen version of the Get Smart TV series. Where Lost In Space, Mission Impossible, Charlie's Angels, Starsky and Hutch and (have I missed anything?) have failed, this film succeeded in maintaining the tone and style of the original series upon which it's based. Moreover, the filmmakers managed to bring Get Smart up to date without forgetting its roots. New ideas created for this film seemed to be natural extensions of those used for the original series. Jokes, props, music, characters and plot, old and new, all seemed to be born from the Get Smart world. I wish I could get into more details but I don't want to give anything away. I thoroughly enjoyed this film and highly recommend this to anyone, especially fans of the original TV series.

The new "Get Smart" does a masterful job of capturing the style, tone and humor of the '60s series, while transporting it into a modern sensibility. I had hopes for this film after seeing the two leads doing a 30-second skit on the Academy Awards show and thought they were dead on. So I invested $11.50 and was proved right.

First, this is no cheap knockoff. The production team captured Buck Henry's creation very credibly both in tone and substance. It reminded me very much of the late '80s homage to "Dragnet," which was executed with love and great attention to detail (right down to the product placement of Camel cigarettes and a photo of Jack Webb on the Dan Akroyd's desk). It's no small feat updating something as much a part of its era into a modern sensibility. There were even echoes of the early James Bond films (especially in The Rock's ladykiller character flirting with CONTROL's "Miss Moneypenny" and in some of the musical cues). On the other hand, the production values were all first-rate and contemporary, including a CGI effect of an aerial fly-around and push-in to a 747 that was reminiscent of the key shot in the pilot of Star Trek.

Steve Carrell makes a very reasonable Agent 86; where Don Adams played the character as a bumbling naif, Carrell makes him into a goodhearted wannabe who, despite having the kind of personality that renders him invisible in society, still has intelligence and an earnestness that can make him into hero material when he works at it. He reminded me of Jim Varney's portrayal of Jed Clampett: pure of heart and belief in his fellow man, yet with a bit of chops in dealing with the dark side of society. He fumbles around a lot getting his sea legs after years of being an ineffectual fatso (viz. impetuously slamming a fire extinguisher into the noggin of his boss at one point) but in a pinch, he's quickwitted and moves with decision. (He also quite reasonably feels more secure in briefs than boxer shorts; I don't know what Adam's take on this issue was).

On the other hand, Anne Hathaway nails Agent 99 with a performance absolutely capturing Barbara Feldon's creation, right down to the tone of voice, the raised eyebrows, and at least three different dead-on intonations of "Oh, Max!" Nevertheless, Hathaway moves the character beyond the pre-feminist liberation era and invests 99 with a believable 21st century sexuality and sense of empowerment. She's clearly in charge during the first half of the movie, only slowly yielding to an appreciation of Carrell's growing sense of command (and her own feelings toward him) as we move into Act 3.

Alan Arkin brings an odd turn to the Chief, playing him with a much-less-exasperated fatalism than did Edward Platt. In an interview, Arkin says he saw the character as a very good principal of a very bad middleschool. He comes across as a somewhat old codger closing in on retirement who's comfortably in charge and doesn't try to micromanage, and he has an important role in the climax piloting a Cessna over Disney Hall downtown, but I missed one of the catchlines they didn't include in this revision: namely, the Chief getting one of his headaches. (The other catchline they left out was 86's frequent "That's the second biggest (fill in the blank) I've ever seen.")

Everything else was there, though: We see the Cone of Silence (technologically updated), a very clever CGI revision of the entrance passage to CONTROL HQ, cameos by both Hymie the Robot and Fang, and there's even a passing utilization in this cellphone-obsessed society to the shoe-phone (appropriated from the Smithsonian institution display of the old "defunct" CONTROL). On the other hand, the agency is now under the Homeland Security Department and answers to the Vice President (when they can find him) and uses lots of high-tech, satellite surveillance and GPS gear. Chaos is in cahoots with terrorist organizations around the world and we know they're bad because they drive around in SUVs (the most satisfying and "green" event is seeing one of Satan's Sedans being demolished by a freight train).

Oh, and BTW, it's also a love story.