Puritan

Great film, great direction. I managed to catch a screening of "Puritan" last year & really enjoyed it. It has a great atmosphere, looks slick and an impressive supporting cast. The narrative keeps you gripped until the end, with a few chills and twists along the way. David Soul plays an excellent and unexpected turn as a sly, possibly crooked public benefactor / philanthropist guru. Georgina Rylance is excellent as the love interest & extremely watch able. I found the film very reminiscent of the likes of 'Donnie Darko' with a dash of 'Angel Heart'. 'Puritan' has very much a film noir feel about it. Production design, camera and music should get a special mention. There are some moody sets and non-flashy, economical camera work, all backed up with a catchy and atmospheric score. I think this director could well be worth keeping an eye on in the near future.

The moment you start watching Puritan you are sucked into a journey of cinematic style and intelligence.

Its patient with you and never lets you know too much, just enough to keep you watching and intrigued.

Film noir plots are things we are all used to, but the possibility of variations and manipulation in these plot lines are infinite, that is why they are so satisfying and watchable, and these variations are completely fulfilled in Puritan with an assured confidence.

I particularly admired the minimalist approach to framing and coverage. Only what is needed is shown and used, a very brave thing to attempt as it could have backfired, but in this case it succeeds in a film that is gratifying in its simplicity.

I drove all the way from Birmingham to enjoy the Frightfest Festival over the bank holiday weekend, and I have to say I was disappointed with some of the films, there was a degree of childishness to them, but I was relieved to to see Puritan, as it was a real treat.

I had planned not to watch it, as was starving, but then i thought I had to get my money's worth for the weekend pass I had gotten.

So i sat down and watched the director introduce the film, and was really hypnotised by the lyrical beauty of this film.

Its is quite poetic, intelligent and atmospheric to the hilt. I loved the very calm acting styles of all concerned, and the glorious visuals that encompassed this film.

The similarities to Alan Moore stories I spotted immediately but that was a good thing, as its not really a Moore type plot, in that it was a thriller at heart, and not really supernatural, although there is that element to it. I just have to say i really liked this movie.

Nick Moran held my attention as the fallen down hero who has to pick himself up again and start afresh, he has to purify himself, and the way in which that is achieved is incredibly shrewd and cunning.

A Top Film!

Stunning film! I viewed this film with my boyfriend yesterday at the Frightfest Film festival and without doubt it was my favourite film of the entire festival.

The director introduced it along with the whole cast Nick Moran, Georgina Rylance and the iconic David Soul.

The film is calm, cool and collected, and I cannot believe it has been made in the UK, it feels like it came from the states as it really has a cinematic look and the plot is working on many levels than just moving from a to b. It twists and turns and never reveals itself and long after you have left the cinema you are thinking about it and discussing all the possibilities of its plot line.

The director said they shot it in 21 days which staggers me, because it is so beautiful to look at and so professionally done, my hats off to him and his amazing cinematographer.

This is the kind of movie the British film industry should be making, and its so good to hear an independent film maker has gone out there and done it completely of his own accord. Go and see it, i think its going to be one of those films that will become a favourite.

As with many of the reviewers I caught this at the Frightfest festival

This London Gothic chiller is loaded with a huge degree of suspense and intrigue. The tension is felt throughout the film, amplified by the exquisite cinematography and lush classical score.

David Soul, the man who was Hutch, dominated the screen with his magnetic presence, anytime he is on, you simply have to watch him. Nick Moran holds his own, delivering a truly intelligent acting piece to his portfolio. And the always steadfast Ralph brown acts the part with ease.

I have to say the ending completely blind sided me, the film is littered with a great deal of clues that deserves a second viewing. i shall be buying my ticket to check what i missed the first time.