Being Cyrus

As you saunter into the movie hall and look on as the lights go off and the show begins, you begin to wonder if "Being Cyrus" is like those numerous clichéd bollywood style Hindi-English films a la Bollywood Hollywood, Bollywood Calling etc. Also who in this world is Homi Adjanaia? and how did he manage to pull off an ensemble cast with the likes of Naseeruddin Shah and Boman Irani not to mention the uber cool Saif Ali Khan for his debut film. The answer is all for us to see--"Being Cyrus" is a smashingly well crafted original film (So rare in India these days) that it leaves you wondering if Homi Adjania is really a first time director? The story moves back and forth between Panchgani and Mumbai essentially revolving around the lives and times of the not so normal, upper middle class Sethna Family and what happens when Cyrus Mistry (Saif Ali Khan) comes into it. Dinshaw Sethna (Naseeruddin Shah) is a pot head sculptor, perennially high on grass running a pottery school in Panchgani. He lives with his bollywood obsessed, chatterbox wife Katy (Dimple Kapadia). Cyrus joins as an apprentice to Dinshaw and becomes embroiled in a maze of complex relationships that involve Dineshaw's father Fardonjee Sethna(Honey Chayya), brother Farokh(Boman Irani) and sister in law Tina(Simone Singh).

Right from the first frame, this dark thriller engrosses the viewer in its many complex layers which are difficult to fathom at times. The entire film being in English has a lot of the lines cocooned in black humor may be over head transmission, but nevertheless are in line with the story and have a hammer strong impact if actually dissected and understood. The movie juxtaposes the protagonist (Cyrus)'s own story with the story of the Sethnas and this is where the movie hits a complete high. The editing is razor sharp and the bravura cinematography captures the Parsi household perfectly, whether it is the old building that Fardonjee owns in Bombay or the Panchgani house of Dinshaw. Adjania shows a careful eye for detail while reflecting the times of a typical Parsi family living in Mumbai. Boman Irani's white on white dress, his impeccably maintained vintage car, the wedding shot lend a feel of authenticity to the Parsi setup.Manoj Pahwa brings the house down with his high on testosterone, high on fat brash Inspector Maninder Lovely.

Naseeruddin Shah is apt for the role of the grass smoking lost in life artist. Dimple, sometimes over the top, nevertheless comes up with an effective portrayal of her Katy. Saif Ali Khan is subtly nuanced and gets under the skin of Cyrus quite intensely. Honey Chayya and Simone Singh are effective in their parts as Fardonjee and Tina Sethna. The scene stealer however is Boman Irani's Farokh Sethna. Boman brings out the cocky wickedness of Farokh quite magnificently that you hate him instantly. Be it the fight with the neighbor over a dog , or the appointment with the physiotherapist or his interactions with Fardonjee, Boman is a treat. Watch the film setting aside all mindsets, its a brilliant film.

First few reels gives you an impression of a documentary giving an insight into a Parsi life.

¤ Naseeruddin Shah:: We little mortals have no authority to question/ doubt/ comment on his body of work. Simply put - the act of the dreamer at its best.

¤ Saif Ali Khan: Just what the doctor ordered. Nobody could have fitted the role like "hand-in-glove" as Saif did.

¤ Dimple Kapadia: The "come-hither-passes" are neatly done, not a hint of slightest crass in it.

¤ Boman Irani: If you loved him in "Munnabhai MBBS", you will hate him in this one. The word "Pappah!" will ring in your ears. Simply put – he gets into the skin of the character.

¤ Simone Singh: "Miss-Goody-Two-Shoes" act done perfectly.

¤ Honey Chayya: Man, even his performance is so very genuine that you feel pity for "Fardounjee". Pay attention to the subtle nuances.

¤ Manoj Pahwa:: Luckily doesn't go OTT but still slightly loud.

A lot of effort has been put in pre-production which is visible in the witty script, tight screenplay, camera handling, dark toned look of the movie and the way the story unfolds/ narrated.

And yes, the last 20-minutes sweeps your feet away.

Where are you hiding Homi Adajania, roll on!

Being Cyrus is a wonderful and intense psychological drama. It is a dark, comic, urbane and very interesting film about a young man who shows up on the doorstep of a dysfunctional Sethna family, led by a carefree sculptor named Dinshaw, who Cyrus claims to be a fan of. That's where he resides, working as Dinshaw's apprentice and assistant. Cyrus gets close to Dinshaw's adulterous and impulsive wife Katy. Through his narration and their relations the story presents us the other half of the family living in an old dilapidated building in Mumbai - Dinshaw's brother Farookh, who lives with his young bride Tina and their father Fardon, a neglected old man who is badly maltreated by his son. Thrown between these two families, Cyrus has to materialise a plan, which seems to be quite evident throughout the movie but is revealed only towards the end. The mystery is not solved until the film's final scenes. An engagingly complicated and twisted script is the strongest link of Being Cyrus. The film is riveting, symbolic and straight to the point. It is not your run-of-the-mill Bollywood film, it is a different and fresh product which celebrates its uniqueness, and that's one of the things it must be applauded for. Cyrus is a young sophisticated man whose silence often says more than his actual words. Saif Ali Khan brilliantly displays this aspect of Cyrus's nature. His narration is also very effective. Naseeruddin Shah does not disappoint in a greatly restrained act, but he actually does not have that much to work with. Dimple Kapadia, though very sexy as the neurotic Katy, is surprisingly disappointing and at times her acting looks forced. Boman Irani is excellent in his role. Simone Singh does very well, too. To sum it up, Being Cyrus is a fun watch. It is intelligently written and well directed, and it is only one hour and 25 minutes long, quite an exception.

The dark comedy Being Cyrus centers around the lives of a Parsi family, the Sethnas. From the film's name, expectations that conjure up are about a typical Parsi existence. But as the film gets underway and the plot unravels, you realize that it is far from that. The story brings out the dark sides of some seemingly ordinary characters, who eventually go to unbelievable lengths to achieve their goals.

Cyrus (Saif) shows up at the Sethna's at their Panchgani bungalow, and offers to be an assistant to pot maker Dinshaw (Naseeruddin Shah). He spends a year with them and in the process a romance seemingly brews between him and Katy (Dimple Kapadia), Dinshaw's wife. Other clandestine activities coincide with this; Cyrus receives some money for an undisclosed reason, and he is shown working on something in a lab setting. He then arrives at Dinshaw's brother, Faroq's (Boman Irani) house in a very Parsi locality in Mumbai. Faroq takes care of their father who lives in a room in their Mumbai apartment, and does not treat him too well. Cyrus befriends the father but Faroq loathes his proximity. Katy on the other hand, gets frequent calls from Mumbai, in a parallel unexpected development. Tina(Simone Singh) who is Faroq's wife, befriends a policeman Lovely (Manoj Pahwa), and their interactions provide good comic relief. In what follows, the plot slowly unfurls, revealing morbid and unanticipated sides of many personalities. The movie takes a shocking turn at one juncture and the few minutes around that scene unravel a range of unforeseen occurrences.

Saif's fist English movie, his lead character transitions from carefree sculptor's assistant to a starkly more somber character in a span of a few minutes. Naseeruddin Shah again plays the intoxicated old man following Iqbal; he is a reclusive pot sculptor who is hooked to a different kind of pot. Dimple Kapadia fulfills the role of middle aged vain Parsi lady, but her character could have been more believable. Boman Irani, originally Parsi, is at home with the characters and dialog delivery in this film. There is a scene where he gets into an argument with a Parsi lady about her pet dog which captivates the viewer with its authenticity and comedy. Simone Singh gives a good performance of an unassuming bride who transforms into something very different.

The film does not have songs, but the soundtrack is effective and did justice to the different moods. Some scenes could have used a more topical background score to build up and establish the importance of the scene. The use of English, not all actors' first language, causes some parts to come across as unnatural.

For a directorial debut, Homi Adajania's work is commendable and one wonders how he managed to clinch such a stellar cast on his initiation. He has shown his versatility in comedy and drama scenes as well as evocative dream sequences. Considering how unpredictable the plot is, it has been stitched together well.

On the whole, the movie has a few things going for it - the star cast, the plot and the direction. This one is not to be missed - an offbeat stunner with true box office potential.

When I heard about this movie for the first time, what I had in mind was a lighthearted made-in-India English comedy. We have had quite a number of those in the last few years, English, August, Jhankaar Beats and the Hyderabad Blues couple to name a few. And I was even surer about it when I heard about the cast. What would you expect out of a movie which is called Being Cyrus and has actors like Saif Ali Khan, Boman Irani and Naseeruddin Shah? Well I was partly correct. It was a comedy alright! But it wasn't half as much 'lighthearted' as I had expected it to be. Being Cyrus turned out to be a dark, psychological drama concerning the lives of an individual named Cyrus Mistry(that's Saif) and a not-so-common Parsi family.

The acting by all the characters was, for most of the movie, quite superb. Naseeruddin Shah played his relatively brief role of a doped, absent-minded artist to near perfection. And so did Boman Irani in his of a loveless husband who is frustrated with almost everything life has to offer him. Simone Singh also does well in the portrayal of a coy, frightened wife, brave enough to indulge in her personal desires only in the absence of her strict, boring husband. But the surprise package in terms of acting is Honey Chhaya who plays the role of a forgetful old man harassed to the limit by his younger son. My personal favourite was the scene in which he, having chocolates and remembering his earlier years, looks up at the ceiling dreamily and says – "Those were the good old days". Manoj Pahwa, as Inspector Lovely, also manages to sneak in some hilarious comic moments. Dimple Kapadia is perhaps the only disappointment, overacting severely in many of her sequences.

The direction by debutant Homi Adajania is very fresh and promising and he couldn't have made a better start to his career. The storyline is not amazing but strong enough to take the viewer by surprise in the end. Yes, the movie doesn't have any songs to offer but music and sound play a somewhat major role all throughout the film, adding to its suspense and drama. Only the screenplay could have been a trifle better. At some points, it wasn't clear as to what the director was trying to say. And I don't believe that could have been intentional. Or maybe, it was.

I have saved the man in the lead for the end. Saif Ali Khan, in his first English film, has shown that he is capable of a lot more than playing the 'chocolate-boy' that he has traditionally done. He was perhaps not the obvious choice for the role of a distressed, orphaned individual but all would agree that he did ample justice to the task assigned.

All in all, Being Cyrus is a very entertaining first-time watch, if only for the difference it has to present. Seen independently, it would get a 6/10 from me. But as it happens to be one of the first of its kind, it deserves a nice 7.