Quando il mondo mitico si ribella contro l'umanità allo scopo di dominare la Terra, Hellboy e la sua squadra uniscono le forze per salvare il mondo dalle creature ribelli.Quando il mondo mitico si ribella contro l'umanità allo scopo di dominare la Terra, Hellboy e la sua squadra uniscono le forze per salvare il mondo dalle creature ribelli.Quando il mondo mitico si ribella contro l'umanità allo scopo di dominare la Terra, Hellboy e la sua squadra uniscono le forze per salvare il mondo dalle creature ribelli.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 6 vittorie e 36 candidature totali
Seth MacFarlane
- Johann
- (voce)
Recensioni in evidenza
Del Torro's imagination is a beautiful thing. He has created some of the most fascinating creatures that traditional Hollywood doesn't have the guts or inclination to ever assemble. I would take Guillmero Del Torro in the director's chair any time any place, but Hellboy II shows that he is not without his flaws. Ron Perlman who is terrific as Hellboy doesn't have anything truly interesting to say or do, the world around him is magical but the plot isn't.
Hellboy is the most unique character to appear in your comic book shop. The mythology and the character are such the opposite of the main stream and to Hellboy II's credit so is this movie. Ron Perlman doesn't deliver catch phrases or gun down bad guys for the sake of doing so. He is an interesting character but he is overshadowed by this lackluster plot and the world around it. I felt as if we didn't see enough of Big Red or maybe we did we just didn't get to see the most of the talents. Del Torro constantly wants to remind you that he directed Pan's Labyrinth because visually the creatures look like they were leftovers from that film. I don't mind this per say but these characters just don't have much to do, they are there really to look at rather than them having significance. Visually I can't complain about them because they are amazing but they serve little purpose to the story.
The plot is really the weakest thing this movie has going for it. I felt it took too many liberties against the original concepts of Hellboy. Hellboy is a creature alive in our world, Del Torro tries to tell us that our world is nothing more than a division of fantasy and reality. Well we spend too much time in the fantasy that we forget the fact that this Golden Army is a threat to reality. The villain Prince Nuada is weak, we don't see any method to his madness other than the fact that the plot dictates that he be the antagonist. In the first film and to a lesser degree this one we were given details about why Hellboy has faith in humanity and would chose not to serve his purpose. It's interesting because we are given glimpses of what could have been something that could have added real teeth and tension to the story, for the first time Hellboy is tempted by evil, weakly tempted but tempted nonetheless. This mental struggle could have given our actors the chance to show their talent but instead the filler between the action scenes is just okay at best.
I didn't hate Hellboy II I just think it needed some beef in it's story. Del Torro has shown us he is a master storyteller but this time he didn't focus on the story it's self. I would recommend this film but I know Del Torro can and has done much better.
Hellboy is the most unique character to appear in your comic book shop. The mythology and the character are such the opposite of the main stream and to Hellboy II's credit so is this movie. Ron Perlman doesn't deliver catch phrases or gun down bad guys for the sake of doing so. He is an interesting character but he is overshadowed by this lackluster plot and the world around it. I felt as if we didn't see enough of Big Red or maybe we did we just didn't get to see the most of the talents. Del Torro constantly wants to remind you that he directed Pan's Labyrinth because visually the creatures look like they were leftovers from that film. I don't mind this per say but these characters just don't have much to do, they are there really to look at rather than them having significance. Visually I can't complain about them because they are amazing but they serve little purpose to the story.
The plot is really the weakest thing this movie has going for it. I felt it took too many liberties against the original concepts of Hellboy. Hellboy is a creature alive in our world, Del Torro tries to tell us that our world is nothing more than a division of fantasy and reality. Well we spend too much time in the fantasy that we forget the fact that this Golden Army is a threat to reality. The villain Prince Nuada is weak, we don't see any method to his madness other than the fact that the plot dictates that he be the antagonist. In the first film and to a lesser degree this one we were given details about why Hellboy has faith in humanity and would chose not to serve his purpose. It's interesting because we are given glimpses of what could have been something that could have added real teeth and tension to the story, for the first time Hellboy is tempted by evil, weakly tempted but tempted nonetheless. This mental struggle could have given our actors the chance to show their talent but instead the filler between the action scenes is just okay at best.
I didn't hate Hellboy II I just think it needed some beef in it's story. Del Torro has shown us he is a master storyteller but this time he didn't focus on the story it's self. I would recommend this film but I know Del Torro can and has done much better.
I was excited when I heard that the first Hellboy film was getting a sequel. And considering Guillermo Del Toro and Ron Perlman were returning, it was guaranteed to be a hit. More supernatural elements, more Abe Sapien, and more weirdness. I don't know how this movie fared at the box office or the critics, but I enjoyed it and I wouldn't mind seeing it again.
My Take: An elaborate set of imaginative creature effects and the always interesting lead character make the show worth watching.
I have a confession to make: I haven't seen the original HELLBOY yet. And neither have I seen it when I saw the much-praised sequel HELLBOY II: THE GOLDEN ARMY. But that's just what I really like about this sequel: It doesn't require you to have seen the original to fully enjoy this weird and entertaining excursion. Seeing the original would certainly add to the experience, but taken in its own rights, HELLBOY II does what a sequel should do: Not just live up to the expectations left by its predecessor, but also shine as a stand-alone effort.
And yet I have another confession: I have not seen Guillermo Del Toro's crown jewel PAN'S LABYRINTH yet. But seeing HELLBOY II, I am more than impressed by his wild imagination. HELLBOY may have been based on a comic book, but for anyone who isn't a fan of the comics, Hellboy is Del Toro's own creation. Like what Tim Burton did with BATMAN, Del Toro has modeled Hellboy (Ron Perlman) as his own creation on-screen, and he's a very interesting character. Perlman never wastes his opportunity to provide depth as well as nuance to his character. Perlman proves himself worthy, not just an ideal action hero (under tons of make-up), but as yet another actor who successfully embodies the role of a comic-book character.
As in PAN'S LABYRINTH, Del Toro populates the world of HELLBOY II with some truly fascinating and intriguing creatures. Roger Ebert made a truthful compliment by stating that the world of HELLBOY II reminded him of the famous Cantina scene from STAR WARS. What George Lucas has conceived within only a few minutes of screen time in his movie, Del Toro manages to do for 2 hours. The creatures are imaginative, not just in look but in personality, and they are at an abundance. Plus, they're also mostly done using make-up effects rather than CGI, which makes them all the more real. Add to Del Toro's imaginative set pieces, he is a master storyteller. From the opening scene, where "Broom" Bruttenholm (John Hurt) tells the legend of the "Golden Army" to a young Hellboy, Del Toro exhibits is true talents at telling a good story. There are moments of thrills and even laughs, and the visuals are superb. Supporting performances and some neat special effects (notice that I praised the CGI later in in this review) make for one worthy adventure ride. HELLBOY II isn't perfect, but it sure is great at what it was doing.
Rating: **** out of 5.
I have a confession to make: I haven't seen the original HELLBOY yet. And neither have I seen it when I saw the much-praised sequel HELLBOY II: THE GOLDEN ARMY. But that's just what I really like about this sequel: It doesn't require you to have seen the original to fully enjoy this weird and entertaining excursion. Seeing the original would certainly add to the experience, but taken in its own rights, HELLBOY II does what a sequel should do: Not just live up to the expectations left by its predecessor, but also shine as a stand-alone effort.
And yet I have another confession: I have not seen Guillermo Del Toro's crown jewel PAN'S LABYRINTH yet. But seeing HELLBOY II, I am more than impressed by his wild imagination. HELLBOY may have been based on a comic book, but for anyone who isn't a fan of the comics, Hellboy is Del Toro's own creation. Like what Tim Burton did with BATMAN, Del Toro has modeled Hellboy (Ron Perlman) as his own creation on-screen, and he's a very interesting character. Perlman never wastes his opportunity to provide depth as well as nuance to his character. Perlman proves himself worthy, not just an ideal action hero (under tons of make-up), but as yet another actor who successfully embodies the role of a comic-book character.
As in PAN'S LABYRINTH, Del Toro populates the world of HELLBOY II with some truly fascinating and intriguing creatures. Roger Ebert made a truthful compliment by stating that the world of HELLBOY II reminded him of the famous Cantina scene from STAR WARS. What George Lucas has conceived within only a few minutes of screen time in his movie, Del Toro manages to do for 2 hours. The creatures are imaginative, not just in look but in personality, and they are at an abundance. Plus, they're also mostly done using make-up effects rather than CGI, which makes them all the more real. Add to Del Toro's imaginative set pieces, he is a master storyteller. From the opening scene, where "Broom" Bruttenholm (John Hurt) tells the legend of the "Golden Army" to a young Hellboy, Del Toro exhibits is true talents at telling a good story. There are moments of thrills and even laughs, and the visuals are superb. Supporting performances and some neat special effects (notice that I praised the CGI later in in this review) make for one worthy adventure ride. HELLBOY II isn't perfect, but it sure is great at what it was doing.
Rating: **** out of 5.
This is something special; when a second film in a series is able to surpass or equal to it's predecessor. It's not just because the first Hellboy was so excellent, which it was, but they handled this second film with such care and pizazz, it's almost better, in ways, than the first.
It's very rare in a saga that the second films rises over the first, which is why when I say that Hellboy II: The Golden Army was almost in every way better than Hellboy, I mean it, and for me to love Hellboy like I do, that's saying a lot. Hellboy II had everything the first had, but with bigger and better qualities. The action was superb, story line was great, and acting, directing, etc. was just as perfect.
I was entertained through the entire film and I enjoyed every minute and in the end I was left with a big smile on my face for how great this sequel turned out to be, but here again, I still think it is on par with the first because of how the first was so perfect at setting up the story from the comics and how amazingly entertaining it was as well, with all the great performances that the second had and just when I put the two films together, I honestly can not decide which is better. All I have left to say is that if you loved Hellboy, this is no disappointment whatsoever, and you need to see it right away!
It's very rare in a saga that the second films rises over the first, which is why when I say that Hellboy II: The Golden Army was almost in every way better than Hellboy, I mean it, and for me to love Hellboy like I do, that's saying a lot. Hellboy II had everything the first had, but with bigger and better qualities. The action was superb, story line was great, and acting, directing, etc. was just as perfect.
I was entertained through the entire film and I enjoyed every minute and in the end I was left with a big smile on my face for how great this sequel turned out to be, but here again, I still think it is on par with the first because of how the first was so perfect at setting up the story from the comics and how amazingly entertaining it was as well, with all the great performances that the second had and just when I put the two films together, I honestly can not decide which is better. All I have left to say is that if you loved Hellboy, this is no disappointment whatsoever, and you need to see it right away!
HELLBOY II threatens to be nothing more than your latest CGI-laden braindead Hollywood action movie, and yet it's not, thanks to the presence of director Guillermo del Toro. Del Toro has to possess one of the most imaginative minds in Hollywood and he brings a level of creativity to the movie that's sorely lacking in most genre fare getting released these days. Del Toro's imagination comes to the fore in the myriad creatures he creates for this movie, bringing to life monster upon monster with no end to the creativity in sight.
Even better, the producers have the budget to match the vivid creations coming out of the minds of this film's makers, and the special effects do not disappoint. The CGI in this movie is phenomenal, with not a single effect out of place. Having just sat through the dodgy, odd-looking chimpanzees of RISE OF THE PLANET OF THE APES, I'm doubly impressed by the quality of the CGI in this movie (which was made with a lower budget than the ape film, it has to be said). It's an entirely visual film, one which never disappoints.
The plot, of course, is secondary to the effects, but that doesn't matter so much this time around. As usual, there's a bad guy (Luke Goss, returning as a del Toro villain after BLADE II) who wants to take over the world and who has all manner of mean and wild creations to help him in the process. Up against him is Hellboy and his companions. The return of welcome old faces is great (and kudos to the writers for giving the excellent Abe Sapien a bigger part this time around) and the new character of Johann Krauss is similarly a work of genius. Hellboy is his usual wisecracking self and Perlman brings plenty of laconic humour to the part.
The narrative pretty much leads from one wild set-piece to the next, with some more effective than others. Hellboy's encounter with the nature god is my favourite part of the film, although the run-in with the titular army at the movie's climax is also fairly exhilarating. Okay, so this isn't a great movie – the story doesn't hold up to a great deal of scrutiny, after all is told – but it looks the part and I can't dislike any movie with this level of sheer inventiveness behind it.
Even better, the producers have the budget to match the vivid creations coming out of the minds of this film's makers, and the special effects do not disappoint. The CGI in this movie is phenomenal, with not a single effect out of place. Having just sat through the dodgy, odd-looking chimpanzees of RISE OF THE PLANET OF THE APES, I'm doubly impressed by the quality of the CGI in this movie (which was made with a lower budget than the ape film, it has to be said). It's an entirely visual film, one which never disappoints.
The plot, of course, is secondary to the effects, but that doesn't matter so much this time around. As usual, there's a bad guy (Luke Goss, returning as a del Toro villain after BLADE II) who wants to take over the world and who has all manner of mean and wild creations to help him in the process. Up against him is Hellboy and his companions. The return of welcome old faces is great (and kudos to the writers for giving the excellent Abe Sapien a bigger part this time around) and the new character of Johann Krauss is similarly a work of genius. Hellboy is his usual wisecracking self and Perlman brings plenty of laconic humour to the part.
The narrative pretty much leads from one wild set-piece to the next, with some more effective than others. Hellboy's encounter with the nature god is my favourite part of the film, although the run-in with the titular army at the movie's climax is also fairly exhilarating. Okay, so this isn't a great movie – the story doesn't hold up to a great deal of scrutiny, after all is told – but it looks the part and I can't dislike any movie with this level of sheer inventiveness behind it.
Lo sapevi?
- QuizAs the Angel of Death, Doug Jones could only see out of the crack across the mask he wore. Also, the mechanical wings he was wearing weighed about forty pounds. Doug was originally supposed to walk around the set, but when it was discovered that he could barely stand, they instead hung him from a wire. This is why The Angel of Death floats.
- BlooperWhen the tooth fairies attack, Abe says that they feed mostly on calcium and go for the teeth first, yet when the devoured body of a BPRD agent is shown, all the flesh has been stripped but the skeleton and teeth are clearly fully intact.
- Citazioni
Hellboy: You're in love. Have a beer.
Abe Sapien: Oh, my body's a temple.
Hellboy: Well, now it's an amusement park.
Abe Sapien: No, no, no. The glandular balance of...
Hellboy: Just shut up and drink it, would you?
- Curiosità sui creditiThe film title is forged by clockwork machinery.
- Colonne sonoreSanta Claus is Comin' to Town
Written by J. Fred Coots, Haven Gillespie
Performed by Eddy Arnold
Courtesy of RCA Nashville
By arrangement with Sony BMG Music Entertainment
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Hellboy II: El ejército dorado
- Luoghi delle riprese
- Sóskút, Pest, Budapest, Ungheria(giant's causeway)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 85.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 75.986.503 USD
- Fine settimana di apertura Stati Uniti e Canada
- 34.539.115 USD
- 13 lug 2008
- Lordo in tutto il mondo
- 168.319.243 USD
- Tempo di esecuzione
- 2h(120 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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