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Tutti i battiti del mio cuore

Titolo originale: De battre mon coeur s'est arrêté
  • 2005
  • T
  • 1h 48min
VALUTAZIONE IMDb
7,2/10
21.199
LA TUA VALUTAZIONE
Tutti i battiti del mio cuore (2005)
CrimineDrammaDramma finanziarioMusica

Will Thomas condurrà ancora una vita di criminalità e crudeltà, proprio come suo padre criminale, o perseguirà il suo sogno di diventare un pianista?Will Thomas condurrà ancora una vita di criminalità e crudeltà, proprio come suo padre criminale, o perseguirà il suo sogno di diventare un pianista?Will Thomas condurrà ancora una vita di criminalità e crudeltà, proprio come suo padre criminale, o perseguirà il suo sogno di diventare un pianista?

  • Regia
    • Jacques Audiard
  • Sceneggiatura
    • Jacques Audiard
    • Tonino Benacquista
    • James Toback
  • Star
    • Romain Duris
    • Aure Atika
    • Emmanuelle Devos
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    21.199
    LA TUA VALUTAZIONE
    • Regia
      • Jacques Audiard
    • Sceneggiatura
      • Jacques Audiard
      • Tonino Benacquista
      • James Toback
    • Star
      • Romain Duris
      • Aure Atika
      • Emmanuelle Devos
    • 86Recensioni degli utenti
    • 108Recensioni della critica
    • 75Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 22 vittorie e 14 candidature totali

    Foto23

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    + 17
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    Interpreti principali25

    Modifica
    Romain Duris
    Romain Duris
    • Thomas Seyr
    Aure Atika
    Aure Atika
    • Aline
    Emmanuelle Devos
    Emmanuelle Devos
    • Chris
    Niels Arestrup
    Niels Arestrup
    • Robert Seyr
    Jonathan Zaccaï
    Jonathan Zaccaï
    • Fabrice
    Gilles Cohen
    Gilles Cohen
    • Sami
    Linh-Dan Pham
    Linh-Dan Pham
    • Miao Lin
    Anton Yakovlev
    Anton Yakovlev
    • Minskov
    Mélanie Laurent
    Mélanie Laurent
    • Minskov's Girlfriend
    Agnès Aubé
    • Woman
    Etienne Dirand
    • Old Man
    Denis Falgoux
    • Metreur
    Serge Onteniente
    Serge Onteniente
    • Man
    Sandy Whitelaw
    • Mr. Fox
    Emmanuel Finkiel
    Emmanuel Finkiel
    • Conservatory Professor
    Jian-Zhang
    • Jean-Pierre
    Omar Habib
    • Assad
    Jamal Djabou
    • Mounir
    • Regia
      • Jacques Audiard
    • Sceneggiatura
      • Jacques Audiard
      • Tonino Benacquista
      • James Toback
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti86

    7,221.1K
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    Recensioni in evidenza

    gtzam

    Riveting, first-class film-making

    The "The Beat that my heart skipped" is an immaculately crafted and relentlessly gripping film. Its existential premise (a dodgy estate broker feels a sudden urge to rekindle his long abandoned passion for piano-playing whose rarefied world comes in contrast with his everyday life and seedy activities) is rooted in the world of film-noir. The escalating conflict between his "duties" and his lofty aspirations is unerringly captured while maintaining an eye for subtle but telling characterization of the supporting characters. Through his inner turmoil, the main drama materializes and the theme of unfulfilled potential due to a multiplicity of factors not always within somebody's control poignantly emerges.

    Jacques Audiard, not the most famous but certainly one of the most talented french directors of the last ten years, has remarkably transcribed the mythology and some of the most eminent film-noir themes onto the modern era. The framing, lighting, music (especially its juxtaposition), mood and plot development are spot-on while the main performance my Romain Duris is career defining. The film stands out as one of the best modern neo-noir -a film with a rather singular style, akin to the director's equally commendable previous works.
    7jotix100

    Slumlords

    This is a first for the French cinema, the remake of an American film, when just the opposite is what happens always. The Americans love to redo what some French director did before, with mediocre results. "The Beat that my Heart Skipped" was adapted for the screen by Jacques Audiard and Tonino Benaquesta, from the 1978 film by James Toback, an under appreciated director that deserves more credit for his work in this country. Mr. Audiard directed the French version.

    As a character study of Thomas, the film somewhat succeeds in presenting his ambivalence as a petty criminal and as a frustrated pianist that is trying to regain his skill in playing the instrument. Thomas is, from all accounts, an ugly character that will engage in all kinds of under handed situations in order to make a living. Most of the motivation in Thomas' actions is driven by his loyalty to his small crook father, who is constantly nagging him to take care of the old man's criminal activities as well.

    In Romain Duris, director Audiard gets a multi layered performance that is what keeps the film going. Mr. Duris, an intense actor, is the dominant figure in the movie, and perhaps the excuse for seeing the film. Nils Arestrup, as the father, has also some good moments.
    streabbog

    He needed more piano lessons

    Perhaps it doesn't seem like such a big deal to a lot of people, but I was completely turned off by how *badly* the actor faked at playing the piano. It's like he never ever saw someone playing the piano in his life! The film became pure comedy for me when watching the scenes with his piano teacher. It wasn't as bad as Adrien Brody's fake playing, but it was still noticeable enough to make me question what the director was thinking. Is it so hard to find an actor who can actually *play* the piano? I'm just thankful the main character wasn't a violinist or cellist (can you imagine how horrible that would be...it would be pinky fingers going in all directions...) Gosh darnit, you actors! If you're going to fake-play an instrument, be believable!
    aliasanythingyouwant

    Grace From Gracelessness

    The Beat That My Heart Skipped has the pulse of a major film, a certain energy that pulls you in, makes you interested in what it's doing. Its director, Jacques Audiard, gives one the impression that his is a big-league talent; there's a hum to his images that recalls Inarritu, without quite the same manic intensity, and for a brief moment or two puts one in mind of Scorsese, particularly GoodFellas (an early bar-fight scene recalls the dreamy, fixed-in-time feeling of some of Scorsese's violence). His lead actor, Romain Duris, has something of the young De Niro's quality of pent-up violence and greasy charm, but leavened by a more intellectual, less visceral Europeanness. Like Scorsese and De Niro in Taxi Driver, Audiard and Duris conspire to create a memorable study of a low-life seeking to emerge from the slime, though this time the low-life is armed with talent and confidence, and seems maybe capable of turning his dire situation around.

    The low-life, Thomas Seyr, is a real-estate broker who's involved in all sorts of shady business deals; he and his slimy partners, Fabrice (Jonathan Zaccai) and Sami (Gilles Cohen), spend much of their time chasing squatters out of the buildings they've procured (planting rats in their room is a favorite tactic), and trying to work their way around government housing regulations (when a group of homeless come to take up residence in one of their tenements they hurriedly smash everything, rendering the rooms uninhabitable; the script seems to be taking advantage of certain sore social issues here). Thomas, a button-man who happens to sometimes work in an office, was born to this kind of work; his father, Robert (the marvelous Niels Arestrup), is also involved in less-than-legitimate enterprise, and sometimes calls upon Thomas to take care of unpleasant business (like beating people up who refuse to pay). Thomas, however, has an unexpected artistic side; his deceased mother was a concert pianist, and one day while driving around the city he encounters her old manager, Fox (Sandy Whitelaw), who encourages him to return to his study of the piano, which he has nearly given up. This awakens in Thomas some latent ambition, a desire to escape his sleazy circumstances; he re-commits himself to his art, which leads him to the door of a recent Chinese immigrant, Miao Lin (Linh Dan Pham), who tutors him, somewhat awkwardly as she speaks no French and he no Chinese. Thomas's less-than-honest life has saddled him with numerous obligations however, ones it will be difficult to leave behind.

    The movie's theme is a familiar one: the impossibility of entirely escaping one's past, especially when one is still actively engaged in living the life that has caused one to have a shady past in the first place. Rather than deal with this in some abstract way, Audiard tackles the theme organically; we see what a bundle of unspent nervous energy Thomas is, and realize how his essential personality, his craziness, is the thing that really keeps him from being a pianist instead of a thug. This is not a story of fate being for or against anyone; it's not some cosmic force that keeps Thomas from leaving behind his old life but his own nature, and that of the people around him, especially his father, who is fundamentally a coward and needs Thomas to take care of things for him. Thomas's artistic endeavors are hindered by his inability to focus himself; he can't sit still for a second, and when he plays, the frustration drives him to hammer the keys like he should be able to beat a tune out of the instrument the same way he beats money out of people who owe. His personality is all jagged edges, and what he needs is to smooth them out, to reign in his impulses, his anger. This makes his introduction to Miao Lin all the more fortunate, for she has the patience of a saint, the quiet firmness needed to help tame his immature nature, to bring his fires under control. Romain Duris gives a live-wire performance as Thomas, something reminiscent of the Mean Streets De Niro, and that other great seventies sleaze-ball actor Warren Oates. He's basically an overgrown kid; he seems like his system is always pumped full of sugar (or maybe something stronger), and he has no inhibitions whatsoever which makes him a kick to be around, yet there's something doomed about him, the quality of a ticking time-bomb. Thomas might be a fun guy and a loyal friend (his loyalty is one of his failings), but you just know that sooner or later life is going to blow up in his face.

    Audiard and writing partner Tonino Benacquista have smoothly transplanted the plot of James Toback's '70s cult item Fingers (which starred Harvey Keitel), and tweaked it to make it work in modern-day France. The pair seem to have an affinity for rough-edged-but-lovable characters coming under the influence of tender-but-firm women; their earlier film, Read My Lips, dealt with a similar situation, but was more straightforwardly a thriller, and didn't seem as refined either narratively or thematically as The Beat That My Heart Skipped. Audiard is a fantastically assured director, able to infuse a scene with energy without resorting to empty stylistics, and able to elicit dynamic performances that never edge into showiness. Audiard has a feel for the natural energies his actors give off; he taps into Duris's nervous charm, the nagging inadequacy of Niels Arestrup as Thomas's nuisance of a father, the radiant stillness of Linh Dan Pham as Miao Lin. This is one director who makes good movie-making seem easy, rather than making it seem hard on purpose so people will appreciate it more. Add Audiard to the list of modern directors whose next film is a must-see
    harry_tk_yung

    An interesting character study

    Some of us take a large portion of our DNA from the father's side, other the mother's. With 28-year-old Thomas Seyr (Romain Duris), it's a 50/50 affair. He is just as much as (maybe even more so) of a thug as his father is in his shady activities as a real estate broker, but at the same time promising material for concert pianist following his mother's footsteps. His father, over-the-hill but refusing to quit, we see considerably in the movie. His mother we never see, as she died when he was a youth, shattering his musical dreams.

    The plot is not so much of a linear story, but more of a cross-sectional cuts of various aspects of Thomas' life. On the more mundane side are his business activities that alway verge on being criminal, his affair with his partner's neglected wife and his relationship with his father to whom he seems quite devoted.

    More interesting is his musical pursuits, triggered by a chance encounter with his late mother's manager who remembers his talent and invites him to an audition "when he is ready". This leads to his seeking help from an accomplished pianist Miao Lin, a young women who studied in the Beijing Conservatory, just arrived in Paris, speaking no French at all and "just a little" English. (Here we see the not unusual sloppiness when an Asian aspect is covered in a "western" movie. There is absolutely no logical reason for a woman from China to be speaking Vietnamese, except for one - the actress IS Vietnamese). Anyway, the communication purely through music and gesture is very well handled.

    The shooting style is quite contemporary, and leans towards using darker scenes. Interesting to note that in the two series of piano practicing scenes, it's always dark and gloomy when he plays at home, but is reasonably bright when he is at coach Miao Lin's place.

    As with such non-story-oriented movies, the ending is inconclusive. But that does not matter as it is the character study that is of prime interest.

    Trama

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    Lo sapevi?

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    • Quiz
      Romain Duris's sister is a pianist, and she is the one who taught him to play piano for this film.
    • Citazioni

      Sami: Playing piano is making you flip. Stop it now!

      Thomas Seyr: Nothing's making me flip. I'm not flipping. I'm having a ball. I feel fantastic, dont' you see? It's important, I'm serious about it.

      Sami: You gonna make dough from pianos?

      Thomas Seyr: Not pianos, the piano! It's not about making money, it's about art.

      Sami: What's in it for us? You coming to meetings all, 'Hi guys, I've been playing piano.' Shit, I'll take up the banjo.

      Thomas Seyr: It's over your head

    • Connessioni
      Remake of Rapsodia per un killer (1978)
    • Colonne sonore
      Toccata in D minor
      Written by Johann Sebastian Bach (as Bach)

      Performed by Caroline Duris, piano

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    Domande frequenti19

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    Dettagli

    Modifica
    • Data di uscita
      • 11 novembre 2005 (Italia)
    • Paese di origine
      • Francia
    • Siti ufficiali
      • Wellspring Media (United States)
      • Why Not / UGC (France)
    • Lingue
      • Francese
      • Inglese
      • Russo
      • Vietnamita
      • Mandarino
    • Celebre anche come
      • The Beat That My Heart Skipped
    • Luoghi delle riprese
      • Parigi, Francia
    • Aziende produttrici
      • Why Not Productions
      • Sédif Productions
      • France 3 Cinéma
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 5.300.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 1.023.424 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 65.365 USD
      • 3 lug 2005
    • Lordo in tutto il mondo
      • 11.757.109 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 48min(108 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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