Sekai no chûshin de, ai o sakebu

The English title of this movie is "Crying out love, in the centre of the world".

After the proliferation of Korean romances in the last few years, Japan has made a come back, first with top romance "poetic" director Shunji Iwai's Hana and Alice. The director of Cry, Isao Yukisada, has collaborated extensively with Shunji Iwai and has been considered by many as his successor. The book on which the movie was based has taken Japan by storm; ditto the movie. However, as the story in the book, while beautiful, is a little too simple to sustain a movie, an additional character was written into it, played by Kou Shibasaki who suggested the idea of the movie in the first place. Also, the movie adopts the favourite structure for Japanese romances, one of parallel events, the present and a flashback. The success of this approach is quite evident.

Coming before the title is a prelude, with a frame showing a rain-beaten window pane and voice over, to the very, very faint background of Bach-Gounod's Ave Maria (does that bring back Raging Bull?) The voices of the boy and the girl are languid and melancholy. The meaning of this prelude scene and its background music are revealed only close towards the end.

The premise is familiar, a simple, sweet high school romance ended by a leukaemia death. What makes this movie a cut above the pack is that it does not go all out to be a tearjerker. The romance story in the flashback, which accounts for most of the movie, is told with refreshing simplicity, absorbing the audience in the attentive details and interesting characters, particularly the girl played so charmingly by Masami Nagasawa. The length of two-and-a half-hours is not an issue at all. Once you get into the small town of Takamatsu, time sort of stands still. If you don't like that sort of thing, one more minute would become boring. If you love it, passage of real time in the cinema is simply not noticed.

I won't dwell on the plot. We know very early that the girl in the romance eventually died of leukaemia so there's no spoilers there. To enrich the movie, an additional character is introduced, the man's (was the boy) present fiancée who however has a link to the past. Some think that this small plot twist is just a little too engineered but personally, I don't have a lot of problem with it.

One very interesting aspect is the retro element. The period of the flashback is the 80s, cassette messages listened via a walkman serves as a link between the pass and the present – a sort of audible love letters.

Ken Harai fans make sure that you do not dash away before the ending credits, which is accompanied by his performance of the title song he wrote.

THere is so much to be said about this movie.

Its aesthetically beautiful. It's emotionally pure, powerful, & sad and its heartwarming as well as tearjerking. I won't tell you anything about the story because you probably have already looked into it. Well, if you haven't... DON'T! Don't spoil it for yourself. Find it somehow. Online. IN a store. Anywhere. Its amazing. Breathtaking. Gratifying. At the risk of sounding like more of a fanboy, I'll stop here.

The best Japanese film of 2004 without a doubt & maybe of the last decade.

A must see.

I hope for a region 1 DVD sometime soon.

A beautiful, beautiful movie. Haunting....and got me crying (and I don't cry easily!) It haunted me for days after watching it on cable TV, and even writing this comment made my eyes a little moist. This charming movie is made credible by the performances of the two young actors. I loved them and I loved the movie! What made it even more endearing was that there was no love scenes, no sex, no giggling teenage girls, etc. Nothing like those Hollywood or HK type teen romance. Watch it with an open mind and an open heart, and be prepared to feel... BTW, I just fell in love with the character Aki. If I ever had a love in my teens, it would be her....

I have just returned from holiday and had the unexpected chance to view this film during a 13-hour long plane flight. It was admittedly one of 60 movies on offer - mainly in English. I once lived in Japan for several years and couldn't help but draw some parallels to my experiences and relationships whilst living there. The title does not become fully clear until you have seen the entire film so I will not spoil it for you - the best thing is to approach the film with a completely open mind, with as little knowledge of the plot as possible. Suffice to say that I found this movie captivating from the very beginning, evocatively scored (the piano music really hits the spot), beautifully photographed, and the leading characters are all sensitively portrayed by the Japanese actors and actresses involved, many of whom will not be familiar to movie-goers outside Japan. Although it runs for almost 2 hours I found that the film never dragged and developed the story and characters at a realistic pace. I was touched by this moving story so much that it had me crying too !

Told, mostly, in a chronological series of flashbacks, Crying Out Love (forgive me for abbreviating the title) is unabashed about pulling blatantly on your heart-strings. It has been so meticulously put together however, with such charming performances from the young leads, that you fall readily into being manipulated into tears.

Saku, who spends far too much time in the office, is soon to marry Ritsuko. But on the eve of a great typhoon Ritsuko discovers an old audio cassette in some childhood clothes, which sends her back to the old seaside town she grew up in. Saku finds only a note and, whilst visiting a friend in despair, a chance sighting of Ritsuko in the background of a TV news broadcast leads Saku also back home to find her, and to rediscover the pains of an old ghost.

Once back in the quiet seaside town, Saku is drawn to replay a series of audio cassettes given him by his high school love, Aki. Here the flashbacks begin, and we see Saku and Aki's relationship grow. At first the budding high school romance is charming, cute, and most of all quite genuine. From the rather gawky and unsophisticated ways Saku acts and reacts, to the far more mature and yet still innocent Aki, the young actors invest the characters with both a sense of reality and certain nostalgic magic as befits the memories of a first love at 16.

Saku wins a Walkman in a radio competition, by the simple expedient of lying about a girl that is, essentially, Aki herself. A disappointed Aki hands him a cassette - a message - and thus begins the ongoing exchange of tapes - which later becomes a journal of sorts - as their relationship is repaired and grows, and into the tragedy that follows.

Filmed in something of a standard soft-focus with stylised lighting, the flashback sequences bring with them a look and feel of a youth long gone where the world held so much promise for the two lovers. The stark contrast of the present time, and the occasional intermingling of the two, is perhaps a tad blunt but works remarkably well. This is an intimate film, without sweeping shots or extravagance, but is invested with a warmth by the choice of locations and sets that all seem truly lived in, truly small town Japan. Other than some dreadfully wooden lines near the very end of the movie (both in delivery and in writing), the acting throughout ranges from decent to some remarkable scenes by both young Saku (Mirai Moriyama) and Aki (Masami Nagasawa).

Crying Out Love is a beautiful, charming movie which leads you through the youth of two lovers in such a way as almost guarantee tears. It's a deliberate, and clearly obvious, intent but one you truly don't mind being driven into because the journey is so worthwhile.

8.0/10