Una solitaria dottoressa, che fa un tempo occupava un'insolita casa sul lago, inizia a scambiare lettere d'amore con l'architetto frustrato che ora ha preso possesso della proprietà.Una solitaria dottoressa, che fa un tempo occupava un'insolita casa sul lago, inizia a scambiare lettere d'amore con l'architetto frustrato che ora ha preso possesso della proprietà.Una solitaria dottoressa, che fa un tempo occupava un'insolita casa sul lago, inizia a scambiare lettere d'amore con l'architetto frustrato che ora ha preso possesso della proprietà.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
Willeke van Ammelrooy
- Kate's Mother
- (as Willeke Van Ammelrooy)
Kevin M. Brennan
- Waiter
- (as Kevin Brennan)
Scott Elias
- Doug
- (as Scott A. Elias)
Michael Andrew Gorman
- Cove Bartender
- (as Michael Gorman)
Recensioni in evidenza
If I read one more negative review of this movie that takes it to task for being "implausible," I'm afraid I will lose it completely.
I have to ask myself what these same critics (assuming they're old enough to remember it) would have said about virtually any episode of the Rod Serling classic "Twilight Zone." I think it's safe to say most of those plots were based on fairly "implausible" happenings, in comparison to our real-life, day-to-day existence.
And I'm sure Richard Donner's "Superman" movie would have felt their wrath as well, since everyone knows people can't fly.
"Implausible." Good grief.
"The Lake House" is a romantic fairy tale -- and a darned good one, too. It's NOT confusing or hard to understand at all, assuming the viewer has more than two ounces of comprehension skill.
To me, the recent film it seems closest to in subject matter and style is "Frequency," which I also enjoyed tremendously.
And yes -- call me crazy, but the things that happen in "Frequency" are fairly "implausible" too.
And, oh yeah -- since I don't really believe angels have to jump through ridiculous hoops to get their wings, I'm guessing these same Scrooges have no use for "It's a Wonderful Life," either.
Sheesh.
I have to ask myself what these same critics (assuming they're old enough to remember it) would have said about virtually any episode of the Rod Serling classic "Twilight Zone." I think it's safe to say most of those plots were based on fairly "implausible" happenings, in comparison to our real-life, day-to-day existence.
And I'm sure Richard Donner's "Superman" movie would have felt their wrath as well, since everyone knows people can't fly.
"Implausible." Good grief.
"The Lake House" is a romantic fairy tale -- and a darned good one, too. It's NOT confusing or hard to understand at all, assuming the viewer has more than two ounces of comprehension skill.
To me, the recent film it seems closest to in subject matter and style is "Frequency," which I also enjoyed tremendously.
And yes -- call me crazy, but the things that happen in "Frequency" are fairly "implausible" too.
And, oh yeah -- since I don't really believe angels have to jump through ridiculous hoops to get their wings, I'm guessing these same Scrooges have no use for "It's a Wonderful Life," either.
Sheesh.
A glass house built on stilts over a lake near Chicago helps bring together a condo-developer and a kissless female doctor who has just begun practicing at her first big-city hospital. The trouble between them is, he's writing to her from 2004 and she's in present day 2006, and their link is a mailbox with a sense of time all its own. Superfluous-seeming romantic drama with an initially-perplexing story conceit actually works better than you might think (thanks to some sharp writing and handling, and nicely underplayed lead performances by Keanu Reeves and Sandra Bullock). Some of the plot elements don't bear close scrutiny (it might drive you mad to examine the details), yet fantasy films are governed by their own set of rules, and this one plays fair within its narrative structure, although it does keep the architect waiting an awfully long time just to get the girl. *** from ****
I saw a screening of this last night and maybe I was just in the right mood for it, but I really enjoyed it. I'm not even a chick-flick kind of girl! It's best if you don't over-analyze the time-travel details and just go with it... it's a movie, after all. Seriously, I wasn't expecting that much and I got a better feeling from this movie than I have in a long time - it made me feel warm and happy. Plus, the whole theater laughed at some parts, plus people gasped and cried, and at the end everyone applauded. That's a good sign, if you ask me. I don't watch previews so I don't know what they give away about the plot, so I'm not going to give much of anything away here. I will just say that to me this was a uniquely told romantic story. I happen to like Keanu Reeves and Sandra Bullock, although they are by no means favorites of mine, nor do I consider them to be consistently amazing actors (more often they're not... at least he's not...). But they made this story work for me and I believe they have good chemistry. The movie is set in Chicago and shows the city off nicely without trying to beat you over the head with it (a la The Break-Up). One thing I think I related to a lot with these characters is that they are both pretty isolated and lonely, although not in a sad-sack way. I felt a longing from them for someone to relate to, and even though they have opportunities for other people to be involved in their lives... well it's not what's best for them and they don't settle. Plus, the actors are both in their 40s and I like seeing love stories that aren't about either two 22-year-olds or a 40-year-old man and a 22-year-old girl.
Suspension of disbelief is a wonderful phenomenon. It's used in many genres effectively and why not in romantic film? Although the Lakehouse mailbox took on some magical qualities, the plot still worked for me on a deeper level. It's about connecting with your true soulmate when you feel isolated. Who hasn't felt alone at a crowded party? Or who hasn't feared if they wait too long that they may never find that special someone? It's a part of the human condition this film examines. I mean, look at the architecture of the Lake House itself. It's isolated yet beautiful in a Frank Lloyd Wright kind of way.
This is a character-driven story. It was fueled by the solid performances of Keanu Reeves and Sandra Bullock. They are so natural and comfortable together on screen. It's more than just physical attraction between two people and that's why the love story works. It's real chemistry between them. I believed these two could be walking along Lakeshore Drive holding hands together.
I was rooting for these two characters to get together. They are likable. They have angst in their lives. They show vulnerability. Real human feelings. They are successful in their careers but there is still that void. In my opinion, they are the right fit for each other. It's the underlying themes of this movie that give it substance not the fact that some of the plot is a bit far-fetched. Love is illogical in many ways but when you find that certain someone, it's magical.
David Auburn's screenplay is first-rate. It creates the right mood. It has emotion in each scene. He makes the story palpable. This kept me interested. I wanted to know what was going to happen next. What more can you ask for in a touching love story? I enjoyed it.
This is a character-driven story. It was fueled by the solid performances of Keanu Reeves and Sandra Bullock. They are so natural and comfortable together on screen. It's more than just physical attraction between two people and that's why the love story works. It's real chemistry between them. I believed these two could be walking along Lakeshore Drive holding hands together.
I was rooting for these two characters to get together. They are likable. They have angst in their lives. They show vulnerability. Real human feelings. They are successful in their careers but there is still that void. In my opinion, they are the right fit for each other. It's the underlying themes of this movie that give it substance not the fact that some of the plot is a bit far-fetched. Love is illogical in many ways but when you find that certain someone, it's magical.
David Auburn's screenplay is first-rate. It creates the right mood. It has emotion in each scene. He makes the story palpable. This kept me interested. I wanted to know what was going to happen next. What more can you ask for in a touching love story? I enjoyed it.
I was excited by the premise but worried about it being a remake. There are some major plot holes but the movie's just so darn good that you don't mind. This was the most romantic movie I've seen in a long time - and that includes the torture of waiting for these two to meet! I wish that I could tell you more but you've got to see it yourself. Keanu Reeves is terrific, no flash back to "Bill" or "Neo" as you might sometimes see from him in other movies. Just a great performance. I really enjoyed Sandra Bullock and they have great chemistry - they'd have to otherwise the premise wouldn't have worked.
So, turn off your brain, take your main squeeze and prepare to loose yourself in the moment. I know you can do it if you try. Besides, we get real life every day. What's two hours of romantic fantasy going to hurt you?
So, turn off your brain, take your main squeeze and prepare to loose yourself in the moment. I know you can do it if you try. Besides, we get real life every day. What's two hours of romantic fantasy going to hurt you?
Lo sapevi?
- QuizThe name of the exclusive restaurant in the film is "Il Mare". "Il Mare" is also the name of the house and the International title of the Korean film upon which "The Lake House" is based, Siworae (2000).
- BlooperWhen Alex shows his brother the lake house in 2004, he mentions that the house has no way to reach the water and that there should be a staircase so that you could go swimming. He adds the stairs himself later on. However, when Alex receives the book of his father's memoirs, he looks at a photo of his father and himself, a child, at the lake house. There are clearly stairs leading down to the water underneath the house, but the stairs did not exist until Alex added them in 2004.
- ConnessioniFeatured in Getaway: Episodio #15.23 (2006)
- Colonne sonore(I Can't Seem To) Make You Mine
Written by Alasdair Maclean, James Hornsey and Mark Keen
Performed by The Clientele
Courtesy of Merge Records
By special arrangement with Bank Robber Music
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La casa del lago
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 52.330.111 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.616.196 USD
- 18 giu 2006
- Lordo in tutto il mondo
- 114.830.111 USD
- Tempo di esecuzione
- 1h 39min(99 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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