La casa sul lago del tempo

Suspension of disbelief is a wonderful phenomenon. It's used in many genres effectively and why not in romantic film? Although the Lakehouse mailbox took on some magical qualities, the plot still worked for me on a deeper level. It's about connecting with your true soulmate when you feel isolated. Who hasn't felt alone at a crowded party? Or who hasn't feared if they wait too long that they may never find that special someone? It's a part of the human condition this film examines. I mean, look at the architecture of the Lake House itself. It's isolated yet beautiful in a Frank Lloyd Wright kind of way.

This is a character-driven story. It was fueled by the solid performances of Keanu Reeves and Sandra Bullock. They are so natural and comfortable together on screen. It's more than just physical attraction between two people and that's why the love story works. It's real chemistry between them. I believed these two could be walking along Lakeshore Drive holding hands together.

I was rooting for these two characters to get together. They are likable. They have angst in their lives. They show vulnerability. Real human feelings. They are successful in their careers but there is still that void. In my opinion, they are the right fit for each other. It's the underlying themes of this movie that give it substance not the fact that some of the plot is a bit far-fetched. Love is illogical in many ways but when you find that certain someone, it's magical.

David Auburn's screenplay is first-rate. It creates the right mood. It has emotion in each scene. He makes the story palpable. This kept me interested. I wanted to know what was going to happen next. What more can you ask for in a touching love story? I enjoyed it.

If I read one more negative review of this movie that takes it to task for being "implausible," I'm afraid I will lose it completely.

I have to ask myself what these same critics (assuming they're old enough to remember it) would have said about virtually any episode of the Rod Serling classic "Twilight Zone." I think it's safe to say most of those plots were based on fairly "implausible" happenings, in comparison to our real-life, day-to-day existence.

And I'm sure Richard Donner's "Superman" movie would have felt their wrath as well, since everyone knows people can't fly.

"Implausible." Good grief.

"The Lake House" is a romantic fairy tale -- and a darned good one, too. It's NOT confusing or hard to understand at all, assuming the viewer has more than two ounces of comprehension skill.

To me, the recent film it seems closest to in subject matter and style is "Frequency," which I also enjoyed tremendously.

And yes -- call me crazy, but the things that happen in "Frequency" are fairly "implausible" too.

And, oh yeah -- since I don't really believe angels have to jump through ridiculous hoops to get their wings, I'm guessing these same Scrooges have no use for "It's a Wonderful Life," either.

Sheesh.

In Chicago, the lonely architect Alex Wyler (Keanu Reeves) has a troubled relationship with his father Simon Wyler (Christopher Plummer). In 2004, he buys an old glass house in a lake, designed and built by his father, and he finds a message in his mailbox from the former tenant, the also lonely Dr. Kate Forster (Sandra Bullock), asking to deliver her correspondence in an address downtown. Alex meets his brother Henry (Ebon Moss-Bachrach) in Chicago and when they go to the address with Dr. Forster's correspondence, they find a building of luxury apartments under construction to be delivered eighteen months later. After some messages, Alex and Kate disclose that she is living in 2006 and Alex in 2004, they fall in love for each other and they try to find means to meet each other.

"The Lake House" is a beautiful and magical tale of impossible love, with a wonderful chemistry between the gorgeous Sandra Bullock and Keanu Reeves. The story has many flaws and lack of explanations, and slightly recalls the idea of the excellent "Sliding Doors", but better off forget the inconsistencies and enjoy the nice love story. My vote is seven.

Title (Brazil): "A Casa no Lago" ("The House in the Lake")

A glass house built on stilts over a lake near Chicago helps bring together a condo-developer and a kissless female doctor who has just begun practicing at her first big-city hospital. The trouble between them is, he's writing to her from 2004 and she's in present day 2006, and their link is a mailbox with a sense of time all its own. Superfluous-seeming romantic drama with an initially-perplexing story conceit actually works better than you might think (thanks to some sharp writing and handling, and nicely underplayed lead performances by Keanu Reeves and Sandra Bullock). Some of the plot elements don't bear close scrutiny (it might drive you mad to examine the details), yet fantasy films are governed by their own set of rules, and this one plays fair within its narrative structure, although it does keep the architect waiting an awfully long time just to get the girl. *** from ****

I saw this movie on opening night, June 16, 2006 in Victoria, British Columbia, Canada.

My favourite movie of all time was "Somewhere in Time" (1980) which starred Christopher Reeve and Jane Seymour. I have often wished that someone would remake, not that movie - because it is perfect as is, but more the sensibility and many of the themes of that movie.

There are many parallels here. It is partly set in Chicago. It is about time travel of a sort that relates to time blocking you from the one you love. Christopher Plummer, who played Jane Seymour's manager in "Somewhere in Time" here plays a variation on that crotchety character in the role of Keanu Reeves' father - nicely bookending his career. Also, the similarity in the last names of the lead - Christopher Reeve; Keanu Reeves.

There are so many things I loved about this movie. The soundtrack was pitch perfect, including everything from Nick Drake to Carole King. The wardrobe was beautifully chosen, conveying warmth and romance. The script was measured and never overblown. The performances were genuine and real, even though the subject matter could be taken as fanciful by the unromantic at heart. The direction and cinematography were breathtaking. I would have given it a 10 but for the fact that in some spots the looping for dates was a bit off.

There are many twists and turns, and you never know until the last moment how it will actually end. I was on the edge of my seat the whole time and sobbing by the end of it. This is the movie I have been waiting for Keanu Reeves to make for the longest time - I always knew he had this performance in him, but was disappointed by the artificiality of films like Sweet November. And Sandra Bullock has never been better. This is a new addition to my all time top five movies.

You will never look at slow dancing the same way again. I promise.