VALUTAZIONE IMDb
4,9/10
4173
LA TUA VALUTAZIONE
Una scrittrice di viaggi che a malincuore assume il controllo della rivista di matrimonio di suo padre scopre che la nuova esperienza potrebbe semplicemente cambiare la sua visione dell'amor... Leggi tuttoUna scrittrice di viaggi che a malincuore assume il controllo della rivista di matrimonio di suo padre scopre che la nuova esperienza potrebbe semplicemente cambiare la sua visione dell'amore.Una scrittrice di viaggi che a malincuore assume il controllo della rivista di matrimonio di suo padre scopre che la nuova esperienza potrebbe semplicemente cambiare la sua visione dell'amore.
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Recensioni in evidenza
Director Nisha Ganatra and writer Tassie Cameron seem to have most of their experience in TV movies so this little slice of the industry is a change for them. Would that it were wholly successful because it seems as though both had a fine idea for something to say but just didn't know how to make it work. And again, blame the PR folks for making a cover for the DVD that not only seems silly, it has little to do with the story inside.
Pippa McGee (Heather Graham) is a travel writer, a hedonist, and an independent woman who avoids relationships like the plague. The film starts with a goofus dash for a wedding in which she is once again a bridesmaid on the run. After the ceremony she jokes with her best friend Lulu (Sandra Oh) who is equally against long term relationships beyond a quick shag, and she also meets one Ian (David Sutcliffe - Under the Tuscan Sun, Testosterone, Happy Endings etc), a handsome if shy young man who though attracted to Pippa, sees her as dangerous territory.
Pippa soon discovers that her father Malcolm McGee (Bruce Gray), a wealthy successful owner of a magazine conglomerate, is ill, has a heart attack, and though the father and daughter have had a negligible relationship, Pippa offers her help. Of course, her assignment is to be editor of 'Wedding Bells' magazine her departed mother started, and Pippa takes on the epitome of everything she loathes about relationships and marriage and tries to make a go of it. She discovers that Ian is her father's vice president and thus in charge of her new and loathed assignment. Pippa partners with the handsome magazine photographer Hemingway Jones (Taye Diggs), has a fling, and becomes close friends and partners in an attempt to change the look of the wedding magazine. There are far too many subplots to discuss, but suffice it to say that changes occur in the personalities of everyone involved and the ending, while entirely predictable, has enough humor and warmth to make a good evening out of a shaky story.
Heather Graham handles her 'challengingly bad' role with great aplomb: she is a delight to watch. The remainder of the cast does their best with the lines they're given. This is a bit of fluff, aimed at the 'chick flick' devotees, but it has its moments. Grady Harp, July 06
Pippa McGee (Heather Graham) is a travel writer, a hedonist, and an independent woman who avoids relationships like the plague. The film starts with a goofus dash for a wedding in which she is once again a bridesmaid on the run. After the ceremony she jokes with her best friend Lulu (Sandra Oh) who is equally against long term relationships beyond a quick shag, and she also meets one Ian (David Sutcliffe - Under the Tuscan Sun, Testosterone, Happy Endings etc), a handsome if shy young man who though attracted to Pippa, sees her as dangerous territory.
Pippa soon discovers that her father Malcolm McGee (Bruce Gray), a wealthy successful owner of a magazine conglomerate, is ill, has a heart attack, and though the father and daughter have had a negligible relationship, Pippa offers her help. Of course, her assignment is to be editor of 'Wedding Bells' magazine her departed mother started, and Pippa takes on the epitome of everything she loathes about relationships and marriage and tries to make a go of it. She discovers that Ian is her father's vice president and thus in charge of her new and loathed assignment. Pippa partners with the handsome magazine photographer Hemingway Jones (Taye Diggs), has a fling, and becomes close friends and partners in an attempt to change the look of the wedding magazine. There are far too many subplots to discuss, but suffice it to say that changes occur in the personalities of everyone involved and the ending, while entirely predictable, has enough humor and warmth to make a good evening out of a shaky story.
Heather Graham handles her 'challengingly bad' role with great aplomb: she is a delight to watch. The remainder of the cast does their best with the lines they're given. This is a bit of fluff, aimed at the 'chick flick' devotees, but it has its moments. Grady Harp, July 06
The characters are what you might expect for this type of film, but nonetheless are well-cast and played in good fun.
Things work out mostly like you'd expect, but that doesn't stop it from being a pleasant way to pass the time with a few smiles.
I gave it a 7 because It was a lighthearted way to end my evening and made me feel good.
When you watch a movie, what more do you really need?
Things work out mostly like you'd expect, but that doesn't stop it from being a pleasant way to pass the time with a few smiles.
I gave it a 7 because It was a lighthearted way to end my evening and made me feel good.
When you watch a movie, what more do you really need?
Cake is about finding out that however lofty your ideals maybe, you can always be wrong.
This comedy, as all good Hollywood productions, starts by over doing the traits of its main character. At some point, her zealousness runs her into a wall and then the movie starts to be a bit more realistic, a bit more sensible.
The story itself is simple, the plot elements unsurprising, and, even if the dialogs hold their own and are funny, they are uninventive.
The big attraction of the movie is that it is entertaining, and it doesn't screw up. You'll spend a good evening if you're interested in seeing an over idealistic, over energized young woman make a mess of things and then save the day in true Hollywood fashion.
This comedy, as all good Hollywood productions, starts by over doing the traits of its main character. At some point, her zealousness runs her into a wall and then the movie starts to be a bit more realistic, a bit more sensible.
The story itself is simple, the plot elements unsurprising, and, even if the dialogs hold their own and are funny, they are uninventive.
The big attraction of the movie is that it is entertaining, and it doesn't screw up. You'll spend a good evening if you're interested in seeing an over idealistic, over energized young woman make a mess of things and then save the day in true Hollywood fashion.
Pippa McGee (Heather Graham) is a globe-trotting travel writer. She comes home to be her friend Jane's bridesmaid along with best friend Lulu (Sandra Oh). When her father has a heart attack, she has to take over his magazine Wedding Bells. It's the last magazine she's likely to read and she dismisses marriage. She has a love triangle with photographer Hemingway Jones (Taye Diggs) and her father's right hand man Ian Grey (David Sutcliffe).
This feels and looks more like a TV movie. The bridal magazine world looks unreal. Heather Graham is not good rom-com material. She's flailing around in this movie. None of it is funny. The romantic chemistry isn't there. This is the most disappointing because these are really beautiful human specimens. This is a traditional rom-com done poorly.
This feels and looks more like a TV movie. The bridal magazine world looks unreal. Heather Graham is not good rom-com material. She's flailing around in this movie. None of it is funny. The romantic chemistry isn't there. This is the most disappointing because these are really beautiful human specimens. This is a traditional rom-com done poorly.
I'm not proud to say I just watched this awful piece of crap. I'm a lazy person, thats why i didn't turn it off.
The plot is a copy of what you have seen all to many times, it's so predictable it could make a swiss watch jealous. The acting is nothing special, verging on overacting in some places. A lot of the situations in the movie are completely non-believable, the characters do not develop, and if there even was an attempt to make characters that can be related to, it failed.
To say something positive, the pace of the movie is OK so if you are forced to watch it or you put it on by accident, know that it will actually end.
Bottom line is there's not a single memorable moment in this film, but if you hate yourself and feel like some mortification of the mind is in order then go ahead and rent it
The plot is a copy of what you have seen all to many times, it's so predictable it could make a swiss watch jealous. The acting is nothing special, verging on overacting in some places. A lot of the situations in the movie are completely non-believable, the characters do not develop, and if there even was an attempt to make characters that can be related to, it failed.
To say something positive, the pace of the movie is OK so if you are forced to watch it or you put it on by accident, know that it will actually end.
Bottom line is there's not a single memorable moment in this film, but if you hate yourself and feel like some mortification of the mind is in order then go ahead and rent it
Lo sapevi?
- QuizDirector Nisha Ganatra was hired to direct this film with strict adherence to the script by Tassie Cameron. The Producer, Miranda DePencier hired Tassie to write and developed this story based on her own life experience.
- BlooperWhen Pippa reads her letter to the bartender, he comments that one of her sentences is a run-on. While slightly verbose, it is not in fact a run-on sentence. Her grammar is correct.
- Citazioni
Pippa McGee: Lulu, I offered to edit a bridal magazine. It's a shrine to commitment, and I'm a slut!
- ConnessioniReferences Zanna gialla (1957)
- Colonne sonoreAnne Said
Written by Jill Moran, Charles Burney, Joey Oddo, and Kurt Hamernik
Performed by Another Man's Camel
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Cake
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 285.406 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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