Dead Man's Shoes - Cinque giorni di vendetta

As powerful a film as ever. This one is a builder, so if you're not convinced by the beginning, the chances are you will be by the end.

Perhaps the type of revenge film that append more to the British public than the U.S, as I remember reviews from there, cladding this as a slasher and it certainly isn't that.

There are dark humour moments, but this really is about the past catching up.

Both Paddy Considine and Toby Kebbel were excellent and the considine/meadows collaboration was a match we'll made.

On paper I can see the argument that there is little morally redemptive quality to a film like Dead Man's Shoes, no diamond polished by the end credits to reward an audience going through the trauma. But to actually sit through the film, and most importantly, to be subjected to another of Paddy Consadines' electric performances, is an extra-ordinarily vital, if viceral experience.

In 'A Room for Romeo Brass' Considines character shifted from comical to threatening in a truly unsettling way, although in the end his promise 'to go dark on you' is easily thwarted by the decisive action and confidence of a father-figure. In this film, again, there is some uncertainty on the audience's part as to how far the character will go, as until the end, we are uncertain of exactly what he is revenging.

Rest-assured, Considine delivers an absolutely convincing depiction of a man struggling to balance his desire for revenge and redemption, he invokes sympathy and fear from the audience in a performance to rival DeNiro in 'Taxi Driver'.

I judge a film on the value of the experience it gives you, and 'Dead Man's Shoes is more than worthy of your time.

I was already a huge fan of Meadows' work (A Room for Romeo Brass, 24/7) before going to watch this film and had extremely high hopes for it. Another reviewer hit the nail on the head when he said he was manipulated from the off with deep anxiety and anticipation. It recently came out to rent on DVD and I must have watched it about six or seven times now and loved every viewing and there are very few films that I can say that about. It is superb, if you have not seen it, don't read on, just go and watch it. It is obviously not technically the best film of all time, but I don't care what anyone says, it has become my second favourite film ever made, its that good. My reasons for loving it are probably very personal, so excuse my if you think I'm overrating it. I showed it to my mates though and they all loved it.

SPOILERS AHOY Its a dark, yes very dark film, but Meadows has a knack of using humour to ensure his work is never miserable or too depressing. The scene where Sonny accidentally shoots his mate in the head with a sniper rifle is gloriously farcical. I even had to chuckle during the scene where Richard shows Herbie the mangled body of Tuff because of Paddys fantastic acting- 'D'ya wanna give 'im kiss?', 'D'ya want me t' shut it? yeah', unbelievable. The drug scenes are some of the most realistic I've ever scene; whoever suggests they aren't needs to go out and drop some trips and say that again.

Just like all his films (except Once Upon A Time In The Midlands), the soundtrack is spot on. Perfect songs used with impeccable timing create a distinct, moody atmosphere. All the acting is fantastic (even the little kids at the end) the improvisation works a treat and you genuinely feel as if you know these characters, or have met them somewhere before.

I feel sorry for anyone who didn't like this film, you really are missing out. There's a few small continuity mistakes, but I only noticed them after watching it a few times and you've got to be a miserable git to let that spoil the experience. Shane and Paddy (if you're reading this), you are the best thing to happen to the British film industry since Loach, forget cockney gangsters. I can't wait for 'Le Donk'. 'thtweet boys and girth'. 11 out of 10 from me.

'Dead Man's Shoes (2004)' might just be one of the bleakest films I've ever seen, a near-nihilistic revenge story in which there are no real heroes and violence begets no satisfaction. It really is grim, putting Paddy Considine's angry ex-army-man on a path of no return and painting him as just as much a monster as the thugs he's after. A large part of this is due to the fact that lots of screen-time is given to the no-good, small-time gangsters who find themselves hunted by the protagonist. Even though they're nowhere near likeable - or, even, empathetic - you can't help but identify with their sheer terror as they're picked off one by one in an unrelenting, merciless fashion. The violence of the movie truly is shocking, yet never overly gratuitous. It's frank, ferocious and, sometimes, difficult to stomach. It's also never glamorised, even if it is focused on somewhat. The effect of the picture is palpable. It isn't enjoyable, per se, but it's compelling and challenging. Without offering so much as a sliver of hope, the piece pulls you into its seedy world of wrongdoing and revenge and doesn't let you out until it's well and truly finished with you. 7/10

If you do not like dark, challenging films, don't bother.

If you are ready for something unlike anything you've ever seen, and are not afraid to confront difficult emotions, give this film a go, you won't be disappointed.

From the start the tone is set. A bleak town in Northern England, like many bleak towns in northern England. With petty, small time drug dealers, like petty small time drug dealers everywhere, vicious and stupid. Then into their lives comes a mysterious figure, in a green parka. And nothing will ever be the same.

It's difficult to describe the movie without spoilers, and I do not want to spoil a single second of what is possibly the most powerful and emotionally wrenching film I have seen for a decade and more (made all the more powerful by the haunting music). Paddy Considine (who wrote and stars in the film) is stunning as, for want of a better phrase, an avenging angel, albeit a fallen one. The menace and tension builds and builds (including perhaps the best depiction of a bad LSD trip ever set down on film - it's an extremely discomforting experience if you've ever been on the wrong end of a bad trip, believe me) until the harrowing climax. This is not a nice film. This is not a fun film. This is, however, an exceptional film, and perhaps more importantly it is an honest film, a true film if such a thing can be said of fiction.

If you want smiles, or empty action, or to put your brain on hold, this is not the film for you.

If, however, you want a film with genuine emotional depth, that makes you think and resonates far after the end credits have finished, then this may be what you're looking for.

Just don't expect an easy ride.

An overused word, but the closest I've seen to a masterpiece for many a long year.